Don’t waste any time and energy on selfish lovers

Gilbert Plains Country Club closes for remainder of season due to flood damage

Scott McCallum has made the trek to the Gilbert Plains Country Club clubhouse countless times.

But this was the first time the golf professional and general manager of the course required hip waders to get to his office.

Walking hand in hand with his wife Lindsay, McCallum didn’t need much time to see the devastation caused by the flash flooding in the Parkland region in late June.

“We’re on a river and it’s a beautiful golf course, but anytime you’re on a body of water you know that you’re taking a chance of events like this happening,” McCallum said in a telephone interview. “To this magnitude, we’ve never seen anything like it before. So, this is new to us.

Kinder, gentler drug crackdown finds support, tempered expectations in Main Street area

Drawing a lighter from his pocket, a shirtless man perched on a concrete wall outside United Way Winnipeg’s Main Street headquarters heats a substance in a glass pipe and moves the tube toward his mouth.

Cinderella story continues, Sea Bears bounce Bandits in Conference Final

Just days ago, the Winnipeg Sea Bears were at rock bottom.

The losses had piled up, and the star talent had dwindled. The noise around the club grew, and the confidence from outside the building faded by the day.

Players and coaches alike conveyed the belief that persisted internally, but you wouldn’t fault some fans if those words fell on deaf ears.

Less than a week later, the undermanned and underestimated Sea Bears find themselves two wins away from the tippy top of the Canadian Elite Basketball League’s mountain after a second-straight convincing playoff victory, this time a 107-96 decision over the Vancouver Bandits in the Western Conference Final at the Langley Events Centre in British Columbia on Saturday.

Vibrant Norwood apartment garden a labour of love to honour green thumb’s late partner

St. Vital resident Rob Duncan can’t pinpoint when he first noticed an award-winning garden blanketing the grounds of a two-storey St. Mary’s Road apartment block, near Coniston Street.

Perhaps he was on his way home from work and caught a glimpse of it out of the corner of his eye. Or maybe he was running errands in the Norwood Flats area and paused to admire the array of annuals, perennials and potted plants that extends from the block’s doorway to the front curb.

What Duncan does know for certain is that after spying the urban oasis, twice fêted in Take Pride Winnipeg’s annual Winnipeg in Bloom competition, he couldn’t unsee it.

“First of all, the pink building really stands out,” Duncan says, referring to the brightly painted California Apartments complex at 268 St. Mary’s Rd. “But then you have the pergola, the rock garden, the flowers and trees… a sea of colour on a very busy street.”

Poilievre’s lips moving, but Canadians aren’t interested in what he’s saying

Pierre Poilievre’s biggest political challenge right now isn’t Prime Minister Mark Carney’s popularity.

It’s the fact that he still seems to be campaigning against a political landscape that no longer exists.

More than a year after the 2025 federal election, the Conservative leader is still relying on the same message, the same themes and the same attacks that defined his party’s campaign before voters went to the polls.

And Canadians appear to be tuning it out.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.