Tomb Raider lacks punch in relaunch

Former Oscar-winner lead isn't enough to bring excitement from Wonder Woman momentum

Advertisement

Advertise with us

If ever a movie was ripe to take advantage of momentum, it was Tomb Raider.

Read this article for free:


By clicking the button above, an account will be created and you will begin to receive some of our recommended newsletters. You may opt out of any newsletter by visiting your Email and Communication Preferences page or by clicking "unsubscribe" at the bottom of any email.

or

Already have an account? Log in here »

To continue reading, please subscribe:

Digital Subscription

One year of digital access for only $1.44 a week*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*Billed as $5.77 plus GST every four weeks. After 52 weeks, price increases to the regular rate of $19.95 plus GST every four weeks. Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 16/03/2018 (3142 days ago), so information in it may no longer be current.

If ever a movie was ripe to take advantage of momentum, it was Tomb Raider.

We’re talking about the physical going-forward momentum of a movie based on a classic running/jumping/shooting video game. (Debuting in 1996, Tomb Raider’s heroine Lara Croft was the teen-boy-gamer’s original pistol-packin’ mama, doing all the daring stunts of masculine video game heroes with the handicap of breasts that resembled emergency flotation devices.)

But it’s also about the momentum that accompanied last year’s Wonder Woman, wherein a female superheroine smashed through the glass ceiling of femme-centric superhero action. Alas, that advantage is pretty much blown out of the water before Alicia Vikander’s new iteration of Lara puts a score on the board.

Norwegian director Roar Uthaug helms a rebooted vision of Lara Croft that strives to de-mythologize her, even stripping her of her matching Heckler & Koch pistols. Gone too is the overt sexuality and danger Angeline Jolie brought to the role in her 2001 and 2003 films, which weren’t especially good, but which now evoke wistful nostalgia compared to this.

It was not a bad idea to cast Swedish Oscar-winner Vikander in the role, mind you. In contrast to the calculating android she played in Ex Machina, Vikander here strives to humanize Lara, making her a hip, contemporary gal, practising mixed martial arts when she’s not working as a bicycle messenger to pay the bills.

Alicia Vikander won an Academy Award back in 2016 and now tackles the role of video game icon Lara Croft in Tomb Raider.
Alicia Vikander won an Academy Award back in 2016 and now tackles the role of video game icon Lara Croft in Tomb Raider.

Ah yes, this Lara is still an heiress to the Croft fortune bequeathed to her by her father Lord Richard Croft (Dominic West), a widowed adventurer who left his daughter alone seven years earlier to pursue a mythical Japanese demoness, and hasn’t been seen since.

Instead of enjoying the fruits of her inheritance, she refuses to admit her father is dead. So when she finds a secret room in the family crypt that points the way to a hidden island off Japan, she takes off to find her father, hiring handsome drunkard Lu Ren (Daniel Wu) in Hong Kong to pilot a boat to the mystery island.

It is here they meet Mathias Vogel (Walton Goggins), an evil mercenary who has spent years trying to uncover the secret location Lord Croft evidently took to his grave.

Uthaug (The Wave, Cold Prey) has a noble enough idea to add a layer of real-world patina to an escapist franchise. The main embellishment here is that this Lara has human emotions. If she is wounded, or if she kills a bad guy, she will actually express some distress about it.

But the movie sorely lacks the brisk pace — momentum — this kind of adventure needs. It putters around endlessly before a tomb gets… you know… raided. And for some reason, sexual tension was evidently deemed off-limits between Lu Ren and Lara despite the potential African Queen dynamic of their relationship.

The main relationship is between Lara and her father, and that gets a little icky after a while.

As for Goggins’ character, they might as well have cast a CG orc in the role. Matthias is just a two-dimensional thug, well beneath the skill set Goggins demonstrated playing his celebrated heavy in the TV series Justified. If a movie can only be as good as its villain, this movie was in trouble from the get-go.

Want excitement and suspense? There’s more of that in the first seven minutes of Raiders of the Lost Ark than there is in the entirety of this movie.

randall.king@freepress.mb.ca

Twitter: @FreepKing

Randall King

Randall King
Writer

Randall King writes about film for the Winnipeg Free Press.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Tall Shadows brings original compositions to Faust screening

Sheldon Birnie 6 minute read Preview

Tall Shadows brings original compositions to Faust screening

Sheldon Birnie 6 minute read 2:00 AM CDT

In a time of plague and crisis, a good man makes a deal with the devil, in hopes of saving his community from death and destruction. But when his community turns on him, he finds his newfound power too much to resist.

The German folktale of Faust and his bargain with Mephisto dates back to the 15th century, while Johann Wolfgang von Goethe’s tragedy was first published over 200 years ago.

