The real David Gilmour is in the pink

Near-future U.S. the setting for surreal dual-world storyline

It’s not every day you encounter a seriously intended literary novel that attempts to dramatize a mind-bending physics theory like quantum entanglement.

But then the B.C.-born-and-raised Emily St. John Mandel is not your everyday Canadian literary writer.

In her late 40s, she has lived in the U.S. for her entire writing career. She is best known for her 2014 dystopian novel Station Eleven, about a Shakespearean acting troupe navigating a pandemic-ravaged America.

Her new outing, her seventh, Exit Party, shares DNA with detective and sci-fi genres more than with conventional literary fiction.

Kinew delivered what most of us wanted; now we’ll have to deal with the consequences

Premier Wab Kinew has decided to adopt permanent daylight savings time, which means a permanent end to the spring forward, fall back tradition of adjusting our clocks. And absolutely no one is surprised.

A quick look at where provinces and territories stand on time changes

WINNIPEG - Manitoba's government said Thursday the province will be sticking with daylight time year-round, making it the latest jurisdiction to move away from twice-annual time changes. Here's a look at where things stand across Canada:

British Columbia said in March that it was moving to permanent Pacific daylight time. The change also means that parts of northeastern B.C., which have been on mountain standard time year round, are now in alignment with the rest of the province.

Alberta also switched to permanent daylight time this year in what it calls Alberta time. The change means it now has the same time as Saskatchewan year round.

Saskatchewan has been on permanent central standard time since 1966.

Jets GM insists club’s not working under any deadline in netminder’s trade request

Connor Hellebuyck and his family were subject to so much post-Olympic vitriol that both the Winnipeg Jets security team and even police had to get involved.

Give-and-take relationship of Roman leaders takes centre stage in Harris’s historical fiction

British novelist Robert Harris’s latest work is a reflection on tyranny, corruption and betrayal among all-powerful political leaders.

You might be forgiven for thinking it’s a contemporary thriller — it’s actually historical fiction set in ancient Rome.

A former BBC journalist, Harris debuted as a novelist in 1992 with Fatherland, an alternative history where Nazi Germany won the Second World War.

Since then, the prolific author has become best-known for his works of historical fiction, especially his ancient Rome trilogy released from 2006-2015 and the novel Conclave, which was published in 2016 and was made into the film of the same name in 2024.

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Tom Lin’s second novel Babylon, South Dakota moves beyond a historical account of an immigrant family’s struggle, delightfully blending and bending genres.

Lin is a Chinese-born novelist whose family emigrated to the U.S. when he was four years old. His debut novel, The Thousand Crimes of Ming Tsu, won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making him the youngest ever recipient of that award. He earned a PhD in English from the University of California Davis and is currently an assistant professor of English and creative writing at the University of Iowa.

Babylon, South Dakota takes place in an unspecified time period that can be understood to be during the Mao era — likely the 1950s or ’60s. A young Chinese couple, the Hsuis, immigrate to the rural community that gives the book its title. They take the names Saul and Mei and settle on a 160-acre homestead left to them by a distant relative.

Saul’s dream is to breed and sell chrysanthemums from seeds he brought from China, while Mei wants to raise livestock. They speak no English, know nothing of life in the United States, are unprepared for the harshness of winter and the isolation of the farm and bring nothing with them except some gold, which Mei hides around the house for emergencies. Their only link to the outside world is a discarded and marginally functioning TV set, which Saul rescues and rigs up.