Hexo unveils expected savings from strategic plan, facility reconfiguration

Perfecting profitability

More jaded of investors may roll their eyes at another book offering up a formula for the “perfect portfolio.”

Veteran portfolio manager Peter Lazaroff, based in St. Louis, and host of the Long Term Investor podcast understands the scepticism around his recently published book The Perfect Portfolio: a Proven Guide to Smart Investing for Long-Term Success.

Yet the chief investment officer at Plancorp Wealth Management, which has about US$10.2 billion in assets under management, has a caveat to the notion of the perfect portfolio.

“The perfect portfolio on paper is probably a lot different than the perfect portfolio for you in real life because what’s ‘perfect’ is a formula you can stick with for decades on end.”

Court hears woman’s statement detailing pain, trauma after boyfriend shot her in the face

A.W. thought she had found love with Machuor Akau.

That was before Akau put a loaded Luger handgun to the 26-year-old woman’s head last November and told her he should “kill her now.”

Akau shot her, shattering her jaw and embedding teeth in the bones of her mouth and leaving her fighting for her life.

Now A.W. wakes up every morning in pain and sees the scars on her face and neck.

U of W marks 10 years of Indigenous education requirement

The University of Winnipeg is collecting course outlines, historic concerns about systemic racism on campus and related records to mark the 10-year anniversary of mandating Indigenous studies.

The unveiling of a new archive drew nearly 200 people to Centennial Hall on Thursday afternoon to reflect on how the Indigenous course requirement, also known as “the ICR,” came to be.

University archivist Brett Lougheed told the crowd its inception is “an amazing story” of student activism that, until now, wasn’t accurately reflected in U of W records.

“What little material we had told the story of administration’s role in developing the ICR as though it was the ultimate driver… and not a student-led response to racism,” Lougheed said.

Happy email debt forgiveness day

There are few things more capable of producing an immediate feeling of guilt than opening your inbox and seeing an email you have not answered.

You know the one. It has been sitting there for three days or three months or perhaps long enough that responding now feels less like answering an email and more like reopening a historical case. You read it, think, “I really need to deal with that,” and then close it again.

The next week you see it, feel slightly worse and tell yourself you will answer it when you have more time. A month later, you are considering whether it would be less embarrassing to change your name and move to another province.

Fortunately, there is a solution: Sept. 30 is Email Debt Forgiveness Day, and I think it may be one of the most compassionate holidays we have invented.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.