With the album The Carpenter, trio hammers out a niche in folk-rock arena

Advertisement

Advertise with us

When the Avett Brothers wrote their masterful seventh studio album, 2012's Rick Rubin-produced, Grammy-nominated The Carpenter, they struck a wellspring of creativity.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 10/07/2013 (4835 days ago), so information in it may no longer be current.

When the Avett Brothers wrote their masterful seventh studio album, 2012’s Rick Rubin-produced, Grammy-nominated The Carpenter, they struck a wellspring of creativity.

As it turns out, the North Carolina indie-folk trio, led by biological brothers Scott and Seth Avett and rounded out by nominal brother Bob Crawford, already have a followup on their hands.

“Apparently we do,” Scott says with a laugh, on the line from Boulder, Colo., just before making the trip to Winnipeg for their mainstage appearance tonight at the Winnipeg Folk Festival. “It’s been gratifying to see it come to life. When we recorded The Carpenter, we had our sights set on something bigger.”

Supplied photo
North Carolina threesome the Avett Brothers' star has been rising slowly and steadily.
Supplied photo North Carolina threesome the Avett Brothers' star has been rising slowly and steadily.

Although he’s tight-lipped about other details, the new record, which is due out as soon as this fall, is something like a Part 2. “It’s definitely a continuation of The Carpenter I would say,” Scott says. “If (Bob Dylan’s) Desire and Blood on the Tracks are partners, these (albums) certainly are.”

And if the new record is anything like its pair of predecessors, it’ll do more great things for the Avett Brothers. After slowly and steadily building a following over the better part of a decade, the trio finally got its big break in 2009 with its debut for American Recordings, I and Love and You (also produced by Rubin) — but it was really The Carpenter that announced the arrival of another major player in the folk-rock scene, on par with peers Mumford and Sons and the Lumineers. Like those acts, the Avetts’ brand of bluegrass-tinged folk rock goes down as easy as ice-cold lemonade from a mason jar.

But The Carpenter’s success isn’t just owed to its shiny hooks, of which there are plenty — such as the earworm single Live and Die, a song so catchy it netted the guys a Gap commercial.

In addition to being highly accessible, Scott and Seth have a knack for writing about big ideas — mortality, growing old, parenthood, challenged love — in a way that truthfully speaks to people. It’s easy to recognize yourself in their songs.

“We wrote smaller songs with younger angles before,” Scott says. “I don’t think we could honestly write about sex, drugs and rock ‘n’ roll, because that’s not what’s happening. We try to write in the now. Fatherhood and love — those are constant sources of inspiration. We work hard to find simple identities or truths, although I don’t like to use that word because it undercuts us all the time. It’s about cutting through the fog and confusion and finding that simplicity. Complexity becomes wool over our eyes.”

That’s not to say the Avett Brothers have got this whole life thing figured out, however. “We’re just battling through,” Scott says with a laugh. “I’d love to say we had it all figured out, but the truth is, we’re all lost.”

When it comes to success, the band seems to have it all figured out. Not ones to lean on accolades, the Avetts know hard work and consistently demanding better of themselves is what’s required to keep growing as players and performers.

“We’re guys who want to make work,” Scott says simply. “We know we’re capable of great things. We’ve got a good number of guys who are interested in making great things. There’s no room for mediocre songs.”

To that end, he’s grateful for the band’s slow, but sure, rise to fame.

“I’m very thankful for that,” he says. “It could be no other way than the way it is. If the early work had been more visible, I’d have to live with that on a bigger level. I’m happy we made a lot of embarrassing mistakes in front of fewer people.

“At 24, I wouldn’t have known how to be on a bigger stage. I would have abused the opportunity. I’m very fortunate that I went through what other people would consider a failure of a situation.

“You know how people stand on the stage at the Grammys and ask, ‘How did I get here?’ We never wonder how we got here. We know how we got here.”

 

The Avett Brothers play the mainstage tonight at Birds Hill Park at 8:05 p.m.

Jen Zoratti

Jen Zoratti
Columnist

Jen Zoratti is a columnist and feature writer working in the Arts & Life department, as well as the author of the weekly newsletter NEXT. A National Newspaper Award finalist for arts and entertainment writing, Jen is a graduate of the Creative Communications program at RRC Polytech and was a music writer before joining the Free Press in 2013. Read more about Jen.

