Winnipeg animator turns ‘Are we there yet?’ into art
Advertisement
Read this article for free:
or
Already have an account? Log in here »
To continue reading, please subscribe:
Digital Subscription
One year of digital access for only $205*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.
To continue reading, please subscribe:
Add Free Press access to your Brandon Sun subscription for only an additional
$1 for the first 4 weeks*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.
Read unlimited articles for free today:
or
Already have an account? Log in here »
Hey there, time traveller!
This article was published 03/03/2011 (5697 days ago), so information in it may no longer be current.
Freeze Frame, Winnipeg’s largest film festival, has a mission to present children’s films from around the world.
But perhaps one of its most notable films in its program of global features and shorts is a world première from a Winnipeg animator.
Anita Lebeau’s first film, Louise (2004), was a loving portrait of Lebeau’s own 96-year-old Belgian grandmother and it won considerable acclaim, including the Hiroshima Prize at the Hiroshima International Animation Festival.
You might say Lebeau’s second film for the National Film Board, titled Big Drive, is another slice of Lebeau family history. It’s a fanciful nine-minute re-creation of a marathon eight-hour family road trip circa 1971. While a silent mom and dad occupy the front seat, four sisters sit squirming in the back, attempting to amuse themselves, bugging each other, and finally letting their mutual creativity blossom forth.
Fanciful, yes, but it is also eerily accurate, right down to the dragonfly smooshed into the “Sunny Manitoba” licence plate on the family Dodge … at least to anyone who has lived through a long-distance drive through rural Canadian prairies.
Lebeau answers that description. Raised in Brandon, Lebeau, 49, is a longtime Winnipeg resident who lives (and works) in Wolseley with her husband Scott and her two daughters, Emma and Maggie Collins. Keeping her film in the family, Lebeau’s two daughters provided voices for the movie which, yes, is based on “many family journeys with my parents and my sisters,” Lebeau says.
It’s a bit of a giveaway that the film is set in the early ’70s when you notice none of the sisters is wearing a seat belt.
“Because that’s how it was,” Lebeau says.
The short also captures the simple grandeur in the setting.
“There’s something special about the prairie trip and that was one of the things I wanted to make obvious … the sense of the big sky and the endlessness of the landscape,” Lebeau says.
The film, while charming, is nostalgic in the way the girls in the back seat are obliged to make their own entertainment, a notion that now seems quaint when family vehicles these days are equipped with video monitors, iPods and portable video games.
“One of the things I was trying to do was have the girls draw their inspiration from the outside world, because that’s what you did. You looked outside,” she says.
“I kind of regret that when I travel with my own kids that they’re absorbed by their electronics,” she says.
Big Drive is in the Freeze Frame short program Shorts for Ages 8+ at the Globe Cinema on Monday at 11:30 a.m. and Thursday at 10 a.m. Lebeau will be in attendance for a Q&A session following the screenings.
randall.king@freepress.mb.ca
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.