Doc explores film group’s volatile history

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If Winnipeg enjoys a certain cultural cachet disproportionate to its population and overall stature, some thanks are due to the Winnipeg Film Group.

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Hey there, time traveller!
This article was published 01/11/2017 (3240 days ago), so information in it may no longer be current.

If Winnipeg enjoys a certain cultural cachet disproportionate to its population and overall stature, some thanks are due to the Winnipeg Film Group.

The plucky film co-op gets to be the subject of its own feature-length documentary, opening Cinematheque’s Gimme Some Truth documentary festival tonight at 7 p.m., courtesy of two of its membership stalwarts, Dave Barber and Kevin Nikkel.

Fortunately, neither co-director is inclined to gloss over the WFG’s history with undue sentiment. After all, when it was formed in 1974 it largely consisted of a group of artists who did not always get along in the co-operative spirit intended.

Randall King / winnipeg free press files
Winnipeg’s Guy Maddin (silhouette, foreground) directs Archangel in 1989.
Randall King / winnipeg free press files Winnipeg’s Guy Maddin (silhouette, foreground) directs Archangel in 1989.

The film is disinclined to whitewash the failures and infighting that might befall any organization.

But in this compulsively watchable overview, one does marvel at the talent that fell into the group’s orbit, starting mainly with John Paizs, whose short trilogy The Three Worlds of Nick, followed up by the marvellous feature Crime Wave, announced a formidable talent that would set the tone of the WFG for decades to come in his ability to make big impressions with minimal resources.

Paizs inspired My Winnipeg filmmaker Guy Maddin and the through-line continued through the ’80s, ’90s and 2000s, with disparate talents including Shereen Jerrett, Ed Ackerman, Jeff Erbach, Shawna Dempsey and Lorri Millan, Noam Gonick, Deco Dawson, Sol Nagler, Matthew Rankin, Walter Forsburg, Mike Maryniuk, Danishka Esterhazy and Ryan McKenna.

(Paizs, as elusive as the characters he often played, is the only one of these filmmakers who doesn’t do an interview.)

Loaded with footage of films both fondly remembered and best left forgotten, Tales celebrates towering creativity on a flat surface.

Winnipeg Film Group
On the set of Rabbit Pie by Brad Caslor.
Winnipeg Film Group On the set of Rabbit Pie by Brad Caslor.

randall.king@freepress.mb.ca Twitter: @FreepKing

WINNIPEG FILM GROUP
Winnipeg Film Group membership stalwarts Kevin Nikkel (left) and Dave Barber set up shop in the projection booth at Cinematheque.
WINNIPEG FILM GROUP Winnipeg Film Group membership stalwarts Kevin Nikkel (left) and Dave Barber set up shop in the projection booth at Cinematheque.
Randall King

Randall King
Writer

Randall King writes about film for the Winnipeg Free Press.

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History

Updated on Wednesday, November 1, 2017 8:20 AM CDT: Photo added.

Updated on Wednesday, November 1, 2017 8:37 AM CDT: Adds photo

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If Winnipeg enjoys a certain cultural cachet disproportionate to its population and overall stature, some thanks are due to the Winnipeg Film Group.

The plucky film co-op gets to be the subject of its own feature-length documentary, opening Cinematheque’s Gimme Some Truth documentary festival tonight at 7 p.m., courtesy of two of its membership stalwarts, Dave Barber and Kevin Nikkel.

Fortunately, neither co-director is inclined to gloss over the WFG’s history with undue sentiment. After all, when it was formed in 1974 it largely consisted of a group of artists who did not always get along in the co-operative spirit intended.

The film is disinclined to whitewash the failures and infighting that might befall any organization.

Read
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