SHERYL CROW / 100 Miles to Memphis (Universal)

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Sheryl Crow's knowledge of the Memphis sounds of days gone by is real -- she grew up in Kennett, Mo., 100 miles from the home of Stax and Hi Records. This album is her homage to the city as she veers from her shimmery pop and folky leanings to take on some southern soul and R&B.

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Hey there, time traveller!
This article was published 24/07/2010 (5902 days ago), so information in it may no longer be current.

Sheryl Crow’s knowledge of the Memphis sounds of days gone by is real — she grew up in Kennett, Mo., 100 miles from the home of Stax and Hi Records. This album is her homage to the city as she veers from her shimmery pop and folky leanings to take on some southern soul and R&B.

Still, it’s a summer album through and through, evidenced by an Al Green-esque overhaul of Terence Trent D’Arby’s Sign Your Name, which adds some doo-wop elements and guest backup vocalist Justin Timberlake to give it a playful vibe; Summer Day is a breezy, laid-back affair, only over-produced with some misplaced strings; the horn section on Our Love is Fading adds flavour and texture; The Long Road Home shows her flair for gospel; and Crow nails Michael Jackson’s I Want You Back, no surprise since she broke into the music business as a backup singer for the deceased entertainer.

Producers Doyle Bramhall II (best known as a member of the Fabulous Thunderbirds and as Eric Clapton’s touring guitarist) and Justin Stanley perfectly capture the sounds of the labels they are emulating, but the attempt at reggae, Eye to Eye, goes nowhere despite the presence of Keith Richards, who isn’t given much to do.

Still, this 100 mile musical diet does Crow good. 3-1/2 stars

— Rob Williams

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