Every piece of reporting Jen produces is reviewed by an editing team before it is posted online or published in print – part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

 

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

History

Updated on Wednesday, July 10, 2013 6:17 AM CDT: adds photo, changes headline

Report Error Submit a Tip

More Stories

Wasteful operations should be held accountable

Barry E. Prentice 5 minute read Preview

Wasteful operations should be held accountable

Barry E. Prentice 5 minute read 2:00 AM CDT

Rising water bills are a top-of-mind issue for residents of Winnipeg going into the fall election. Management of the water and waste system is under question, with citizen’s groups, as well as the Free Press, calling for proper oversight of rates (Time for the PUB to review Winnipeg water rates, Editorial, Sept. 26).

The need to increase rates to build the North End sewage plant is understandable. Siphoning off utility proceeds to make up other tax revenue shortfalls is another matter. But it is not the only questionable practice. If there was Public Utilities Board oversight of Winnipeg’s water and sewer rates, it would certainly be asking why the city is spending more than $3 million annually to operate the 164-kilometre-long, Greater Winnipeg Water District railway (GWWD) on ratepayers’ behalf.

The GWWD has come to the attention of the Railway Relocation Study, led by Lloyd Axworthy. All existing rail lines within the city are under review, as is the feasibility of a new railway bypass.

The GWWD is an example of a railway that has outlived its usefulness and sits on a pocket of land close to downtown that could be converted to higher-value uses.

Read
2:00 AM CDT

Six high school hockey programs ceased operations following new Hockey Manitoba policy

Joshua Frey-Sam 7 minute read Preview

Six high school hockey programs ceased operations following new Hockey Manitoba policy

Joshua Frey-Sam 7 minute read Friday, Oct. 2, 2026

She lived the best of both worlds.

For the last three years, the 17-year-old wore a sweater for two different hockey programs — her high school team and AAA club in the Manitoba Female Hockey League — and was preparing to flourish in both colours again this winter.

Recently, however, the blue-liner was disappointed to learn she is no longer eligible to play her Grade 12 season with her school owing to a new policy imposed by Hockey Manitoba that bans players from participating in the Manitoba Women’s High School Hockey League if they are rostered on a U18 AAA team.

The rule applies to all athletes who play for both Winnipeg-based and rural AAA teams.

Read
Friday, Oct. 2, 2026

Bombers get ‘whopped’ in Montreal

Taylor Allen 5 minute read Preview

Bombers get ‘whopped’ in Montreal

Taylor Allen 5 minute read Saturday, Oct. 3, 2026

MONTREAL — It’s hard to fathom that the Winnipeg Blue Bombers smacked these Montreal Alouettes five weeks ago.

The team that pulled off that 44-28 upset at Princess Auto Stadium was nowhere to be found in La Belle Province on Saturday night.

You can, however, now find them in the basement of the West Division at 7-8 after getting completely outmatched and outclassed by the Als in a 37-10 beatdown.

“This was bad,” left tackle Stanley Bryant told the Free Press postgame. “They basically had their way all around. They whopped our ass.”

Read
Saturday, Oct. 3, 2026

Finally nailed it

By Jen Zoratti 4 minute read Preview

Finally nailed it

By Jen Zoratti 4 minute read Wednesday, Jul. 10, 2013

When the Avett Brothers wrote their masterful seventh studio album, 2012's Rick Rubin-produced, Grammy-nominated The Carpenter, they struck a wellspring of creativity.

As it turns out, the North Carolina indie-folk trio, led by biological brothers Scott and Seth Avett and rounded out by nominal brother Bob Crawford, already have a followup on their hands.

"Apparently we do," Scott says with a laugh, on the line from Boulder, Colo., just before making the trip to Winnipeg for their mainstage appearance tonight at the Winnipeg Folk Festival. "It's been gratifying to see it come to life. When we recorded The Carpenter, we had our sights set on something bigger."

Although he's tight-lipped about other details, the new record, which is due out as soon as this fall, is something like a Part 2. "It's definitely a continuation of The Carpenter I would say," Scott says. "If (Bob Dylan's) Desire and Blood on the Tracks are partners, these (albums) certainly are."

Read
Wednesday, Jul. 10, 2013

Puzzles Palace

1 minute read Monday, Jul. 27, 2026

To solve our puzzles, please subscribe with this special offer: |

Letters, Oct. 5

7 minute read 2:01 AM CDT

Fighting the good fight

Re: Transit, roads and city council’s priorities (Oct. 2)

Many thanks to Erna Buffie for once again speaking up for transit.

When will Winnipeg finally make the shift from a car-dependent culture to a greener and more efficient way?