Gardner’s prosaic red cup runneth over

Advertisement

Advertise with us

In our new monthly series, A Closer Look, Free Press contributor Alison Gillmor will look at a work of visual art. Examining everything from historical oil paintings to contemporary videos, she’ll ask what these artworks can tell us now, about our lives and our world.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 06/03/2024 (893 days ago), so information in it may no longer be current.

In our new monthly series, A Closer Look, Free Press contributor Alison Gillmor will look at a work of visual art. Examining everything from historical oil paintings to contemporary videos, she’ll ask what these artworks can tell us now, about our lives and our world.

WHAT IT IS: Tim Gardner’s Roy with Red Cup (2012) is a pastel-on-paper work currently on view at WAG-Qaumajuq as part of a retrospective exhibition, Tim Gardner: The Full Story.

WHAT IT’S ABOUT: Gardner often works from photographs of family and friends. He depicts young men drinking, hanging out, goofing off. He looks at his brothers and parents through family snaps, studio portraits and slightly stiff grad pics. He calls up the routine worlds of suburban strip malls, pet stores and doughnut shops.

The source material is grounded in the ordinary and everyday, but through the alchemy of Gardner’s careful, detailed, time-intensive process, it takes on a subtle poetry.

In this work, Roy, a tree planter, is holding his morning coffee. His clothes, the plaid shirt picking up the red of the cup, are layered against the morning chill. There might be a pack of smokes in his breast pocket.

Supplied
                                Roy with Red Cup by Tim Gardner

Supplied

Roy with Red Cup by Tim Gardner

He gazes to the left, squinting a bit toward the sun that hits that side of his face. The Canadian Rockies spread out behind him, a misted, magnificent landscape that we see but he does not.

Gardner was born in Iowa and raised mostly in Canada, coming to Winnipeg in high school and graduating from the University of Manitoba’s School of Art. The 51-year-old artist, now based in Red Deer, Alta., has become known for working in the tricky terrain between the casual contemporary snapshot and the elevated high-art tradition of portrait, landscape and still-life painting.

Many of his works reference centuries of European landscapes with grand vistas of mountains, hills and water, but they’re often complicated a little with the modern markers of highways, hydro lines and SUVs.

As well, while many photorealist artists work in oil or acrylic, which gives their works a hard, shiny, assertive presence, Gardner prefers to use the softer, subtler mediums of pastel and watercolour.

Considered fragile and ephemeral, these mediums have historically been gendered — and sometimes dismissed — as “feminine.”

It’s interesting, then, that Gardner often uses pastel to explore “the idea of masculinity,” as he has said, including this rather tender portrait of what seems like a stoic, self-contained, plaid-shirted guy.

WHY IT MATTERS: When this image is reproduced, say, in a newspaper or online, it could easily be mistaken for a photograph, much like the hundreds of digital images that most of us scroll through every day on our phones or computers.

Gardner’s piece intrigues us partly because we want to see how it is different from its photographic source.

We search for evidence that this is a surface drawn and coloured by pastel. We look for traces of the artist’s hand, maybe in the blur of the distant trees or the glint of light on the coffee mug, which might testify to Gardner’s painstaking process.

The gallery experience adds another layer. On the wall, this work is clearly bigger than a standard photograph — 106 by 91 centimetres — but it still operates at a quiet, intimate human scale.

As our experience of the world is increasingly mediated by photographic images, often whirled into a hyper-accelerated, supersaturated, flattened-out gut of digital representation, Roy with Red Cup, like all of Gardner’s work, asks us to slow down, to concentrate and to look again.

alison.gillmor@freepress.mb.ca

Alison Gillmor

Alison Gillmor
Writer

Studying at the University of Winnipeg and later Toronto’s York University, Alison Gillmor planned to become an art historian. She ended up catching the journalism bug when she started as visual arts reviewer at the Winnipeg Free Press in 1992.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

PCs say Hutterite colonies singled out by Bill 21

Alex Lambert 4 minute read Preview

PCs say Hutterite colonies singled out by Bill 21

Alex Lambert 4 minute read Yesterday at 2:01 AM CDT

SOURIS — Members of Hutterite colonies in the province took aim at the NDP government’s proposed changes to drinking water legislation during a public meeting Thursday in Souris.

