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The Winnipeg Art Gallery's newest installation, Insurgence/Resurgence, will be it’s largest exhibition of contemporary Indigenous art ever, featuring the works of 29 artists. Here are some photos of their works by Winnipeg Free Press photographer Mike Deal.

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This article was published 21/09/2017 (3001 days ago), so information in it may no longer be current.

The Winnipeg Art Gallery’s newest installation, Insurgence/Resurgence, will be it’s largest exhibition of contemporary Indigenous art ever, featuring the works of 29 artists. Here are some photos of their works by Winnipeg Free Press photographer Mike Deal.

Vitaliy Yatsevych a conservator at the WAG makes some final adjustments to a piece by Hannah Claus, cloudscape, 2012 (double-matte reprography film, thread, PVA glue).
Vitaliy Yatsevych a conservator at the WAG makes some final adjustments to a piece by Hannah Claus, cloudscape, 2012 (double-matte reprography film, thread, PVA glue).
A conservator puts the finishing touches on to a piece by Caroline Monnet, Shield, 2017 (concrete, copper dust, copper pipe), one of the works of art by twenty-nine Indigenous artists for the Insurgence/Resurgence show at the Winnipeg Art Gallery.
A conservator puts the finishing touches on to a piece by Caroline Monnet, Shield, 2017 (concrete, copper dust, copper pipe), one of the works of art by twenty-nine Indigenous artists for the Insurgence/Resurgence show at the Winnipeg Art Gallery.
Tammy Sawatzky from the Inuit Art Centre Communications at the WAG tests out an interactive piece by Tsema Igharas, Esghanana (Reclamation) Series, 2016 (moose and abaca paper).
Tammy Sawatzky from the Inuit Art Centre Communications at the WAG tests out an interactive piece by Tsema Igharas, Esghanana (Reclamation) Series, 2016 (moose and abaca paper).
A modern usage of computer components within beadwork on clothing in a closeup of a piece by Barry Ace, Mino-bimaadiziwin (The Way of the Good Life), 2017 (mixed media textile).
A modern usage of computer components within beadwork on clothing in a closeup of a piece by Barry Ace, Mino-bimaadiziwin (The Way of the Good Life), 2017 (mixed media textile).
A piece by Dayna Danger, Kandace’s Mask, Danger’s Mask, Adrienne’s Mask, 2016 (leather, black, white and matte beads).
A piece by Dayna Danger, Kandace’s Mask, Danger’s Mask, Adrienne’s Mask, 2016 (leather, black, white and matte beads).
Mike Deal

Mike Deal
Photojournalist

Mike Deal started freelancing for the Winnipeg Free Press in 1997. Three years later, he landed a part-time job as a night photo desk editor.

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