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Passion for Indigenous fashion

Designer taps traditional techniques to preserve Métis culture

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By incorporating ancient Indigenous methods of art and design into her custom creations and runway looks, designer Amy McPherson is on a mission to preserve her Métis culture through fashion.

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Hey there, time traveller!
This article was published 04/10/2025 (296 days ago), so information in it may no longer be current.

By incorporating ancient Indigenous methods of art and design into her custom creations and runway looks, designer Amy McPherson is on a mission to preserve her Métis culture through fashion.

Clothing from McPherson’s label Fashion Ikwe Designs feature caribou tufting, porcupine quillwork and intricate beading in contemporary silhouettes and styles.

McPherson has been consistently busy since she graduated from the fashion design and apparel production course at MC College in 2017.

RUTH BONNEVILLE / FREE PRESS
Artist Amy McPherson is a Métis fashion designer who incorporates beading, quilling and caribou tufting into her collections.
RUTH BONNEVILLE / FREE PRESS

Artist Amy McPherson is a Métis fashion designer who incorporates beading, quilling and caribou tufting into her collections.

Her desire to showcase traditional Indigenous art forms while educating others has always been at the heart of her practice.

In 2022, the designer was accepted to the inaugural month-long haute-couture residency at the Banff Centre for Arts and Creativity.

During her time there she created a jacket and skirt from a repurposed Eaton’s mink fur coat and remnants of a Hudson’s Bay Co. blanket. She wove in a part of her own history by including her family’s documents in the piece.

“This was the perfect opportunity for me to not only showcase my culture as a Red River Métis designer, but also educate the audience about some of the things we went through. And one of those things is the scrip system that was forced upon my ancestors.

“When the Europeans came, they forced them off their land. They told them ‘we’re taking this from you, and this is a piece of paper saying you are going to get money for this land.’ But it was made by design to fail our people … that money never arrived,” she says.

RUTH BONNEVILLE / FREE PRESS
Amy McPherson’s mink fur coat with partial remnant of a Hudson’s Bay Blanket land script from her genealogy which she created at the Banff Centre .
RUTH BONNEVILLE / FREE PRESS

Amy McPherson’s mink fur coat with partial remnant of a Hudson’s Bay Blanket land script from her genealogy which she created at the Banff Centre .

“So I printed and enlarged a copy of one of the scrip documents and placed it at the back of the jacket portion of the outfit.”

The outfit, as well as McPherson’s other work, can be viewed on her Instagram account Fashion Ikwe.

Her work at the Banff residency inspired her to create a new collection of eight looks, based around the skirt and jacket, which she showed last year during Vancouver Indigenous Fashion Week.

“It feels really felt good to be able to teach something through my art,” she says. “I don’t think that collection is done being seen yet. I would really like to showcase it on an international runway; that’s kind of what I’m aspiring to get to.”

Alongside making commissioned pieces, such as elaborately beaded velvet vests, jewelry and other accessories, McPherson is busy a working on a moss bag for her family.

RUTH BONNEVILLE / FREE PRESS
Amy McPherson's velvet, beaded smoking hat and vest. Story
RUTH BONNEVILLE / FREE PRESS

Amy McPherson's velvet, beaded smoking hat and vest. Story

Traditionally used by Indigenous mothers to swaddle and carry their babies, a moss bag is meant to recreate the safety and warmth of the womb. Crafted from natural materials, bags are often decorated with intricate and elaborate beadwork, embroidery and quillwork designs.

Made on black velvet, McPherson’s moss bag will feature her own cotton fabric, with laces made from natural hide. The bag will become an heirloom piece for her family.

“I’ve already put in more than 140 hours of beadwork on the piece, and it has some antique beads in it as well as genuine gemstones which are my family’s birthstones. Hopefully the moss bag will be passed down, and be a way for my future generations to tell my story.”

The artist and designer also creates costumes for the stage, working on productions such as RMTC’s The Secret to Good Tea and Blue Beads, and Blueberries at MTYP.

And this year, she launched her own 100 per cent cotton fabric collection, Prairie Petals, available through wholesale manufacturers Siltext.

RUTH BONNEVILLE / FREE PRESS
Amy McPherson's caribou tufted fur and fox pom pom earrings.
RUTH BONNEVILLE / FREE PRESS

Amy McPherson's caribou tufted fur and fox pom pom earrings.

“The fabric features the imagery of my porcupine quillwork designs which have been digitized onto fabric. There are 12 different colours available, and I am currently working on two more designs to be launched in 2026,” she says.

While McPherson’s custom commissions are mostly from Indigenous clientele, she is happy to take orders from anyone who would like to work with her. Her dream job would be to dress a movie star for a red-carpet event.

“I just love Lily Gladstone (Killers of the Flower Moon) and all the characters she has played,” she reveals. “Canadian actress Paulina Alexis (Reservation Dogs) would be another! I really can do almost anything, and I love a challenge,” she says.

av.kitching@freepress.mb.ca

RUTH BONNEVILLE / FREE PRESS
A custom beaded heirloom moss baby bag with family gemstones and custom lining (called Prairie Petals).
RUTH BONNEVILLE / FREE PRESS

A custom beaded heirloom moss baby bag with family gemstones and custom lining (called Prairie Petals).

RUTH BONNEVILLE / FREE PRESS
Amy McPherson's beaded belt.
RUTH BONNEVILLE / FREE PRESS

Amy McPherson's beaded belt.

AV Kitching

AV Kitching
Reporter

AV Kitching is an arts and life writer at the Free Press. She has been a journalist for more than two decades and has worked across three continents writing about people, travel, food, and fashion. Read more about AV.

Every piece of reporting AV produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

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