Subvert music service prioritizing art over artificial intelligence

With its public launch earlier this month, a digital music marketplace called Subvert aims to live up to its name, directing more power — and more dollars — to recording artists navigating the choppy waters of the streaming wars.

Initially pitched as a collectively owned successor to Bandcamp — a popular sales interface for independent artists — and an alternative to big tech-funded streaming services like Spotify or Apple Music, Subvert (subvert.fm) was already hosting music for purchase by 20,000 artists from 120 countries as of Wednesday afternoon.

Nearly 30 of those artists — including Altona-based pop producer Daggerss, a.k.a. Laura Smith — call Manitoba home.

“To me, the co-op model is really exciting,” says Smith, a former touring member of indie rock stalwarts Said the Whale whose past projects include Rococode, a synthy duo that released music through Winnipeg label Head in the Sand Records in the 2010s. “It gives power to the people and keeps it in the hands of the people instead of us being at the beck and call of a tech company.”

Tribute to composer Ron Paley pays homage to local jazz leader who’s never wavered

When asked how he kept his big band together for so many years, Duke Ellington famously replied, “You simply have to have a gimmick, and the gimmick I use is to pay them money.”

While the remark was made half in jest, it strikes at a central truth: big bands, like orchestras, employ a lot of people and can be central economic drivers for jazz scenes.

All the more important, then, to have a leader like Ron Paley, who also inspires loyalty and admiration.

The nationally celebrated 75-year-old performer, composer, arranger and band leader is celebrated at a tribute concert this Saturday.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

RMTC's Rubaboo: A Métis Cabaret is a musical mélange of jazz, folk, roots

You’ve probably had sirop d’érable and pemmican, but have you tried rubaboo?

A scoop of peas or corn, a dash of flour and onions, bison meat if you have it, a maple syrup garnish — and suddenly you’re cooking with bear grease (which you shouldn’t forget to add, either).

In a pinch, you might substitute grouse for bison meat, and throw in some extra turnip and parsnip plus wild vegetables to thicken your rubaboo stew.

Cooking and fusion metaphors are never far from how we talk about cultural blending, but in Canada, we’ve tended to resist America’s more assimilationist image of the melting pot. Instead, we talk of mosaics, or sometimes salad bowls, to emphasize eclecticism.

Stirring oratorio pays homage to Indigenous veterans

‘My war wasn’t in Europe. My war was when I came back to Canada and I couldn’t vote until 1962,” says composer Andrew Balfour. He’s paraphrasing a quote by an Indigenous veteran and the inspiration for his oratorio notinikew (i went to war).

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

From chants on trams to a parliament rave, young Hungarians provided a soundtrack for Orbán’s defeat

BUDAPEST, Hungary (AP) — Many of the young Hungarians who came of age during Prime Minister Viktor Orbán’s 16 years in power have never known life outside his political system. Yet it was they that were at the forefront of Sunday's earthquake election that ejected him from office.

As hundreds of thousands of people took to the streets to celebrate the historic win by pro-European candidate Péter Magyar, music from some of Hungary's most popular — and most Orbán-critical — performers filled the air. Teenagers scaled Budapest’s iconic Chain Bridge and blasted revolutionary anthems by artists whose songs captured young people’s frustrations with the regime.

On the city’s trams, buses and subway cars, young people led chants and played AI-generated fan music dedicated to Magyar.

In front of Hungary's neo-Gothic parliament building, a group called “More Techno to Parliament!” celebrated Orbán's defeat with a rave.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Drumming program connects Southeast Asian students with traditional instrument, heritage

For many young musicians at Arthur E. Wright School, tabla class begins with a bow and tapping their music teacher’s toes.

Amjad Sabir isn’t all that fussy about formalities, but he recognizes his students’ families have taught them these gestures are important to show respect towards their Indo-Canadian elders.

“I just want to spread this art,” said Sabir, who is affectionately known as “guruji” — meaning esteemed teacher in Hindi and Punjabi — inside the kindergarten-to-Grade 8 building in the Maples.

The art in question? A pair of hand drums, known as tabla, that create a wide range of tones.

Protest songs capture horror, hope in times of turmoil

Bruce Springsteen has always held a mirror up to America.

Sometimes that looks like 1975’s Born to Run, about escaping small-town suffocation and hitting the open road. Sometimes that looks like 2001’s American Skin (41 Shots), about the 1999 killing of Amadou Diallo, an unarmed 23-year-old Guinean student who was hit by 19 of the 41 rounds fired at him by the NYPD. And sometimes that looks like 1993’s Streets of Philadelphia, which was about the AIDS crisis.

