Fatal, fresh and feisty

No matter the setting, Bizet’s beloved tragedy always leaves audiences buzzing

Advertisement

Advertise with us

Ginger Costa-Jackson has been killed dozens of times. David Pomeroy has more than 100 impassioned murders under his belt.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 12/04/2024 (854 days ago), so information in it may no longer be current.

Ginger Costa-Jackson has been killed dozens of times. David Pomeroy has more than 100 impassioned murders under his belt.

The stars of Manitoba Opera’s latest presentation of Carmen are experts in their respective roles, having performed regularly as the sensual Carmen and jealous Don José for companies around the world.

Still, each rendition of Georges Bizet’s famous 1875 tragedy offers something new.

MIKAELA MACKENZIE / FREE PRESS
                                David Pomeroy (left) and Ginger Costa-Jackson deliver Spanish sizzle in Carmen, Manitoba Opera’s final production of the season.

MIKAELA MACKENZIE / FREE PRESS

David Pomeroy (left) and Ginger Costa-Jackson deliver Spanish sizzle in Carmen, Manitoba Opera’s final production of the season.

“People say, ‘Oh, you must be sick and tired of that opera,’” says Pomeroy, a tenor hailing from Newfoundland who has been playing José for 20 years, including during the last local staging of Carmen in 2010. “No, because every situation is different, it’s never the same.”

As one of the most popular operas in the world, Carmen has been reimagined in countless ways. In a German production, for example, Pomeroy was tailed by an unsettling green clown acting as José’s subconscious, with his beloved mother portrayed as a blinking eyeball on a television screen.

Regardless of the treatment, it’s a challenging role he cherishes.

“You really need to be a singing actor; you need to be willing to go outside of your comfort zone,” Pomeroy says. “Your emotions are on your sleeve. There’s nothing fake about it.”

For Costa-Jackson — an Italian-born mezzo-soprano — the character of Carmen shifts depending on her stage partner.

“It’s the energy they’re giving you,” she says. “You need that obsessive jealousy that brings (José) to the breaking point, and David has that in spades; he’s definitely someone who can be a lover and a fighter.”

During Costa-Jackson’s Manitoba Opera debut tonight, Winnipeg audiences can expect an extra feisty take on the title character.

Set in Spain, the story follows Don José, a soldier who abandons his hometown sweetheart Micaëla (played by Winnipeg’s Lara Ciekiewicz) after being seduced by the self-possessed Carmen. She grows tired of her new suitor’s overbearing behaviour, however, and pursues the handsome bullfighter Escamillo (Daniel Okulitch) instead.

It’s an infatuation with deadly consequences.

“She dies because she tells a man no,” says Costa-Jackson, who sees Carmen as a feminist figure. “That martyrdom seals with blood her testimony that women need to be able to choose. I love that about her.”

This is the seventh time the local company has mounted Carmen — although this production’s première is four years late. Rehearsals were underway in March 2020, when the COVID-19 pandemic shut down stages everywhere.

MIKAELA MACKENZIE / FREE PRESS
                                Pomeroy (left) and Costa-Jackson

MIKAELA MACKENZIE / FREE PRESS

Pomeroy (left) and Costa-Jackson

“It’s a little bit like doing the time warp,” director Brian Deedrick says. “To come back into the same spaces with the same props, same set … but a different paradigm, a new world.”

This is Deedrick’s first time tackling Carmen and it’s been a mammoth undertaking for the theatre and opera director from Edmonton. “I’ve never had an opera with so many moving parts,” he says.

This particular iteration — originally designed for the Edmonton Opera — is set in the 1930s, which has little effect on the storyline but requires more modern costuming. Deedrick — who has an affinity for busy, complex staging — isn’t aiming to re-invent the wheel, but he is hoping to give audiences something to talk about.

After nearly 150 years, why has Carmen retained its appeal?

“This is such a great story because it’s part soap opera and part hero worship,” Deedrick says. “And this music is in people’s heads. I’d defy anyone to sit through Carmen and not say: ‘That song is familiar, I’ve heard that somewhere’ — very often it’s from a toilet paper commercial or something, but they’ve heard that piece of music.”

Limited tickets remain for the three performances.

eva.wasney@winnipegfreepress.com

X: @evawasney

Eva Wasney

Eva Wasney
Reporter

Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva.

Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Icy relationship with U.S. beginning to thaw at border, data shows; American visits to Manitoba hit five-year high

Nicole Buffie 5 minute read Preview

Icy relationship with U.S. beginning to thaw at border, data shows; American visits to Manitoba hit five-year high

Nicole Buffie 5 minute read Yesterday at 5:32 PM CDT

As Canadians begin to lower their elbows and start to cross the U.S. border again, Americans are coming to Manitoba in numbers not seen in years.

