Complex dual production 'R+J: Closing Night' brings theatre audience in on panicked process of putting on a show

Theatre Projects Manitoba will attempt to pull off an extraordinary feat of live performance next week with a metatheatrical experiment that walks the tightrope between on-stage drama and backstage chaos.

A closer look at five standout Canadian titles headed to TIFF 2026

TORONTO - When writer-director David Bezmozgis set out to adapt his 2014 novel "The Betrayers" for the big screen, he wasn't just changing its format. He also had to adjust to a new geopolitical landscape.

The film, which is set in Ukraine and Israel, is one of 61 Canadian features and shorts programmed at this year's edition of the Toronto International Film Festival.

The Canadian Press spoke to Bezmozgis and four other homegrown directors about their films.

THE BETRAYERSBezmozgis's second novel was an unmitigated hit when it was published. It made numerous best-of-the-year lists — from the Wall Street Journal to the New Yorker — and was shortlisted for the Giller Prize.

Emily Wilson’s ‘Odyssey’ became a cultural flashpoint. Now, she’s retranslating the whole thing

NEW YORK (AP) — If you're among the many readers who learned to love “The Odyssey” through Emily Wilson's 2017 translation, you might be surprised that she's going to translate it again.

“It's a complete retranslation. It's not a revision of the old version,” Wilson told The Associated Press during a recent Zoom interview from her home in Philadelphia, where she is a professor of classical studies at the University of Pennsylvania. “I'm about halfway through.”

Regarded as the first major English-language translation of Homer’s epic by a woman, her book was already a bestseller and a culture-wars flashpoint before the release of Christopher Nolan’s blockbuster adaptation. But she says her translation methods have become more sophisticated and that enough time has passed for her to see some flaws in her work — as an example, she overused the word “slave” when ancient Greek had different terms for different categories of enslaved people. The new edition will be longer, she says, and will better reflect the differing social worlds of Homer’s poem.

Fiction writers and poets, from Henry James to Walt Whitman, have revised and reissued early works. But translators rarely start over on a full-length text — especially not within a decade of the original work's completion, and not when the translation has had the success of Wilson's “Odyssey.”

Library opera shows let kids take control of the action

Virtually everyone would choose a treat over a mouldy sandwich. But the youngsters attending Rufus and Rita in Winnipeg libraries often choose the latter.

Rural councils work hard, plan big to build local arts scenes

BEAUSEJOUR — Brittany Wurch has always been drawn to art. She fell in love with illustration and animation as a kid, but growing up near Beausejour meant she had to travel elsewhere to satisfy her creative interests.

“I had to go to a different community to take art,” says Wurch, who chose to study in Selkirk, about a 30-minute drive west, for its high school’s superior art program.

As an adult, she’s determined to make art more accessible in her community.

A smiling red barn and a tall water tower greet visitors on the way into Beausejour. The cute, compact town is located 50 kilometres northeast of Winnipeg and is home to 3,300 people. It’s surrounded by farmland and situated within the RM of Brokenhead, where agriculture and sports have historically reigned supreme.

Rainbow Stage’s Legally Blonde a lovely legal musical

Omigod, you guys! Rainbow Stage kicked off its penultimate summer production Thursday with a high-octane joy machine bathed in a sea of pink.

Inspired by the 2001 Hollywood film starring Reese Witherspoon, and Amanda Brown’s same-titled novel, the award-winning Legally Blonde: The Musical — featuring a book by Heather Hach, with music/lyrics by Laurence O’Keefe and Nell Benjamin — opened on Broadway in April 2007, followed by a subsequent West End run.

The tale — equal parts cheesy rom-com and potent siren call for female autonomy and empowerment — focuses on quintessential Cali-girl Elle Woods (a pitch-perfect Claire Mac Master). A proud daughter and president of Delta Nu sorority house, she enrols at Harvard Law School to win back her upwardly mobile ex-boyfriend, Warner Huntington III (Duncan Cox).

Laser-focused on marrying a “Jackie, not a Marilyn,” Warner dreams of becoming an American senator, latching onto uber-preppy fellow pupil Vivienne Kensington (Julie Davis), who becomes Elle’s arch nemesis.

