SOCAN sues Suno, alleges AI company copies Canadian music without paying creators

Canada’s largest member-owned music rights organization is suing U.S. artificial intelligence company Suno, alleging the AI music generator copied songs in its repertoire — including Nickelback’s 2005 hit “Photograph” — without permission or compensation.

A closer look at five standout Canadian titles headed to TIFF 2026

TORONTO - When writer-director David Bezmozgis set out to adapt his 2014 novel "The Betrayers" for the big screen, he wasn't just changing its format. He also had to adjust to a new geopolitical landscape.

The film, which is set in Ukraine and Israel, is one of 61 Canadian features and shorts programmed at this year's edition of the Toronto International Film Festival.

The Canadian Press spoke to Bezmozgis and four other homegrown directors about their films.

THE BETRAYERSBezmozgis's second novel was an unmitigated hit when it was published. It made numerous best-of-the-year lists — from the Wall Street Journal to the New Yorker — and was shortlisted for the Giller Prize.

Library opera shows let kids take control of the action

Virtually everyone would choose a treat over a mouldy sandwich. But the youngsters attending Rufus and Rita in Winnipeg libraries often choose the latter.

Rural councils work hard, plan big to build local arts scenes

BEAUSEJOUR — Brittany Wurch has always been drawn to art. She fell in love with illustration and animation as a kid, but growing up near Beausejour meant she had to travel elsewhere to satisfy her creative interests.

“I had to go to a different community to take art,” says Wurch, who chose to study in Selkirk, about a 30-minute drive west, for its high school’s superior art program.

As an adult, she’s determined to make art more accessible in her community.

A smiling red barn and a tall water tower greet visitors on the way into Beausejour. The cute, compact town is located 50 kilometres northeast of Winnipeg and is home to 3,300 people. It’s surrounded by farmland and situated within the RM of Brokenhead, where agriculture and sports have historically reigned supreme.

Don’t delete organ concert tickets when scrubbing digital life

We all have digital footprints of varying sizes and, in the future, grandma’s proverbial china set will be replaced by terabyte hard drives and social media accounts.

Rainbow Stage’s Legally Blonde a lovely legal musical

Omigod, you guys! Rainbow Stage kicked off its penultimate summer production Thursday with a high-octane joy machine bathed in a sea of pink.

Inspired by the 2001 Hollywood film starring Reese Witherspoon, and Amanda Brown’s same-titled novel, the award-winning Legally Blonde: The Musical — featuring a book by Heather Hach, with music/lyrics by Laurence O’Keefe and Nell Benjamin — opened on Broadway in April 2007, followed by a subsequent West End run.

The tale — equal parts cheesy rom-com and potent siren call for female autonomy and empowerment — focuses on quintessential Cali-girl Elle Woods (a pitch-perfect Claire Mac Master). A proud daughter and president of Delta Nu sorority house, she enrols at Harvard Law School to win back her upwardly mobile ex-boyfriend, Warner Huntington III (Duncan Cox).

Laser-focused on marrying a “Jackie, not a Marilyn,” Warner dreams of becoming an American senator, latching onto uber-preppy fellow pupil Vivienne Kensington (Julie Davis), who becomes Elle’s arch nemesis.

Rainbow Stage star relates to Elle Woods’ perseverance

Nearly 9,000 aspiring barristers and solicitors cross their fingers and send in their LSAT scores to Harvard University each year, but less than 10 per cent of applicants wind up on campus in Cambridge, Mass.

In Legally Blonde, the musical opening tonight at Rainbow Stage, Elle Woods (Claire Mac Master) defies the undercutting judgment of her blue-blood boyfriend Warner (Duncan Cox) to earn a spot in the Ivy League, leaving her doubters aghast and crimson-faced.

“What?” asked Elle — played by Reese Witherspoon in the 2001 film version — “Like it’s hard?”

The New York-born Mac Master never had any aspirations to pursue a law career, but can relate to her character’s plucky self-determination based on her experience at Toronto Metropolitan University’s undergraduate acting program, which accepts 25 applicants each year from an international pool of hundreds.

Memories of East Selkirk evoked on Zoon Monkman’s new album

At the dawn of the MP3 era, an adolescent Zoon Monkman didn’t have the money for an iPod or a Microsoft Zune, the short-lived competitor to Apple’s revolutionary personal-listening device.

What the recording artist from Brokenhead Ojibway Nation did have in his backpack was the catalogue for the Scholastic Book Club, where only one product demanded attention: an AM-FM radio pen that scoured the airwaves for connection with every click.

For Monkman — a Polaris Music Prize-nominated musician who records as Zoon and pioneered the “moccasingaze” genre, which blends the dreamy textures of shoegaze with the rhythms and energies of Indigenous song — his mother’s gift of the ballpoint pen was a means of both self-discovery and the development of his musical taste.

During lonely days as an elementary student at East Selkirk’s Happy Thought School, the device was also a recess-hour tether to distant worlds, where artists such as Feist, Avril Lavigne and Broken Social Scene were introduced by the enthusiastic voice of a man who called himself Ace Burpee.