In 1926, F.W. Murnau’s German-expressionist take on the tale debuted on the silver screen. A century on, viewers remain entranced with the fantastical images of Faust, Mephisto, demons riding skeletal steeds through the heavens, and more, created using cutting-edge practical effects for the time.

Just in time for Halloween, Montreal-based avant-goth duo Tall Shadows will bring Murnau’s Faust to the Park Theatre on Wednesday, Oct. 28, performing an original score in celebration of the classic silent film’s 100th anniversary.

Read
2:00 AM CDT

U of W, former professor sued over alleged sex assault

Erik Pindera 5 minute read Preview

U of W, former professor sued over alleged sex assault

Erik Pindera 5 minute read Yesterday at 2:03 PM CDT

A woman who studied and worked at the University of Winnipeg has filed a lawsuit against the post-secondary institution and her former professor — a convicted sex offender — who she alleges drugged and sexually assaulted her.

The woman, a former international student from the United Kingdom and teaching assistant at the university, claims her professor and “mentor,” Derek Spencer, put a date-rape drug in her drink and groped her following a Christmas party for professors and graduate students in 2019.

“The assailant secretly placed a date-rape drug in her drink without consent and sexually assaulted her while she was in an altered and vulnerable state,” reads the woman’s statement of claim, filed in the Court of King’s Bench earlier this month.

“She suffered grave psychological and physical harm as a result.”

Read
Yesterday at 2:03 PM CDT

Inappropriate late-night texts to students costs teachers their jobs

Maggie Macintosh 5 minute read Preview

Inappropriate late-night texts to students costs teachers their jobs

Maggie Macintosh 5 minute read Tuesday, Oct. 20, 2026

Manitoba’s independent teacher commissioner has cancelled two certificates this month because of inappropriate late-night messaging with minors.

Read
Tuesday, Oct. 20, 2026

Police HQ report ‘outrageous’: Kinew

Joyanne Pursaga 6 minute read Preview

Police HQ report ‘outrageous’: Kinew

Joyanne Pursaga 6 minute read Tuesday, Oct. 20, 2026

Premier Wab Kinew says public inquiry findings that taxpayers were overcharged more than $40 million for the Winnipeg Police Service headquarters project and two city leaders broke the public trust are “outrageous.”

Inquiry commissioner Garth Smorang’s report, which was released Monday, concluded former mayor Sam Katz “violated the public trust” and council code of conduct, while the city’s former chief administrative officer Phil Sheegl suffered from a “complete lack of a moral compass.”

Smorang also found the city was overcharged $43.3 million for the project, with $42 million of that going to key contractor Caspian Projects.

“It’s outrageous that people who were elected betrayed the public here in the city. It’s outrageous that there were people in business who ripped you off, ripped me off — I was paying property taxes in Winnipeg at the time — and ripped all of us off to the tune of $43.3 million. That’s crazy,” said Kinew.

Read
Tuesday, Oct. 20, 2026

Play asks the cutting questions

Ben Waldman 6 minute read Preview

Play asks the cutting questions

Ben Waldman 6 minute read 2:00 AM CDT

An IKEA nursery awaiting its tenant is the first stage into which visitors are allowed entry in playwright Jordi Mand’s The Cut.

We see an antique rocker and unmarked boxes strewn about, with a table lamp — an unofficial Ner tamid, eternal candle — sitting on the unblemished carpet in the centre of the room. Sarah (Hallie Seline) and Andrew (Wade Bogert O’Brien) have a lot to unpack as they settle into their own home: two shelves of biography waiting for a third.

The box of books from Sarah’s parents is opened early.

“Something From Nothing? Goodnight Bubbala?” Andrew laughs, turning the volumes cover-out on the wall of his future son’s room. “What are they building? A Jewish bookshelf?”

Read
2:00 AM CDT

Outbreak should never have happened

Editorial 4 minute read Preview

Outbreak should never have happened

Editorial 4 minute read 2:00 AM CDT

The headline offered a vague sense that something had been accomplished, but it most certainly did not describe anything worth celebrating:

“Manitoba declares measles outbreak over.”

The news item in the Oct. 17 Free Press noted provincial public health officials had confirmed Manitoba’s last laboratory-confirmed case of measles was identified in August, and that the absence of any new cases since had allowed for the aforementioned declaration.

The end of the outbreak — which began in February 2025 and included a significant stretch this year during which Manitoba experienced more measles cases than any other province — is certainly worth noting. But it bears reminding that the real story here is that this province, and others across Canada, experienced a resurgence of this highly communicable but successfully eradicated disease in the first place.

Read
2:00 AM CDT