Rainbow Stage star relates to Elle Woods’ perseverance

Nearly 9,000 aspiring barristers and solicitors cross their fingers and send in their LSAT scores to Harvard University each year, but less than 10 per cent of applicants wind up on campus in Cambridge, Mass.

In Legally Blonde, the musical opening tonight at Rainbow Stage, Elle Woods (Claire Mac Master) defies the undercutting judgment of her blue-blood boyfriend Warner (Duncan Cox) to earn a spot in the Ivy League, leaving her doubters aghast and crimson-faced.

“What?” asked Elle — played by Reese Witherspoon in the 2001 film version — “Like it’s hard?”

The New York-born Mac Master never had any aspirations to pursue a law career, but can relate to her character’s plucky self-determination based on her experience at Toronto Metropolitan University’s undergraduate acting program, which accepts 25 applicants each year from an international pool of hundreds.

Winnipeg pooches get time in spotlight in Rainbow Stage production of Legally Blonde

On stage and screen there are no small roles, but there are small actors.

And then there is Lil’ Beast, a spunky, wild-haired performer who weighs in at 1.5 kilograms (3.5 lbs).

“You think of a small dog, and then he’s even smaller,” says his owner Britainy Jasper.

In April, when the beast was only six months old, he was encouraged by dozens of dog park acquaintances to tap into his creative side and audition for his first professional acting gig.

Climate change threatens events we wait for all year

I can’t be the only one feeling some existential dread about our summers, and the things that make them special, in the face of a changing climate.

Cultural consultation gives Indigenous stories strength in Netflix’s new Little House on the Prairie

Through her work as an Indigenous consultant for film and TV, Julie O’Keefe, a citizen of the Osage Nation, has brought accuracy and authenticity to works such as Martin Scorsese’s 2023 crime drama Killers of the Flower Moon, the 2025 western miniseries American Primeval and, most recently, Rebecca Sonnenshine’s new adaptation of Little House on the Prairie.

But she doesn’t work solo.

“One of the things that I always say is, in any of these jobs that I do — whether it’s Shoshone and Paiute and Ute or Osage — I never come alone to this,” says O’Keefe, who grew up in Pawhuska, Okla., the heart of the Osage Nation, and is now based in Santa Fe, N.M. “I engage because those stories are so much richer with our voices added to it, and we know that.

“I’m sitting down with brilliant directors, brilliant writers, and I’m handing over pieces of history that they’re like, ‘How come nobody knows this?’ And the great part is, this is the time in history … people are really starting to get on top of wanting this for their stories, because it really wasn’t of any importance before.”

Indigenous theatre founder Nova Courchene gets nod for prestigious prize

For her work as the founding artistic director of Oshkagoojin Indigenous Theatre for Youth, Winnipeg’s Nova Courchene has been named the recipient of one of Manitoba theatre’s highest honours for emerging arts leaders.

Since 2023, the Cherry Karpyshin Arts Management Prize has been given out by Prairie Theatre Exchange to early-career or aspiring arts managers. Named for PTE’s longtime general manager, for whom the company’s mainstage is also named, the Cherry Prize is accompanied by professional supports and a $2,500 cash award.

Meaning “new moon” in Anishinaabemowin, Oshkagoojin runs a variety of initiatives in Winnipeg, including the teen-focused Rising Voices, the middle years Growing Voices, and the early years Young Voices programs. Through storytelling, movement, narrative games and guided play, the Young Voices program introduces Indigenous children aged five through nine to the fundamentals of collaborative and co-operative theatre with a curriculum devised through a cultural lens.

“As I continue to grow Oshkagoojin Indigenous Theatre for Youth, I look forward to strengthening the organization’s capacity, sustainability, and national reach so that more Indigenous young people can access theatre, cultural learning, and artistic leadership opportunities in their own communities,” says Courchene in a release. “I believe that when Indigenous youth are empowered to tell their stories, entire communities benefit, and I am excited to continue building these pathways for future generations.

