Subvert music service prioritizing art over artificial intelligence

With its public launch earlier this month, a digital music marketplace called Subvert aims to live up to its name, directing more power — and more dollars — to recording artists navigating the choppy waters of the streaming wars.

Initially pitched as a collectively owned successor to Bandcamp — a popular sales interface for independent artists — and an alternative to big tech-funded streaming services like Spotify or Apple Music, Subvert (subvert.fm) was already hosting music for purchase by 20,000 artists from 120 countries as of Wednesday afternoon.

Nearly 30 of those artists — including Altona-based pop producer Daggerss, a.k.a. Laura Smith — call Manitoba home.

“To me, the co-op model is really exciting,” says Smith, a former touring member of indie rock stalwarts Said the Whale whose past projects include Rococode, a synthy duo that released music through Winnipeg label Head in the Sand Records in the 2010s. “It gives power to the people and keeps it in the hands of the people instead of us being at the beck and call of a tech company.”

Tribute to composer Ron Paley pays homage to local jazz leader who’s never wavered

When asked how he kept his big band together for so many years, Duke Ellington famously replied, “You simply have to have a gimmick, and the gimmick I use is to pay them money.”

While the remark was made half in jest, it strikes at a central truth: big bands, like orchestras, employ a lot of people and can be central economic drivers for jazz scenes.

All the more important, then, to have a leader like Ron Paley, who also inspires loyalty and admiration.

The nationally celebrated 75-year-old performer, composer, arranger and band leader is celebrated at a tribute concert this Saturday.

Dry Cold Productions co-founder retires after 25 years of onstage merriment

A lifelong contributor to Winnipeg’s musical theatre world is taking a step back from his leadership role with Dry Cold Productions as the company marks its 25th anniversary.

In 2001, Reid Harrison, whose retirement from the role as co-artistic director was announced in December, was sitting at the Charterhouse restaurant with Donna Fletcher and Melanie Whyte commiserating over the city’s seeming reluctance to program work by American musical theatre legend Stephen Sondheim.

“We were just sort of whining,” recalls Harrison, who’s also the general manager of the annual Agassiz Chamber Music Festival.

So the trio decided to do something about it.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

RMTC's Rubaboo: A Métis Cabaret is a musical mélange of jazz, folk, roots

You’ve probably had sirop d’érable and pemmican, but have you tried rubaboo?

A scoop of peas or corn, a dash of flour and onions, bison meat if you have it, a maple syrup garnish — and suddenly you’re cooking with bear grease (which you shouldn’t forget to add, either).

In a pinch, you might substitute grouse for bison meat, and throw in some extra turnip and parsnip plus wild vegetables to thicken your rubaboo stew.

Cooking and fusion metaphors are never far from how we talk about cultural blending, but in Canada, we’ve tended to resist America’s more assimilationist image of the melting pot. Instead, we talk of mosaics, or sometimes salad bowls, to emphasize eclecticism.

Stirring oratorio pays homage to Indigenous veterans

‘My war wasn’t in Europe. My war was when I came back to Canada and I couldn’t vote until 1962,” says composer Andrew Balfour. He’s paraphrasing a quote by an Indigenous veteran and the inspiration for his oratorio notinikew (i went to war).

Flora Luna: entre confidences musicales et rayonnement vers l’Est

Dans l’ordre, à la fin du mois de mars, Geneviève Freynet, connue sous le nom d’artiste de Flora Luna, avait annoncé sa signature avec Indica Records, un label indépendant basé à Montréal.

Fondé en 1997, Indica Records présente une variété de genres musicaux allant du rock/punk/alternative sur laquelle le label a été fondé, incluant le folk, mais aussi la pop, l’indie, la musique du monde et l’électro/rock.

Indica Records s’occupera spécifiquement du booking pour Flora Luna. Cela veut dire notamment la réservation et l’organisation des spectacles de l’artiste.

“L’idée, c’est qu’ils me réservent des spectacles et des tournées, surtout au Québec, et potentiellement en Europe, et un peu en Ontario aussi. Leur centre d’attention, c’est vraiment le Québec, alors oui, j’ai hâte,” précise Geneviève Freynet.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

From chants on trams to a parliament rave, young Hungarians provided a soundtrack for Orbán’s defeat

BUDAPEST, Hungary (AP) — Many of the young Hungarians who came of age during Prime Minister Viktor Orbán’s 16 years in power have never known life outside his political system. Yet it was they that were at the forefront of Sunday's earthquake election that ejected him from office.

As hundreds of thousands of people took to the streets to celebrate the historic win by pro-European candidate Péter Magyar, music from some of Hungary's most popular — and most Orbán-critical — performers filled the air. Teenagers scaled Budapest’s iconic Chain Bridge and blasted revolutionary anthems by artists whose songs captured young people’s frustrations with the regime.

