Atlantic Ballet of Canada to launch Indigenous dance program in Moncton this fall

Advertisement

Advertise with us

MONCTON, N.B. - The Atlantic Ballet of Canada is spearheading an Indigenous dance program this fall that will allow eight dancers to train close to their communities and culture.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 25/06/2024 (782 days ago), so information in it may no longer be current.

MONCTON, N.B. – The Atlantic Ballet of Canada is spearheading an Indigenous dance program this fall that will allow eight dancers to train close to their communities and culture.

Nipahtuwet Naka Wespahtuwet Possesom (Paul), who is the director of Atlantic Ballet Indigenous, said there are no professional training programs in Atlantic Canada and that the ballet’s initiative is filling an important gap.

The dance training program will be in contemporary style, but also include traditional and ballet, making it a holistic format that will give students access to a wide range of opportunities in their professional careers, he told reporters.

Precious Abygail Dedam, of Esgenoopetitj (Burnt Church, First Nation) dances during the announcement for the new intercultural Indigenous dance program as The Wabanaki Confederacy drum group provide the music in Moncton, N.B., on Monday June 25, 2024. THE CANADIAN PRESS/Ron Ward
Precious Abygail Dedam, of Esgenoopetitj (Burnt Church, First Nation) dances during the announcement for the new intercultural Indigenous dance program as The Wabanaki Confederacy drum group provide the music in Moncton, N.B., on Monday June 25, 2024. THE CANADIAN PRESS/Ron Ward

“This will help tell Indigenous stories through contemporary dance.”

A news release from the ballet said that the program will teach contemporary style and is rooted in the “world views, cultures, and practice” of the Mi’kmaq and Wolastoq nations of the Wabanaki Confederacy.”

On Tuesday, the federal government announced a grant of $400,000 to support the program, and the Ulnooweg Indigenous Communities Foundation will put in another $50,000.

The new two-year program that will launch in Moncton, N.B., this fall will accept eight Indigenous dancers in Grade 11.

“It’s really important that we had a small number, because, as you know, there’s difficulty graduating Indigenous students right now in all of our systems,” Possesom said. “So in order for us to support them, we wanted to make sure that we had a small enough number that we could have wraparound supports that they make it all the way through.”

In a Canadian first, the program will allow dancers to receive support and training close to their land and families, without having to relocate to other parts of the country.

When he was starting as a dancer, he said he supported himself through gig work, which meant that he didn’t have a steady income but this program will help students have a support system so they can concentrate on their careers.

Precious Abygail Dedam, a 26-year-old who teaches dance in the Mi’kmaq community, said setting up the school would revitalize Indigenous culture.

The school will help kick-start careers and put dancers on a professional path, which is “such a beautiful thing,” she said.

“To be able to get paid very rightfully for all of the work, all the efforts that they’re going to be putting into this … be recognized for all of the efforts that they are putting … I find that really awesome.”

Dakota Verner from Oromocto First Nations, N.B., will be starting Grade 12 in the fall and hopes to be in the first cohort of the Intercultural Indigenous Dance Program.

“From living on the reserve and becoming a dancer, it made me feel like I was more than just living on the reserve. It made me feel like I was important and I can do stuff, and it makes me feel good as a person,” she said.

“I never would have thought I had an opportunity like this before. I thought I was going to have to go be in accounting. That is my dream at the moment, but now I have a next step to be a dancer in my career, and I would love to do this.”

This report by The Canadian Press was first published June 25, 2024.

Report Error Submit a Tip

More Stories

Atlantic Ballet of Canada to launch Indigenous dance program in Moncton this fall

The Canadian Press 4 minute read Preview

Atlantic Ballet of Canada to launch Indigenous dance program in Moncton this fall

The Canadian Press 4 minute read Wednesday, Jun. 26, 2024

MONCTON, N.B. – The Atlantic Ballet of Canada is spearheading an Indigenous dance program this fall that will allow eight dancers to train close to their communities and culture. Nipahtuwet Naka Wespahtuwet Possesom (Paul), who is the director of Atlantic Ballet Indigenous, said there are no professional training programs in Atlantic Canada and that the ballet’s initiative is filling an important gap. The dance training program will be in contemporary style, but also include traditional and ballet, making it a holistic format that will give students access to a wide range of opportunities in their professional careers, he told reporters. […]

Read
Wednesday, Jun. 26, 2024

Corroded Arlington overpass yields way for new hope of spanning urban chasm

Melissa Martin 6 minute read Preview

Corroded Arlington overpass yields way for new hope of spanning urban chasm

Melissa Martin 6 minute read Yesterday at 2:00 AM CDT

It’s an interesting quirk of timing, perhaps, that the end of two of Winnipeg’s most unlovely features are coming into view in the same few weeks. The rail lines that split the city in half, and the bridge that was built to tie it back together. The original problem, and the solution.