À Granby, le Manitoba francophone au micro

Bercée par la musique depuis l’enfance, Mercédès Beaudry sera la seule représentante du Manitoba à Jamais Trop Tôt, le volet jeunesse du Festival international de la chanson de Granby (FICG), au Québec. Le 16 août, l’auteure compositrice-interprète de 17 ans montera sur la scène du Palace de Granby aux côtés de 19 autres artistes de la relève francophone venus des quatre coins du Canada.

Mère, père, frère et même ses chats : à peine sélectionnée, Mercédès Beaudry s’est empressée de leur annoncer la bonne nouvelle. La jeune artiste se trouvait avec un ami quand le téléphone s’est mis à sonner : “Pour la première fois dans ma vie, je dois prendre un appel,” s’amuse-t-elle. C’est avec un grand enthousiasme qu’elle a accueilli cette sélection.

Après le dévoilement public de la cohorte, la nouvelle de sa participation s’est vite répandue dans son entourage. “Il y a des personnes qui m’ont textée et qui ne savent pas forcément en quoi consiste Jamais Trop Tôt, alors je dois expliquer ça à tout le monde.”

Au programme du FICG, qui se déroulera du 13 au 23 août, Jamais Trop Tôt n’est pas une compétition, mais un projet musical pancanadien avec un spectacle à la clé. Vingt interprètes de la relève francophone venus des quatre coins du Canada, dont près de la moitié du Québec, passeront cinq jours à l’Université Bishop’s, du 11 au 15 août, pour suivre une formation vocale et scénique. Ils se produiront ensuite en spectacle le 16 août à 19 h 30 au Palace de Granby.

This organ will play one composition until 2640. It’s redefining how slowly music can be played

HALBERSTADT, Germany (AP) — A small organ in eastern Germany is the headliner of the world’s slowest concert. It has been playing the same piece of music by composer John Cage at a glacial pace for nearly 25 years.

A rare chord change on Wednesday — from seven notes to eight — represented the completion of about 4% of the 639-year endeavor of the John Cage Organ Project Halberstadt.

It was a historic moment inside the medieval Burchardi Church, in Halberstadt, Germany, that reflected the past, present and future of the project, as well as those who are following its — albeit very slow — progression.

“As fast as our world is developing, I think it’s a wonderful place to be and to come to yourself and just to be touched by this ‘being there,’"said Anneli Borgmann, chairwoman of the John Cage Organ Project Halberstadt’s board of trustees.

Climate change threatens events we wait for all year

I can’t be the only one feeling some existential dread about our summers, and the things that make them special, in the face of a changing climate.

Indigenous drum group celebrates sisterhood, solidarity

Aliyah Yellowback wants a seat at the drum circle.

There are differing Indigenous teachings and perspectives on whether women should join in, but the 16 year old has found a spot around a big drum inside a welcoming community at St. John’s High School.

“I automatically get goosebumps and shivers in me — it’s such an empowering feeling,” Aliyah said as she described what it’s like to perform her favourite song with drum group Leading Lynx (Niighani Bezhew in Anishinaabemowin).

“Strong Woman Song really resonates with our drum group because we are strong women. We are resilient, we are powerful and when people hear our voices, I feel like they can feel that, too.”

Winnipeg Beach vinyl boutique helps lake-goers get in the groove

Carlson Teakle is the owner of Beachside Vinyl, a 400-square-foot shop located at 18 Main St., a (Rolling) stone’s throw away from the shores of Lake Winnipeg. The 53-year-old father of four and grandfather of two admits to having fielded the question, “Why Winnipeg Beach?” a number of times since his grand opening earlier this year. His stock reply: why not Winnipeg Beach?

Colourful folk festival campground a hive of creative activity

The 51st annual Winnipeg Folk Festival had yet to commence, but festivities in the campground were already in full swing.

The festival campground opened early Wednesday morning and provides a temporary home to more than 6,000 residents during the four-day music festival at Birds Hill Provincial Park.

By Thursday afternoon, the area had been transformed into a sea of colourful tents and trailers. A steady stream of campers could be seen hauling wagons from the parking lot loaded with essentials: coolers and tarps, sleeping bags and sunscreen.

Others brought a little more than the basics.

Versatile violinist goes with the bow, from Bach to the Beatles and beyond

Can you hear the drums Fernando? How about the violin?

It’s Friday night at the Stadium Kitchen + Bar, 2935 Pembina Hwy. After delivering spot-on renditions of Neil Diamond’s Sweet Caroline and the Righteous Brothers’ Unchained Melody, solo violinist Allan Palmer polls a small yet enthusiastic audience, asking what they would like to hear next. A couple celebrating a birthday calls out for “some ABBA,” causing Palmer to launch into a medley of Gimme! Gimme! Gimme! (A Man After Midnight) and Fernando, two of the Swedish pop group’s biggest hits.