Read
Yesterday at 5:32 PM CDT

It’s one thing to climb aboard rail-relocation train, quite another to pay for the ride

Dan Lett 5 minute read Preview

It’s one thing to climb aboard rail-relocation train, quite another to pay for the ride

Dan Lett 5 minute read Wednesday, Aug. 12, 2026

Anyone who wants a brighter, safer, healthier future for the city of Winnipeg should really want the renewed hopes of rail relocation to finally become reality. And the sooner, the better.

Premier Wab Kinew announced Wednesday the province was going to forge a plan to relocate the Canadian Pacific Kansas City central yards and many of other the lines that run through Winnipeg to a bypass that runs around the city.

This “plan to design a plan” strategy was devised by a task force headed up by former federal MP and cabinet minister Lloyd Axworthy, who in 2024 was given a two-year mandate to find the best way to rid the city of some or all of its rail infrastructure.

For the record, Kinew and Axworthy said a relocation would likely take 20 years to complete, which makes this week’s announcement an important statement of intent, but little more. The sobering reality is that this promising idea has been proposed by political leaders, and then abandoned, for decades.

Read
Wednesday, Aug. 12, 2026

‘No CUSMA, no booze-ma’: Kinew

Malak Abas 4 minute read Preview

‘No CUSMA, no booze-ma’: Kinew

Malak Abas 4 minute read Wednesday, Aug. 12, 2026

With the next round of tariffs set to hit Canadian goods next week, and a new report suggesting Manitobans could be severely impacted if the Canada-U.S.-Mexico agreement on trade breaks down, Premier Wab Kinew pledged Wednesday to keep working with the U.S. ambassador — and keep American booze off Manitoba shelves, for now.

Read
Wednesday, Aug. 12, 2026

Inman launching new album at WECC

Ben Waldman 4 minute read Preview

Inman launching new album at WECC

Ben Waldman 4 minute read 2:01 AM CDT

Give Richard Inman a moment and a surface, and he’ll cover it with a story.

“I’ve scribbled down lyrics on paper plates, McDonald’s bags — whatever you got,” says Inman, who grew up in southern Manitoba but now lives in a three-bedroom ranch house near Twin Butte, Alta., so close to the American border that he says he can spit into Montana from his backyard.

“The other day I had a line in my head for seven hours before I wrote it down,” says the songwriter, who managed to remember the phrasing after driving home from a music festival in Idaho. “That certainly was lucky.”

Though Inman, 35, first starting sharing his Americana concoctions with crowds at Winnipeg’s Times Change(d) High & Lonesome Club in the late 2000s, learning how to play his compositions with his band, the Mad Trappers, he has spent the bulk of the past decade out west, splitting time between the stage and the sale barn.

Read
2:01 AM CDT

Dazed and confused stoner comedy hard to get right

Alison Gillmor 4 minute read Preview

Dazed and confused stoner comedy hard to get right

Alison Gillmor 4 minute read 2:01 AM CDT

Stoner comedy has always been kind of a dude thing. Think of the Fabulous Furry Freak Brothers, Cheech & Chong, Ice Cube’s Friday franchise, Harold & Kumar, basically any movie with the young Seth Rogen.

Screenwriter Dylan Meyer (Moxie) provides a much-needed gender swap in her directorial debut, giving us Kristen Stewart and Alia Shawkat as ride-or-die roommates Frankie and Molly. Dipping in and out of the gig economy and perpetually broke, they share their Los Angeles bungalow with two cats, a life-size cardboard cutout of Celine Dion and an enormously complicated “bong-a-tron” that takes up most of the living room.

Finally, finally, it’s women who get to be messy, aimless and really high.

Unfortunately, stoner movies — no matter the gender — are surprisingly hard to get right. The Wrong Girls is sweet and shaggy and intermittently funny, but Meyer ends up struggling with the genre’s common buzzkills.

Read
2:01 AM CDT

Strike mandate for Dynacare workers

Free Press staff 2 minute read Preview

Strike mandate for Dynacare workers

Free Press staff 2 minute read Yesterday at 2:01 PM CDT

Nearly 350 laboratory technicians and technologists at Dynacare’s 22 laboratory and health services centres in Manitoba have voted in favour of a strike.

The Manitoba Association of Health Care Professionals, which represents the employees, said in a news release that 99 per cent of members who voted supported going on strike. A strike notice has not been served to the employer. If and when that occurs, the union is required to give two weeks’ notice.

The collective agreement between the union and Dynacare ended March 31. Negotiations between the parties began in February and they have been in mediation since July 15. They’ve been unable to reach a tentative agreement through mediation, and there are no further bargaining or mediation dates scheduled, the union said in a news release.

Dynacare became Manitoba’s only private outpatient provider for laboratory services in 2017, after purchasing competitor Unicity Labs. The union said Manitoba government records show Dynacare members completed more than 15 million laboratory tests in the 2024-25 fiscal year.

Read
Yesterday at 2:01 PM CDT