On Wednesday, Springsteen released Streets of Minneapolis, an appropriately Dylan-esque protest song about ICE’s reign of terror in Minnesota. The Boss does not mince words, calling out “Trump’s thugs,” “Miller and Noem’s dirty lies” and naming the two “left to die on snow-filled streets,” Alex Pretti and Renée Good.

No, it’s not subtle. But it can’t be. These are not times for subtlety.

Métis-Canadian soprano exploring portrayals of Indigenous women in opera stresses need for joy, humour

While historically opera has been divided into comedies and tragedies, buffa and seria, Camryn Dewar believes Canada’s recent operas have tended to be overly solemn when tackling certain difficult subjects.

The Métis-Canadian soprano is thinking, in particular, about the representation of Indigenous issues — a lightning rod for both government funding and critical scrutiny in Canadian culture.

“Lots of (operas) tackle the struggle and the loss, but not many of them feature Indigenous joy and humour,” she says. “And that’s something that’s really necessary because it helps with normalization, showing us as normal people.”

Dewar, a Fulbright Scholar with a newly minted master of music in vocal performance from Montclair State University, is on a Canadian tour showcasing Indigenous Female Representation in Opera, 1879–Present. Part lecture, part singing performance, the presentation had its first Winnipeg stop last week at the University of Manitoba and returns to the Canadian Mennonite University at 11:30 a.m., March 12, in the Laudamus Auditorium.

Profiter de l’hiver en musique

Depuis plus de vingt ans, le festival Music ‘N’ Mavens s’est donné pour mission de transformer l’hiver winnipegois en saison de rencontres, en misant sur la curiosité culturelle et le plaisir de se retrouver. Jusqu’au 26 mars, au Rady Jewish Community Centre (Rady JCC), la série propose chaque mardi et jeudi après-midi des concerts et des conférences pensés comme des instants de rencontre.

À contre-courant des habitudes culturelles, Music ‘N’ Mavens assume pleinement son créneau de jour avec des concerts et conférences en plein après-midi.

”Je me souviens qu’au début, on me demandait comment je pouvais penser que les gens viendraient à 14 heures quand il fait -30 degrés,” raconte Karla Berbrayer, fondatrice et directrice artistique du festival. Je leur répondais qu’il fallait une raison pour quitter la maison. Et aujourd’hui, plusieurs me disent que c’est la raison qui les pousse à sortir pendant la journée.”

À l’initiative du projet, l’on retrouve Karla Berbrayer, polyglotte et francophile, elle a nourri son intérêt pour la langue française qu’elle a commencé à apprendre en école d’immersion. La fondatrice défend depuis le départ une idée simple, celle d’offrir des propositions artistiques, sociales et culturelles à un moment de la journée souvent négligé.

‘We’re going up, up, up’: K-pop dominated Canada’s YouTube viewing trends in 2025

If YouTube’s year-end data is any clue, Canada is deeply in its K-pop era.

The streaming platform says Netflix’s hit animated musical film “KPop Demon Hunters” was a major driver of engagement in 2025, with several of its tracks becoming Canada’s most-watched music videos and shorts.

Meanwhile, “APT” — American singer Bruno Mars’ collaboration with K-pop star Rosé — ranked as the country’s top song of the year. It also became the fastest K-pop track to reach 1 billion views on YouTube, beating "Gangnam Style."

“KPop Demon Hunters” songs including “Golden,” “How It’s Done” and “Soda Pop” also cracked the top songs list, with the latter additionally ranking among the country’s most-watched shorts, which are YouTube's vertical short-form videos.

Sony, Warner and Universal sign AI music licensing deals with startup Klay

LONDON (AP) — The world's biggest music labels have struck AI licensing deals with a little-known startup named Klay Vision, the companies said Thursday, the latest in a series of deals that underlines how the technology is shaking up the music industry ’s business model.

Warner Music Group, Universal Music Group and Sony Music Entertainment, and their publishing arms, all signed separate agreements with Klay, according to an announcement posted on Warner's website.

It comes a day after Warner inked two other deals involving artificial intelligence, with startups Udio and Stability AI.

There were few details released about the agreements or about Klay, which is based in Los Angeles, and what it does.

High score: Winnipeg Video Game Orchestra goes from joysticks to drumsticks

There is, evidently, a lot of crossover between band nerds and video game enthusiasts.

The Winnipeg Video Game Orchestra has levelled up at an impressive pace, attracting about 70 like-minded players since forming earlier this spring.

The ensemble is set to perform its first major concert at Jubilee Place on Friday featuring background music from Sonic the Hedgehog, Kirby, The Legend of Zelda and other well-known games.

“We grew very, very quickly,” says director Dann Bjornson, who isn’t entirely surprised by the overwhelming local interest.

Croft Music plays finale after century-plus in business

A 110-year-old music instrument business has concluded its coda.

