Arts Editor's Picks
Puccini’s classic tragedy brought brilliantly to life
7 minute read Updated: Yesterday at 2:23 PM CSTEver since its Roman première in 1900, Puccini’s Tosca has packed more explosive drama into its three acts than a keg full of gunpowder, its tale of evil battling the enduring power of love still riveting audiences more than a century later.
Manitoba Opera opened its 2025/26 season Saturday night with the melodramatic thriller last staged here October 2010. (A subsequent production had been slated for 2021, with the verismo opera, based on an Italian libretto by Luigi Illica and Giuseppe Giacosa, cancelled after COVID-19 shuttered entire arts seasons worldwide.)
Its latest production — stage directed by Anna Theodosakis, who also helmed last season’s La Bohème — boasts a particularly strong cast of principals. All but one have appeared here numerous times, making the nearly three-hour evening (including two intermissions) feel an “old home” week, with 1,800 fans delighted to see their favourites tread these boards again.
An exception to that illustrious coterie is Italian-American soprano Marina Costa-Jackson, marking her Canadian debut in the title role. Her enthralling portrayal of the doomed heroine, who ultimately chooses to plunge to her death, recalls the equally fiery performance of her sister, mezzo-soprano Ginger Costa-Jackson, as Carmen in MO’s 2023 production.
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