And in the confluence of those two ends, we have an opportunity to dream of what a better Winnipeg can be.

At a news conference on Wednesday, former federal transport minister Lloyd Axworthy laid out a vision for a rail line bypass that would remove more than 120 railway crossings from Winnipeg, route them through Crown and Manitoba Hydro corridor land south of the city, and reclaim 250 acres in the urban core for greenspace and development.

The next step is to focus on how to make it happen. Nothing of this scope comes easy. This new bypass plan emerged from a two-year feasibility study that Premier Wab Kinew had tasked Axworthy with back in 2024. Now, Axworthy will helm a new 90-day feasibility study zooming in on that route specifically.

Read
Yesterday at 2:00 AM CDT

Big Loser’s latest a winning mix of country, folk

Ben Waldman 5 minute read Preview

Big Loser’s latest a winning mix of country, folk

Ben Waldman 5 minute read Yesterday at 6:00 AM CDT

The yellow trucker hat for sale on Facebook Marketplace said “Selkirk Lumber,” so Adam Wayne Brown knew he had to hammer home a deal.

Like the other millennial members of Winnipeg folk-country band Big Loser, the bassist has an affinity for the nostalgic, taking every opportunity — through music, through lyrics and through wardrobe — to recall the unique circumstances of growing up in a changing Interlake.

“I remember the matte yellow trucks driving around — the lumber trucks — and so I’ve had this strange memory of something disappearing from my youth and then persisting,” says Brown, who, like the band’s frontman Alex Paradoski, moved to Winnipeg more than a decade ago.

“I have a photo of the Lockport Bridge in my dining room,” chimes in Paradoski, whose first job as a teenager was bunning wieners and chopping fries at Skinner’s, a drive-in mainstay since 1929 along Highway 44.

Read
Yesterday at 6:00 AM CDT

West Kildonan Industrial residents call for speed bumps after child hit by truck

Morgan Modjeski 3 minute read Preview

West Kildonan Industrial residents call for speed bumps after child hit by truck

Morgan Modjeski 3 minute read Updated: Yesterday at 3:09 PM CDT

Residents in the West Kildonan Industrial neighbourhood are calling on the city to install speed bumps in their area after a child was hit and dragged by a vehicle Thursday.

Katelyn Bemister lives near the area where the child — who was hospitalized as a result of the incident and has been upgraded to stable condition — was struck. She says people frequently speed in the area.

“They’re going really fast, and they’re not really paying attention at all to the pedestrians in the area,” says Bemister.

In video supplied to the Free Press by a resident, the child can be seen riding a bike down a sidewalk along the 500 block of North Point Boulevard.

Read
Updated: Yesterday at 3:09 PM CDT

Rainbow Stage’s Legally Blonde a lovely legal musical

Holly Harris 6 minute read Preview

Rainbow Stage’s Legally Blonde a lovely legal musical

Holly Harris 6 minute read Friday, Aug. 14, 2026

Omigod, you guys! Rainbow Stage kicked off its penultimate summer production Thursday with a high-octane joy machine bathed in a sea of pink.

Inspired by the 2001 Hollywood film starring Reese Witherspoon, and Amanda Brown’s same-titled novel, the award-winning Legally Blonde: The Musical — featuring a book by Heather Hach, with music/lyrics by Laurence O’Keefe and Nell Benjamin — opened on Broadway in April 2007, followed by a subsequent West End run.

The tale — equal parts cheesy rom-com and potent siren call for female autonomy and empowerment — focuses on quintessential Cali-girl Elle Woods (a pitch-perfect Claire Mac Master). A proud daughter and president of Delta Nu sorority house, she enrols at Harvard Law School to win back her upwardly mobile ex-boyfriend, Warner Huntington III (Duncan Cox).

Laser-focused on marrying a “Jackie, not a Marilyn,” Warner dreams of becoming an American senator, latching onto uber-preppy fellow pupil Vivienne Kensington (Julie Davis), who becomes Elle’s arch nemesis.

Read
Friday, Aug. 14, 2026

Puzzles Palace

1 minute read Monday, Jul. 27, 2026

To solve our puzzles, please subscribe with this special offer: |