Artist’s monumental work heading to T.O.
Eyre's statues to grace garden
Advertisement
Read this article for free:
or
Already have an account? Log in here »
To continue reading, please subscribe:
Digital Subscription
One year of digital access for only $205*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.
To continue reading, please subscribe:
Add Free Press access to your Brandon Sun subscription for only an additional
$1 for the first 4 weeks*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.
Read unlimited articles for free today:
or
Already have an account? Log in here »
Hey there, time traveller!
This article was published 10/11/2009 (6130 days ago), so information in it may no longer be current.
Ivan Eyre is best known for his landscape and abstract paintings, but soon he’ll be notable for works of art weighing hundreds of kilograms.
Today, at the Loch Gallery on St. Mary’s Road, two massive bronze sculptures of works by the Winnipeg-based Eyre will be lifted onto pedestals by a crane.
The works, entitled Plains Call and Bird Wrap, will be on display for more than a year before they end up joining seven others to rest permanently in an Eyre sculpture garden in Toronto. The works are all being donated by Eyre.
"All of my life I’ve been wanting to have my work monumental," Eyre said on Monday.
"I could fully imagine it. But, while I prefer bigger works, small sculptures work effectively too.
"This is a great honour."
Eyre, 74, was born in Tully, Sask. and came to Winnipeg in the early 1950s to study at the University of Manitoba’s school of art.
Eyre later returned and taught full-time at his alma mater until he retired in 1993.
Eyre’s works of art sell for thousands of dollars and are in private and corporate collections around the world.
In 1997, Eyre donated more than $5 million worth of his paintings, drawings, sculptures and prints to the Assiniboine Park pavilion gallery. Those works can be viewed on the third floor of the gallery.
Eyre said when he made the small 12 centimetre or so models out of clay or plasticine for the nine large pieces — all weighing between 680 and 1,200 kilograms — he would get down on his hands and knees and look up at them.
"I would look at them as if I was six feet tall and think, by golly, that they would work being huge. I created them with the idea of looking up at them rather than down on them."
Eyre said he created the first work in 1999 and the others in the years since.
Neither Eyre nor David Loch, owner of Loch Gallery, would say where in Toronto the sculpture garden would be located, but they did say it would be part of an institution.
"In our opinion, it is really the most significant site we could have," Loch said. Loch said until the garden and the sculptures are completed during the next two years, a total of three of Eyre’s sculptures will sit in front of his gallery, with the other ones kept at a foundry in Montana.
"The world will become aware of what this is about. It’s pure Ivan Eyre."
Eyre said he hopes someday to see some of his bronze sculptures find a permanent home in Winnipeg.
kevin.rollason@freepress.mb.ca
Kevin Rollason
Reporter
Kevin Rollason was a general assignment reporter at the Free Press.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.