Royal Albert owner changes management, temporarily pulling plug on live music

Women wearing appropriate clothes to gym not asking for men’s opinions

Prior to last Saturday, I was the blissful sort of person who could say “who is that, again?” when I heard the name Shane Gillis.

Now, I know him as the comedian who said “women just dress like whores now” at the gym during his opening monologue on Saturday Night Live — a show that fired him in 2019, by the way, for being racist and homophobic on a podcast yet continues to invite him back as a host for some reason.

Gillis also likened women’s short shorts (the kind one might wear to lift weights, say) to neon fishing lures.

“And don’t look. You’re not allowed to look. For real, don’t look, because they are filming,” he said.

Federal data on Winnipeg's number of homeless people inaccurate, advocates say

The head of End Homelessness Winnipeg says she has no confidence in data about the city’s homeless population due to problems with the federal system that tracks those numbers.

City’s drug, homelessness crises overlooked on campaign trail, front-line groups say

Those on the front lines of coping with the city’s deepening homelessness and drug crises express concern at civic election candidates’ lack of attention to the issues

Half Pints Brewing out of bankruptcy, back on shelves

A pioneer of Winnipeg’s craft brewing scene has reopened under new ownership.

Austen adaptation a handsome, delicate cinematic dance

Marianne (Esmé Creed-Miles) can look rather bedraggled in this new version of Jane Austen’s first published novel, which has once again ignited the “loose hair” controversy that has raged among Janeites since the casually coiffed 2005 reimagining of Pride & Prejudice.

Purists might be vexed, possibly even discomfited or discomposed by some of the details in this take on Sense and Sensibility, part of a wave of Austen adaptations and Austen-adjacent material released to mark the 250th anniversary of the writer’s birth.

Would prudent Elinor (Daisy Edgar-Jones) be penning letters to a man to whom she is not engaged? Would even spirited Marianne be running barefoot through the woods?

Possibly not. But if director Georgia Oakley (Blue Jean) and rookie screenwriter Diana Reid don’t adhere to the strict letter of Austen’s work, they catch much of its spirit. This is a vivid and deeply felt examination of the enduring power of sisterhood, which is at the core of not just the 1811 novel, but of Austen’s own life in the profound importance of her relationship with her sister Cassandra.

Health ministers meeting ends without long-term funding commitment from Ottawa

Canada’s health minister failed to deliver the promises of long-term funding increases that her provincial and territorial counterparts, who were gathered in Winnipeg this week, had been seeking.

Instead, Marjorie Michel reiterated the federal government’s commitment to working collaboratively towards renewing bilateral funding agreements and to meet again before the end of the year to discuss long-term funding.

“The decision we all agreed on is to have our public service… start the work on what will be the next step for the next negotiation on Canada Health Transfer and other agreements,” Michel said Friday at a news conference after meeting with the other health ministers.

When asked why the federal government couldn’t commit to maintaining funding levels geared, at a minimum, to the rate of inflation over the long term, Michel said that it’s time to update agreements signed a decade ago.