On the city’s trams, buses and subway cars, young people led chants and played AI-generated fan music dedicated to Magyar.

In front of Hungary's neo-Gothic parliament building, a group called “More Techno to Parliament!” celebrated Orbán's defeat with a rave.

Manitoba Opera season features reimagined Scott Joplin work and Puccini classic

Manitoba Opera’s 54th season will feature a once-forgotten masterpiece and a returning classic.

The 2026-27 season opens with the local première of Scott Joplin’s Treemonisha: A Musical Reimagining (Nov. 21, 25, 27) and closes with Madama Butterfly (April 17, 21, 23, 2027), both performed at the Centennial Concert Hall.

Treemonisha was published in 1911 by Scott Joplin, the celebrated African-American pianist and composer often referred to as the King of Ragtime. Set during the Reconstruction era in the United States, the three-act opera focuses on the story of its title character, a young freedwoman, and fuses Western classical music with blues, gospel and ragtime.

The work proved too groundbreaking for the Euro-centric opera establishment and was produced for the first time in 1970, more than 50 years after Joplin’s death. The composer was awarded a Pulitzer Prize posthumously for his contributions to American music.

How Canadian box-office hit ‘Undertone’ got to the screen without public funding

TORONTO - Personal grief, a potentially haunted house and a sound-driven sense of dread helped turn “Undertone” into one of the year’s most unexpected horror hits.

But the biggest twist? The director says he made the film with no government money after his previous work was rejected by Canada’s public film funders.

The Toronto-shot film opened to $9.3 million at the North American box office over the weekend — a scary good debut for a movie made on a $500,000 budget.

For director Ian Tuason, his debut feature’s unlikely path to the big screen is also a quiet critique of how Canadian films get financed.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Drumming program connects Southeast Asian students with traditional instrument, heritage

For many young musicians at Arthur E. Wright School, tabla class begins with a bow and tapping their music teacher’s toes.

Amjad Sabir isn’t all that fussy about formalities, but he recognizes his students’ families have taught them these gestures are important to show respect towards their Indo-Canadian elders.

“I just want to spread this art,” said Sabir, who is affectionately known as “guruji” — meaning esteemed teacher in Hindi and Punjabi — inside the kindergarten-to-Grade 8 building in the Maples.

The art in question? A pair of hand drums, known as tabla, that create a wide range of tones.

Eddie Vedder turns solo vulnerability into a powerful plea in Netflix’s ‘Matter of Time’

The first time Eddie Vedder toured without Pearl Jam, he made some glaring mistakes onstage and felt discouraged. A few shows later, he ran into Bruce Springsteen, who told him that performing solo is terrifying but that vulnerability can be a force to harness.

Vedder described Springsteen’s advice as a North Star that stuck with him. Nearly two decades later, he leaned into it when he took the stage for two sold-out solo shows in October 2023 at Seattle’s Benaroya Hall.

“I remember kind of swimming through it and almost having a psychedelic experience,” he said. “I was so emotional, but I had to keep it together just to play properly.”

The emotional performances were part of a fundraiser to find a cure for epidermolysis bullosa, a rare and debilitating genetic skin disorder. A new Netflix documentary “ Matter of Time ” weaves the performances with personal stories of those on the front lines with EB.

Belated Lunar New Year party a feast of Korean culture

For the last month, Andrea Kitano has been spending her weekends hosting hanbok fashion shows at shopping centres across Winnipeg.

‘Anti-social’ dancer fell in love with metal, ‘community’ at WECC

Dammecia Hall is an artist, and for her that means spending a lot of time by herself.

“I’m extremely anti-social,” says the dancer, choreographer and educator. “But as soon as you put me in a social environment, I come alive.”

One of the social environments Hall finds herself in these days is the West End Cultural Centre, the non-profit performance venue inside a former church at the corner of Ellice Avenue and Sherbrook Street.

While attending an event at the WECC, a friend of a friend encouraged Hall to volunteer at the venue. The 43-year-old Wolseley resident applied soon after, and has been volunteering at the WECC for more than a year.

Protest songs capture horror, hope in times of turmoil

Bruce Springsteen has always held a mirror up to America.

Sometimes that looks like 1975’s Born to Run, about escaping small-town suffocation and hitting the open road. Sometimes that looks like 2001’s American Skin (41 Shots), about the 1999 killing of Amadou Diallo, an unarmed 23-year-old Guinean student who was hit by 19 of the 41 rounds fired at him by the NYPD. And sometimes that looks like 1993’s Streets of Philadelphia, which was about the AIDS crisis.

On Wednesday, Springsteen released Streets of Minneapolis, an appropriately Dylan-esque protest song about ICE’s reign of terror in Minnesota. The Boss does not mince words, calling out “Trump’s thugs,” “Miller and Noem’s dirty lies” and naming the two “left to die on snow-filled streets,” Alex Pretti and Renée Good.