Book review: Spirit of live theatre captured in haunted festival venue

When is a book like a play, or a play like a book — or both? This is the underlying question posed by David Jón Fuller in his debut novel, Venue 13. Considering Fuller’s background as an editor and reviewer for this newspaper, and a longtime part of our city’s theatre community, who better to write a novel that takes place during the Summer Theatre Festival, known locally as Skeeter Fest? (This may sound familiar to any readers who have attended a Winnipeg festival known as the fringe.)

Venue 13 takes the reader behind the scenes of the festival — and not just the actors, directors and sound techs, but the venue owners who mount numerous shows with the hope of attracting large crowds to their BYOV (bring your own venue) location (to use the fringe parlance).

Robert Laliberte has bought an old building that he hopes to resurrect into an arts hub, complete with a fancy fusion restaurant run by his friend, the exotically named Ihor. Winnipeg, and the Exchange District in particular, are well-drawn in the novel, and you can have fun trying to guess which buildings Fuller is referencing.

The novel is a rogue’s gallery of theatre types: the controlling directors, the perfectionist producers, the sensitive actors and even the guy called in to fix the rotting foundation of the theatre.

Manitoba-shot Netflix series sets beloved Ingalls clan in the actual Prairies

Perhaps it should not have been a significant surprise that Manitoba was chosen as the location for a new iteration of the much-beloved TV series Little House on the Prairie.

Much of the southern part of the province is, after all, authentic Prairie, visually unspoiled by power lines and paved roads.

And there is enough of it to portray a frontier wilderness that matches the source material: a series of books by Laura Ingalls Wilder, set in and around Independence, Kan., in the 1860s. (Manitoba also famously doubled for Kansas in the movie Capote, the Oscar-winning story of Truman Capote’s investigation of a 1959 quadruple homicide on a Kansas farm, culminating in the publication of his book In Cold Blood.)

Perhaps it was more of a surprise that the material would inspire a new interpretation landing on the streaming service Netflix.

Director brings Métis identity, language to silver screen

TORONTO — Métis culture has been around for centuries, but films set in the Métis world remain rare.

The new movie Blood Lines is intended to help fill that gap. Written and directed by Métis actor Gail Maurice (best known in these parts for playing the fiery title character of the locally lensed 2024 drama Aberdeen), it is set in an Ontario Métis community.

Maurice stars as Léonore, a mother who seeks to reconnect with her grown daughter Beatrice (Dana Solomon) after years of alcohol-fuelled neglect.

Beatrice is unforgiving, and is soon distracted by the presence of a new woman in the community. Chani (Derica Lafrance) has come to town searching for her biological family. Clearly enamoured, Beatrice offers to help.

Lin-Manuel Miranda and Eisa Davis set ‘Warriors’ musical for Broadway in 2027

NEW YORK (AP) — Lin-Manuel Miranda and Eisa Davis are turning their concept album “Warriors” into a full-length Broadway show.

The story — originally a 1965 novel that was made into a cult, dystopian 1979 film — follows a street gang called the Warriors as they make their way from the Bronx to their home turf of Coney Island in Brooklyn while being hunted by rivals gangs and cops. It will be the first full musical from Miranda since “Hamilton.”

The musical of “Warriors” is expected to begin previews next March and open next April at the Lunt-Fontanne Theatre. “Warriors” will be directed by Jenny Koons with a book by Miranda and Davis. No casting was announced.

“Musicalizing such a vibrant world for the concept album has been a thrill, and now we’re coming out to play on Broadway at the Lunt-Fontanne. We can’t wait,” Miranda and Davis said in a statement Tuesday.

SiR’s production of An Iliad explores war, in Troy and beyond

The Trappist Monastery Ruins are enlisted as the stand-in for a bedraggled Trojan battleground in An Iliad, the second production of Shakespeare in the Ruins’ 2026 season.

Director Christopher Brauer calls the St. Norbert heritage site — dusty, rugged and incomplete, a reflection of a majestic past fallen into disrepair — the perfect setting for the production’s lone survivor, a road-weary poet played by SiR artistic director Rodrigo Beilfuss, to grapple with tours of duty he might prefer to forget.

“He is not just a person who experienced the war in Troy, but he seems to somehow have been put on earth to travel from battle to battle and from war to war,” says Brauer, who directed Beilfuss in the 2022 Royal Manitoba Theatre Centre production of The Three Musketeers.

