Julia Elliott wins US$150k Carol Shields Prize for ‘Hellions’

Canadians loving Carney’s decision to stand tall against floundering U.S. bully

It’s hard to imagine a more dramatic political contrast than the one unfolding on opposite sides of the Canada-U.S. border.

Mark Carney is fighting a trade war with Donald Trump, taking the occasional verbal punch from the American president and imposing retaliatory tariffs on U.S. products.

And the prime minister is being rewarded for it politically.

Trump, meanwhile, is fighting pretty much everyone he can find — including some of America’s closest allies — and his own voters are increasingly giving him the political equivalent of a raised middle finger. That’s quite a tale of two leaders.

Julia Elliott wins US$150k Carol Shields Prize for ‘Hellions’

TORONTO - Julia Elliott's eerie short story collection "Hellions" has won the US$150,000 Carol Shields Prize for Fiction.

"Hellions" includes elements of horror, Southern gothic and folklore, and jurors praise it for taking "no half-measures," saying "every sentence of Hellions crackles or crawls."

The book includes stories about a teen discovering her power, a young woman who goes up against a shape-shifting older professor and a nun working on a forbidden manuscript. 

Elliott was celebrated at a gala in Toronto on Tuesday night.

Education minister’s reasons for revoking teacher’s licence ‘not good enough,’ judge decides

A Manitoba judge has rejected the education minister’s decision to end a teacher’s career because he repeatedly messaged with a 13-year-old girl on social media.

U of M students call for ban on far-right group

Some University of Manitoba students are calling on their school to ban a far-right group from campus after posters promoting mass deportations were found during the summer break.

More than 50 people rallied on Wednesday, the first day of classes, to make known their concerns about a group called the Dominion Society of Canada.

The protest was organized after a supporter of the self-described nationalist group posted a video over the Labour Day weekend that shows him putting up flyers in Fort Garry.

“Canada is a really beautiful country and I have been welcomed here by a lot of beautiful people and it’s been amazing, but when I see harmful rhetoric online and now, on campus, it gives me a lot of anxiety,” said Ela Ancheta, an arts major at U of M.

Paranoid and high, man kills dad, takes photos of body, calls 911

Paranoid and sleep-deprived after a night of smoking crack, Donato Pellettieri stabbed his 64-year-old father 27 times, called 911 and waited outside their Maryland Avenue residence until police arrived minutes later and arrested him for murder, court was told Thursday.

“Paranoia led him to believe this was a kill-or-be-killed situation,” Crown attorney Joel Refvik told Court of King’s Bench Justice Ken Champagne. “This is an individual who, but for his drug use and paranoia, likely would not have killed his father.”

The 39-year-old pleaded guilty to second-degree murder for the July 2021 killing of Salvatore Pellettieri and was sentenced to life in prison with no chance of parole for at least 10 years.

The resolution of his case was delayed by long periods in which he was mentally unfit to stand trial, and changed lawyers and awaited reports to determine whether he should be found not criminally responsible for his actions.

Exhibition examines the bonds we make with humanoid objects

For the past few years, Winnipeg visual artist Emilie St-Hilaire has been fascinated by the way humans relate to artificial bodies — dolls, robots, mannequins — through play, care and connection, and how those synthetic relationships can produce very real emotions in humans.

Objects of Fidelity: Barbies, bots, bébés, her solo exhibition on view now at La Maison des artistes visuels francophones, explores this space between object and companion. It’s what she calls the “visual culmination” of work that began with her 2024 PhD dissertation at Concordia University in Montreal, which examined Reborn Dolls — hyper-realistic art dolls that resemble newborns — from a feminist perspective.

But when a robot included in the exhibition started malfunctioning and giving signs that it was at the end of its life, St-Hilaire was given a new question to puzzle: what does it mean for a robot, or any other artificial body, to “die”?

To understand that, one must first understand how these human attachments to humanlike objects form in the first place.