No, it’s not subtle. But it can’t be. These are not times for subtlety.

Métis-Canadian soprano exploring portrayals of Indigenous women in opera stresses need for joy, humour

While historically opera has been divided into comedies and tragedies, buffa and seria, Camryn Dewar believes Canada’s recent operas have tended to be overly solemn when tackling certain difficult subjects.

The Métis-Canadian soprano is thinking, in particular, about the representation of Indigenous issues — a lightning rod for both government funding and critical scrutiny in Canadian culture.

“Lots of (operas) tackle the struggle and the loss, but not many of them feature Indigenous joy and humour,” she says. “And that’s something that’s really necessary because it helps with normalization, showing us as normal people.”

Dewar, a Fulbright Scholar with a newly minted master of music in vocal performance from Montclair State University, is on a Canadian tour showcasing Indigenous Female Representation in Opera, 1879–Present. Part lecture, part singing performance, the presentation had its first Winnipeg stop last week at the University of Manitoba and returns to the Canadian Mennonite University at 11:30 a.m., March 12, in the Laudamus Auditorium.

Profiter de l’hiver en musique

Depuis plus de vingt ans, le festival Music ‘N’ Mavens s’est donné pour mission de transformer l’hiver winnipegois en saison de rencontres, en misant sur la curiosité culturelle et le plaisir de se retrouver. Jusqu’au 26 mars, au Rady Jewish Community Centre (Rady JCC), la série propose chaque mardi et jeudi après-midi des concerts et des conférences pensés comme des instants de rencontre.

À contre-courant des habitudes culturelles, Music ‘N’ Mavens assume pleinement son créneau de jour avec des concerts et conférences en plein après-midi.

”Je me souviens qu’au début, on me demandait comment je pouvais penser que les gens viendraient à 14 heures quand il fait -30 degrés,” raconte Karla Berbrayer, fondatrice et directrice artistique du festival. Je leur répondais qu’il fallait une raison pour quitter la maison. Et aujourd’hui, plusieurs me disent que c’est la raison qui les pousse à sortir pendant la journée.”

À l’initiative du projet, l’on retrouve Karla Berbrayer, polyglotte et francophile, elle a nourri son intérêt pour la langue française qu’elle a commencé à apprendre en école d’immersion. La fondatrice défend depuis le départ une idée simple, celle d’offrir des propositions artistiques, sociales et culturelles à un moment de la journée souvent négligé.

New Music Festival explores theme of technology amid global rise of AI

This year’s New Music Festival runs Jan. 21-29 and includes six events.

‘We’re going up, up, up’: K-pop dominated Canada’s YouTube viewing trends in 2025

If YouTube’s year-end data is any clue, Canada is deeply in its K-pop era.

The streaming platform says Netflix’s hit animated musical film “KPop Demon Hunters” was a major driver of engagement in 2025, with several of its tracks becoming Canada’s most-watched music videos and shorts.

Meanwhile, “APT” — American singer Bruno Mars’ collaboration with K-pop star Rosé — ranked as the country’s top song of the year. It also became the fastest K-pop track to reach 1 billion views on YouTube, beating "Gangnam Style."

“KPop Demon Hunters” songs including “Golden,” “How It’s Done” and “Soda Pop” also cracked the top songs list, with the latter additionally ranking among the country’s most-watched shorts, which are YouTube's vertical short-form videos.

Teen quartet We’re Only Here for the Snacks to release debut album on limited-edition Winnipeg-inspired vinyl

The teenage instrumental indie-rock quartet will launch its debut album, Missed Our Stop, Sunday at the West End Cultural Centre.

Sony, Warner and Universal sign AI music licensing deals with startup Klay

LONDON (AP) — The world's biggest music labels have struck AI licensing deals with a little-known startup named Klay Vision, the companies said Thursday, the latest in a series of deals that underlines how the technology is shaking up the music industry ’s business model.

Warner Music Group, Universal Music Group and Sony Music Entertainment, and their publishing arms, all signed separate agreements with Klay, according to an announcement posted on Warner's website.

It comes a day after Warner inked two other deals involving artificial intelligence, with startups Udio and Stability AI.

There were few details released about the agreements or about Klay, which is based in Los Angeles, and what it does.

High score: Winnipeg Video Game Orchestra goes from joysticks to drumsticks

There is, evidently, a lot of crossover between band nerds and video game enthusiasts.

The Winnipeg Video Game Orchestra has levelled up at an impressive pace, attracting about 70 like-minded players since forming earlier this spring.

The ensemble is set to perform its first major concert at Jubilee Place on Friday featuring background music from Sonic the Hedgehog, Kirby, The Legend of Zelda and other well-known games.

“We grew very, very quickly,” says director Dann Bjornson, who isn’t entirely surprised by the overwhelming local interest.