The director calls that literary adaptation of a sweeping, romantic epic a romp, where the “heroes are heroes and the villains are villainous.”

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Winnipeg’s Joshua Henry was on top of the musical theatre world Sunday at Radio City Music Hall, winning the Tony Award for best performance by an actor in a leading role for his performance in the Broadway revival of Ragtime.

Shakespeare in the Ruins’ As You Like It its most pleasurable production in a while

One likes to imagine the title of William Shakespeare’s As You Like It signalled some capitulation on the part of the Bard, to keep the pastoral comedy extra light.

Improv co-conspirators reuniting for frenetic weekend comedy blitz

They were still green players developing their comedic compass when Riva Billows and Kristina Guevarra first plied their trade at Kelvin High School.

In 2012, as members of Kelvin Red, the pair zipped into the Clipper tradition of competitive improv at a school whose comedic alumni include theatre performers Nicholas Rice, Caity Curtis and Mariam Bernstein, plus members of the longstanding troupe Outside Joke: Jane Testar, Chadd Henderson, Andrea del Campo and Tobias Hughes first acted together in Fiddler on the Roof.

On Kelvin Red — coached by animator Lukas Conway with teammates such as Toronto-based actor Stevey Hunter, who went on to become a founding member of Halifax improv company Hello City — Billows and Guevarra started out learning to crawl on the groundling floor.

“We were so bad, and then we grew together,” says Guevarra, who moved to Montreal in 2021, where she’s the producer for the Sunday night program at Théâtre Sainte-Catherine, the longest-running English-language improv show in the home of Les Habitants.

A round of a-paws for ‘La Perra,’ winner of the Palm Dog award at Cannes

CANNES, France (AP) — A round of a-paws for “La Perra,” winner of this year’s Palm Dog award at the Cannes Film Festival. The Chilean movie took the top canine prize Friday, a day before the festival's official awards ceremony.

The quirky tradition on the Cannes beachfront was a celebratory affair, packed with journalists, dog lovers and, of course, plenty of dogs. The sound of barking was interspersed with the clink of wine glasses as eager pups posed for the cameras and socialized with their canine pals. It was bone appetit for the animal guests as they were served gourmet doggie snacks and look-alike local pooches stood in for their famous peers to collect awards.

Screening in the Directors' Fortnight sidebar, “La Perra” (Spanish for female dog) follows a solitary woman and her bond with an abandoned puppy, Yuri — named after the famous Mexican pop star.

When director, Dominga Sotomayor, collected the coveted dog collar, she explained that she rescued two very special dogs to play Yuri, from puppy to adulthood.

Theatre Projects Manitoba offers double the theatrics in ambitious new play

A city-based theatre company that’s devoted itself to new Prairie works since 1990 is doubling down on humankind.

Shot-in-Manitoba films ready to screen, stream

This has been a big year for film and TV shot in Winnipeg, with fare such as the comedic gangster film Mike & Nick & Nick & Alice topping the streaming charts when it debuted in March on Hulu/Disney+, with more than 300 million views worldwide.

Smaller indie films, such as Johnny Ma’s The Mother and the Bear, and James McLellan and Alexandre (Sasha) Trudeau’s dramatic feature Hair of the Bear also got long-awaited screen time in the first quarter of the year, as did Rhayne Vermette’s experimental feature Levers.

After the Bob Odenkirk thriller Normal becomes available Tuesday, expect more locally shot fare to come to cinemas, or your TV screen, in the months ahead.

Dry Cold Productions co-founder retires after 25 years of onstage merriment

A lifelong contributor to Winnipeg’s musical theatre world is taking a step back from his leadership role with Dry Cold Productions as the company marks its 25th anniversary.

In 2001, Reid Harrison, whose retirement from the role as co-artistic director was announced in December, was sitting at the Charterhouse restaurant with Donna Fletcher and Melanie Whyte commiserating over the city’s seeming reluctance to program work by American musical theatre legend Stephen Sondheim.

“We were just sort of whining,” recalls Harrison, who’s also the general manager of the annual Agassiz Chamber Music Festival.

So the trio decided to do something about it.