On Saturday, Ian Crowson closed the doors for good on Croft Music and began his retirement. The company specialized in selling and renting string instruments — particularly violins — and sold accessories and sheet music.

For the last 23 years, Croft Music worked in tandem with Violins by Anton, a one-man business operated by luthier Anton Domozhyrov. Crowson rented instruments and Domozhyrov repaired them out of the same location at 833 Henderson Hwy. Domozhyrov will continue running Violins by Anton in the building.

Crowson announced his retirement on Facebook at the end of May, writing that he would finish his career shortly after his 72nd birthday in September.

Offhand insult in 2003 gave rise to the Banjo Bowl — one of CFL's most-colourful and enduring rivalries

It was the verbal shot heard ’round the world. Or at least, across a pair of Prairie provinces.

Canadian Football League fans in Manitoba and Saskatchewan are well familiar with the origin of the Banjo Bowl, the annual tilt that pits the host Winnipeg Blue Bombers against their principal rival, the Saskatchewan Roughriders.

Followers of both teams can tell you that the match evolved out of a comment uttered by former Bombers placekicker Troy Westwood in September 2003, when he sarcastically referred to Saskatchewaners (Saskatchewanites? Saskatchewians?) as “banjo-picking inbreds.”

Then, how he doubled down on that jibe a few weeks later when, at a scheduled news conference, he told members of the media that he had misspoken, as “the vast majority of the people in Saskatchewan have no idea how to play the banjo.” (For the record, Westwood’s mom was born in the Land of the Living Skies, and his aunts and grandmother were living there when he was spouting off.)

Hotel-weary evacuees guests at powwow

SIOUX VALLEY DAKOTA NATION — Evacuees displaced from their communities in northern Manitoba were invited to Sioux Valley Dakota Nation on Friday for what the chief called a mental health day.

A hundred people were at the afternoon event when the Brandon Sun visited.

The event, which included live music, games and children’s entertainment, was a way to give a day of fresh air to evacuees, Chief Vince Tacan said.

“We thought we’d give our relatives from the north a mental health day, because staying in hotels gets hard after a while,” Tacan said.

Green chemist and musician on fighting climate change

There’s no shortage of doom and gloom associated with the words “climate change” these days. As a result, many people are stressed out and feeling helpless.

Particularly concerning is that, more than ever, younger people are experiencing considerable distress with environmental anxiety, also known as eco-anxiety or climate anxiety. The Journal of Mental Health and Climate Change, an open-access publication that features interdisciplinary scientific research on mental health and climate change, continues to write extensively on this subject.

While prominent environmental activists, including well-known science broadcaster David Suzuki, paint a bleak picture of the future, many other professionals in various fields are working tirelessly to educate, inspire and fight the good fight for the next generations.

Born and raised in Lynn Lake, Man., Devin Latimer is one of those professionals. The faculty member in chemistry at the University of Winnipeg is also a long-time musician, bass player with local band Leaf Rapids and the Juno award-winning Nathan Music Co.

Big Ocean breaks new ground as K-pop’s first deaf group

SEOUL, South Korea (AP) — Big Ocean, a three-member K-pop group composed entirely of artists with hearing disabilities, is redefining the limits of music and performance — one beat at a time.

When Big Ocean takes the stage, they seamlessly incorporate sign language into their performances. But their polished shows are built on extensive preparation using high-tech tools born from necessity — vibrating smartwatches that pulse with musical beats and LED visual metronomes that flash timing cues during practice sessions. This technological approach represents significant progress in South Korea’s entertainment industry, where career opportunities for people with disabilities have historically been limited.

The trio, PJ, Jiseok and Chanyeon, made their debut in April 2024 and recently wrapped a solo European tour marking their first anniversary. The band performed in four countries, including France and the U.K., while promoting their second mini-album, “Underwater,” which dropped on April 20.

PJ rose to prominence as a YouTuber who educated viewers about hearing disabilities. Chanyeon previously worked as an audiologist. Jiseok was a professional ski racer.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Magnificent mentorship program

Sitting on a piano bench at the back of the St. Norbert Arts Centre gallery space Thursday, up-and-coming musician Tomiwa Omolayo is wearing rose-coloured glasses — literally.

It’s the same pair of tinted shades (accented by a rolled-up mustard-yellow toque) the self-proclaimed optimist wore for his first live show since the COVID-19 pandemic: a performance on the GerryFest 2021 stage.

“I was nervous because I wasn’t sure if the music would connect,” Omolayo said, thinking back to the August 13 show on a breezy outdoor stage at the arts centre. “I’m trying to make something that’s different, something that’s fresh.”

The Lagos-born 23-year-old is an Afrofusion artist who launched his career blending a variety of musical genres with the classic sounds of afrobeats in 2018, after moving from Nigeria to Winnipeg for school just a few years before.