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Climate change threatens events we wait for all year

This week, owing to extreme heat and a wild storm with tree-snapping winds, the Royal Winnipeg Ballet had to cancel its full run of Ballet in the Park, a much-loved annual tradition at which people from all over Manitoba can enjoy world-class art in the verdant Assiniboine Park.

Two weeks prior, Rainbow Stage, another jewel of a Winnipeg summer, had to cancel the closing matinee of Jesus Christ Superstar owing to heat and humidity.

And at the beginning of July, Winnipeg Folk Festival attendees baked under scorching temperatures — 47 C with the humidex — to enjoy not just the discovery of music, but the community that has formed in Birds Hill Park on the second weekend of July for over 50 years.

This doesn’t feel great. I do not begrudge cancellations — they are absolutely the correct call for the health and safety of performers and patrons — but I can’t be the only one feeling some existential dread about our summers, and the things that make them special, in the face of a changing climate.

Culture minister’s pledge sends officials on hunt for money to fix Islamic centre after apparent hate crime

Government officials were left scrambling Friday to explain why the province is paying for repairs at a mosque recently targeted in a potential hate crime after a $1 million security enhancement fund was fully allocated in June.

On eve of Folklorama, Ghana pavilion scrambles to replace stolen outfits

Volunteers from Folklorama’s Ghana pavilion scrambled to replace cultural costumes for about 40 young dancers after the outfits were stolen in Winnipeg days before the annual festival begins.

Two plastic storage bins containing the costumes, to be worn by children and teenagers, were taken from the trunk of a parked car on Banning Street, near Notre Dame Avenue in the West End, likely late Wednesday or early Thursday.

“I felt sad that this has happened. I felt completely devastated for the mother who had them in her car,” said pavilion co-ordinator Abigail Larson. “The initial feeling of sadness changed to, ‘OK, how do we make this a positive?’”

The costumes belong to the Ghana Union of Manitoba Dancers, whose members have rehearsed for months for Folklorama, which begins Sunday.

On the night table: Colson Whitehead

Colson Whitehead

Author, Cool Machine

I’ve been reading Caroline Fraser. She has a book called Murderland about serial killers that came out last year. Her previous book, Prairie Fires, was a biography of Laura Ingalls Wilder. She’s a new author for me, and I’m going through that biography now. I never read Wilder’s books, but I liked the TV show when I was a kid; it’s one of those books that’s about a person’s life, but also pulls back to get the larger cultural panorama of America, talking about frontier life and and prairie life — it’s really interesting.

Colson Whitehead will launch Cool Machine, the third book in his Harlem trilogy, on Tuesday at 7 p.m. in the Muriel Richardson Auditorium at WAG-Qaumajuq (300 Memorial Blvd.) in an event presented by McNally Robinson Booksellers.

Nemat’s novel chronicles grandmother’s harrowing life in Russia and Iran

Mistress of the Persian Boarding House is the most enjoyable book I have read in the more than 15 years since I began reviewing books for the Free Press.

Author Marina Nemat’s prose, inspired by her paternal grandmother’s life, flows smoothly, like a babbling brook down a mountain.

Nemat is an Iranian-born Canadian writer and human rights activist known for her bestselling memoirs Prisoner of Tehran and After Tehran: A Life Reclaimed. Arrested at 16 for opposing Iran’s post-revolution regime, she endured torture and forced marriage in Evin Prison before emigrating to Canada in 1991.

Nemat’s grandmothers were both Russian, and she was brought up in a Russian Orthodox Christian family in Tehran. With their Iranian husbands, whom they had married before the Russian Revolution of 1917, both grandmothers fled from Russia to Iran as part of a massive wave of migration.