The meeting was hosted by Progressive Conservative MLA Colleen Robbins (Spruce Woods) to hear from rural residents about their concerns over Bill 21, which the government says will improve oversight on wells and other water systems in the province.

“There’s not enough clarity, but I feel that the overreach that this bill will bring is not clearly defined, and it could have a lot of negative consequences,” attendee Gilbert Hofer, a member of Green Acres colony near Wawanesa, said after the meeting, which drew about 20 people.

The legislation would allow public health officers to designate the type of water source based on its intended use, water quality and use duration rather than solely the number of connections it has.

Read
Yesterday at 2:01 AM CDT

Meetings accomplish something that an email never could while respecting people’s time, building relationships

Tory McNally 7 minute read Preview

Meetings accomplish something that an email never could while respecting people’s time, building relationships

Tory McNally 7 minute read 3:00 AM CDT

There are few workplace experiences that unite employees quite like complaining about meetings. Ask almost anyone what frustrates them at work, and somewhere on the list will be the meeting that could have been an email. We’ve all been there. Thirty minutes scheduled for a simple update somehow turns into an hour. Half the attendees don’t need to be there. Someone shares their screen for ten minutes trying to find the right document. The meeting ends with everyone wondering what was actually decided.

It’s no surprise that organizations are looking for ways to reduce meeting fatigue. Every hour spent in a meeting is an hour that isn’t spent serving customers, solving problems, writing reports, or completing projects. As calendars become increasingly crowded, employees often find themselves working longer days simply to catch up on the work they couldn’t accomplish because they were in meetings.

The obvious solution seems simple: hold fewer meetings. In many cases, that’s exactly the right answer. Routine updates, policy reminders, project status reports, and information that doesn’t require discussion can often be shared through email and chat platforms. Not every piece of information deserves everyone’s calendar.

But eliminating meetings altogether would create a different problem, especially as more organizations embrace hybrid and remote work.

Read
3:00 AM CDT

Nola chef earns national award

Eva Wasney 2 minute read Preview

Nola chef earns national award

Eva Wasney 2 minute read Yesterday at 2:01 AM CDT

Celebrated Winnipeg chef Emily Butcher has another feather to add to her toque. The executive chef and owner of Nola and Bar Accanto in St. Boniface has received the Culinary Award of Excellence from Restaurants Canada, a national foodservice advocacy organization.

Read
Yesterday at 2:01 AM CDT

WRHA directs three care homes to accommodate surge of hospital patients

Malak Abas 5 minute read Preview

WRHA directs three care homes to accommodate surge of hospital patients

Malak Abas 5 minute read Updated: Yesterday at 5:01 PM CDT

The Winnipeg Regional Health Authority has directed three long-term care centres to make space for hospital patients, citing “exceptionally high demand for care across the health-care system.”

Read
Updated: Yesterday at 5:01 PM CDT

Men’s recovery home dedicated to ‘homeless hero’ Faron Hall’s memory

Scott Billeck 14 minute read Preview

Men’s recovery home dedicated to ‘homeless hero’ Faron Hall’s memory

Scott Billeck 14 minute read Yesterday at 12:30 PM CDT

Faron Hall never got the chance to begin recovery. Once heralded as Winnipeg’s “homeless hero” after twice plunging into the Red River to save strangers from drowning, Hall told St. Boniface Street Links executive director Marion Willis shortly before his death in 2014 that he wanted help for his alcoholism.

Read
Yesterday at 12:30 PM CDT

Could renewed interest in strategically critical rare earth elements finally make sub-sector profitable?

Joel Schlesinger 6 minute read Preview

Could renewed interest in strategically critical rare earth elements finally make sub-sector profitable?

Joel Schlesinger 6 minute read 3:00 AM CDT

Rare earth elements are among the most critical of mined resources for modern economies.

They’re essential in manufacturing specialized magnets used in a host of technologies from wind turbines and electric vehicles to hard drives, smartphones, television screens, and fibre optics. Most notably, however, rare earth minerals are increasingly vital to the defence industry.

These 17 elements — closely related chemically and usually found all together in mineral deposits — have indeed been growing in geopolitical importance as the United States, Canada and other Western nations recognize their dependence on production from China.

It is the world’s largest producer and processor of rare earths, including the most in-demand elements neodymium and praseodymium used to manufacture very light and powerful magnets for an array of technologies, including the most advanced weapons of modern warfare.

Read
3:00 AM CDT