Moving freely around the room, the 26-year-old, stylishly attired in a black buttoned shirt, dark trousers and polished leather shoes, follows that up with a hip-swaying version of Madonna’s La Isla Bonita before segueing into La Vie en Rose, a plaintive melody popularized 90 years ago by French singer Edith Piaf.

Later, during a short break, Palmer reports that his vast repertoire covers everything from Bach to the Beatles, a major reason why he gets booked regularly for gatherings such as weddings and charity events, not to mention the odd lounge date.

What is the 2026 song of the summer? AP offers some predictions

NEW YORK (AP) — What is 2026's song of the summer?

There's no easy answer. Algorithmic division is certainly a factor in why there isn't an obvious pick this year. Where have the songs like “Despacito” in 2017 or “Old Town Road” in 2019 gone? Last year, some even wondered if Alex Warren’s “Ordinary” — a ballad, not a banger — qualified, a departure from the usual up-tempo, feel-good hits.

Whatever your summer mood or flavor, The Associated Press has found a song to soundtrack the season, collected in a Spotify playlist.

Biggest song of the year and therefore the default song of the summer: “Choosin’ Texas,” Ella Langley

Lin-Manuel Miranda and Eisa Davis set ‘Warriors’ musical for Broadway in 2027

NEW YORK (AP) — Lin-Manuel Miranda and Eisa Davis are turning their concept album “Warriors” into a full-length Broadway show.

The story — originally a 1965 novel that was made into a cult, dystopian 1979 film — follows a street gang called the Warriors as they make their way from the Bronx to their home turf of Coney Island in Brooklyn while being hunted by rivals gangs and cops. It will be the first full musical from Miranda since “Hamilton.”

The musical of “Warriors” is expected to begin previews next March and open next April at the Lunt-Fontanne Theatre. “Warriors” will be directed by Jenny Koons with a book by Miranda and Davis. No casting was announced.

“Musicalizing such a vibrant world for the concept album has been a thrill, and now we’re coming out to play on Broadway at the Lunt-Fontanne. We can’t wait,” Miranda and Davis said in a statement Tuesday.

Daniel Lavoie, entre racines et liberté

Le 6 juin, au Centre national des Arts, à Ottawa, Daniel Lavoie a reçu le Prix de la réalisation artistique 2026, catégorie musique populaire, des Prix du Gouverneur général pour les arts du spectacle.

SiR’s production of An Iliad explores war, in Troy and beyond

The Trappist Monastery Ruins are enlisted as the stand-in for a bedraggled Trojan battleground in An Iliad, the second production of Shakespeare in the Ruins’ 2026 season.

Director Christopher Brauer calls the St. Norbert heritage site — dusty, rugged and incomplete, a reflection of a majestic past fallen into disrepair — the perfect setting for the production’s lone survivor, a road-weary poet played by SiR artistic director Rodrigo Beilfuss, to grapple with tours of duty he might prefer to forget.

“He is not just a person who experienced the war in Troy, but he seems to somehow have been put on earth to travel from battle to battle and from war to war,” says Brauer, who directed Beilfuss in the 2022 Royal Manitoba Theatre Centre production of The Three Musketeers.

The director calls that literary adaptation of a sweeping, romantic epic a romp, where the “heroes are heroes and the villains are villainous.”

Winnipeg musician brings love for the bus to new song with message to province

A new song released this week by John Samson Fellows comes with a clear call to action: “More buses, more routes, more accessible to everyone.”

The tune, titled 50/50 Funding, praises public transportation and calls on the provincial government to reinstate matching transit funding for Manitoba municipalities.

It was written in support of the Next Stop campaign led by Climate Action Team Manitoba and the Amalgamated Transit Union, which aims to restore the long-standing cost-sharing agreement scrapped by the former Progressive Conservative government in 2016.

Getting on board with a transit-improvement campaign was an easy decision for Samson Fellows.

Manitoba makes Polaris long list

Four Manitoban artists — Begonia, Boy Golden, JayWood and Propagandhi — have a shot at becoming the first local musicians to win the prestigious Polaris Music Prize after earning a spot on the award’s official long list of 40 notable albums released last year.

With a 10 per cent chance at netting the $30,000 award, Manitoba is well-represented, trailing only Ontario (13 nominees) and Quebec (12). Of the 40 records that made the long list, 10 will be selected for the prize’s short list, which will be announced July 9.

The long list for the prize — presented annually to the Canadian album of the year, based solely on artistic merit — was announced Thursday in Toronto during the NXNE music festival.

In total, 202 albums were submitted for consideration by the 205-member national jury of critics and broadcasters.

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Winnipeg’s Joshua Henry was on top of the musical theatre world Sunday at Radio City Music Hall, winning the Tony Award for best performance by an actor in a leading role for his performance in the Broadway revival of Ragtime.

Life at the speed of sound

I was only five years old when the Beatles broke up and yet their music has been the overarching soundtrack of my life.