Glenn Martens exits Diesel with moans, headbanging and barely-there looks
Advertisement
Read this article for free:
or
Already have an account? Log in here »
To continue reading, please subscribe:
Digital Subscription
One year of digital access for only $205*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.
To continue reading, please subscribe:
Add Free Press access to your Brandon Sun subscription for only an additional
$1 for the first 4 weeks*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.
Read unlimited articles for free today:
or
Already have an account? Log in here »
MILAN (AP) — Diesel creative director Glenn Martens went out with a racy, body-positive collection during Milan Fashion Week on Tuesday, ending a tenure that revitalized and revolutionized the brand.
The runway, bathed in red light, set the stage for a provocative show. That was driven home midway when Diesel models planted in the stands began moaning in sexual revelry from their seats, alone, in pairs and threesomes, to the soundtrack “Love to Love You Baby.”
“Every season we try to do something unexpected. This one was a bit more … experimental,” Martens said backstage. “I think the whole celebration of being body positive and loving each other is part of the Diesel DNA.”
The collection featured knitwear that appeared to disintegrate into denim and leather, part of the brand’s trademark textile innovation. Martens employed trompe l’oeil — an artistic technique that gives a three-dimensional appearance to a flat surface — to create the illusion of luxe shearling and leather. Shorts became gradually shorter until the final look was little more than a strip of fabric across the bum.
Laser-cut T-shirts looked as if they were falling apart and had simply been thrown on during a morning-after “walk of shame,” an impression reinforced by smudged lipstick.
In the seats, writhing turned to headbanging for the runway finale, and Martens received a standing ovation. He leaves Diesel, which he joined in 2020, but stays on at parent company OTB’s Maison Margiela, the avant-garde Paris couture house.
At Diesel, “we never pretended to be a luxury brand, even though we were on during fashion week,” Martens said. “We also wanted to do more alternative things, and think about the community. I think that’s what I try to celebrate, but also with respect for the clothes.”