Play serves as prism for different politics, histories

If you can’t make it to opening night for the latest production from Theatre Projects Manitoba, don’t fret: there are five premières for The Only Good Indian, with each solo performance vastly different from the next.

Winnipeg Jewish Theatre’s therapy-set two-hander plays with reality

The public and private perils of online engagement crash through the screen and into a therapist’s office in Job, a nervy drama that explores the power of posts and the ethical responsibilities inherent to our respective postings.

Written by New York’s Max Wolf Friedlich and directed by Calgary’s Jack Grinhaus, the opening production of the Winnipeg Jewish Theatre’s season heads to the races with the brandishing of a starter’s gun in the warped offices of Bay Area psychotherapist Lloyd (Dov Mickelson).

Lloyd’s description of his typical patient — young people who are “hopeless and beyond help” — isn’t exactly inspirational.

Blundstone-booted Jane (Jada Rifkin) seems to have made the cut, having been placed on paid administrative leave after a viral meltdown by her employer, an unnamed tech giant on whose campus she’s enrolled as an adjudicator.

Ryan Reynolds suggests swapping phones with a MAGA supporter, checking out their algorithm

TORONTO - Ryan Reynolds says mounting tensions between Canada and the U.S. haven't changed anything for him as a Canuck in Hollywood.

The "Deadpool" star preached unity during an onstage conversation at the Toronto International Film Festival, when chief programming officer Anita Lee asked him what it was like being a Canadian in Los Angeles during this "elbows up" era of increased nationalism.

In a nearly five-minute answer to the question, Reynolds said he's always held Canadian values, including conflict resolution, and he seeks "to learn, rather than win."

Reynolds is at TIFF to promote the new documentary "John Candy: I Like Me," which he produced.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Gripping drama Elle brings outdoor hardship to PTE's indoor stage

The medium of theatre doesn't necessarily lend itself to a story of survival in the wilderness.

There's a reason The Revenant was a movie and not a Broadway play.

And yet the historical drama Elle, an adaptation of the Governor General’s Award-winning novel by Douglas Glover of the same name by Toronto actress Severn Thompson, manages to be an engaging, gripping piece of work... even in the civilized Prairie Theatre Exchange environs in Portage Place.

Over the course of 90 minutes (without intermission), Thompson connects us to an extraordinary character, based on Marguerite de la Rocque de Roberval, a headstrong young Frenchwoman tantalized to a trip to Canada in 1542 by exotic tales of naked natives and strange customs.

Hommage vivant à une pionnière du théâtre franco-manitobain

Du 22 octobre au 1er novembre 2025, le Théâtre Cercle Molière donnera vie à la figure emblématique de la francophonie manitobaine, Pauline Boutal.

Pour le centenaire du TCM, l’ancienne direction a choisi d’inaugurer sa saison avec la programmation d’une pièce “100 % Manitoba,” comme le dit Marie-Ève Fontaine, nouvelle directrice artistique et co-directrice générale de l’établissement.

Il s’agit de Pauline Boutal, entre les toiles et les planches, œuvre de théâtre écrite par l’une des plus importantes figures de la littérature franco-canadienne de l’Ouest actuelle, Lise Gaboury-Diallo, et mise en scène par Simon Miron, également franco-manitobain.

Le spectacle retrace en deux actes les faits saillants de la vie de Pauline Le Goff Boutal (1894-1992), illustratrice, artiste-peintre, costumière, comédienne, metteuse en scène et première directrice artistique du TCM, qu’elle a dirigé pendant 27 ans.

The Orange Notebooks navigate love, longing and a quest for a lost child

He turned. He looked back, precisely when he seemed to have the cosmic solution in his hands — and that was his terrible undoing. That was Orpheus’s mistake.

Susanna Crossman reimagines turning and looking back here, in a kind of experiment in genre. The Orange Notebooks is an adventure story, to be sure, but it is also part aching memoir, part lyrical poetry, part polychromatic kaleidoscope, part surreptitious “found footage” but, most thoroughly, part primordial myth.

Crossman seems to dwell, as her writing does, between worlds. She grew up in the U.K. in a “utopian commune” about 50 years ago but now resides in France, writing (both essays and fiction), lecturing and practising arts therapy. Her 2024 memoir, Home Is Where We Start, set a lingering tone of journeys, nostalgia and psychological reflection.

The Orange Notebooks reprises that tone, beginning with the pretense that we are being handed a set of journal reflections written by our protagonist, “Anna,” who herself lives in liminal spaces. She too was raised in England but grew to adulthood as a server on an English Channel ferry, married a dashing Frenchman with an exotic name, Antton (the two Ts a vestige of his Basque heritage) and eventually settled with Antton in a lovely rural French home, both as teachers.

Indigenous stories given wings by peers, playwrights

Six Indigenous storytellers are sharing new works with local audiences this week through Royal Manitoba Theatre Centre’s Pimootayowin: A Festival of New Work.

Taking Reel Pride in transformation

Reel Pride isn’t entering a mid-life crisis.

At 40, the annual Winnipeg LGBTTQ+ film festival appears as forward-looking as ever — though at the moment, its president, Ray Desautels, is feeling reflective about its arc.

“The festival started at a time when … you didn’t see LGBTQ characters on television, and if you did, they were shown in a very poor light or very stereotypical way,” he says.

“It’s become more, I think, a gathering place for queer people and queer arts … It’s more of an arts festival, not necessarily just strictly the film festival that it used to be. So we’re a gathering place for the queer community and its allies and supporters.”

Seth Rogen and Evan Goldberg set Emmy record with comedy wins for ‘The Studio’

After making a career of playing lovable underachievers, Seth Rogen is officially an overachiever: his show "The Studio" set a new Emmy record for the most wins by a comedy, racking up top prizes including best series.

The Vancouver comedian and his longtime collaborator Evan Goldberg dominated the comedy categories at Sunday's awards bash, when they also collected directing and writing trophies for their Apple TV Plus cringe comedy.

“It's getting embarrassing. I really appreciate it, in all honesty,” Rogen said with his trademark chuckle while accepting the best comedy series award.

“I’ll do my best attempt at sincerity here – if you watched our show, if you appreciated our show, if you voted for our show, especially, thank you very much. I'm legitimately embarrassed by how happy this makes me.”

L’impro comme tremplin pour la jeunesse en immersion

Le 5 juin, dix élèves d’écoles d’immersion française ont brillé sur scène lors du tout premier “Match des étoiles” de la FLIIP, une nouvelle ligue d’improvisation scolaire qui allie humour, spontanéité et passion francophone.

Après quelques essais ponctuels dans le passé, le Conseil jeunesse provincial (CJP) a lancé cette année la première ligue officielle d’improvisation destinée aux écoles d’immersion française du Manitoba. La Fabuleuse ligue d’improvisation immersive et passionnante (FLIIP) a couronné cette première saison par un “Match des étoiles” présenté le 5 juin au Centre culturel franco-manitobain.

Mélanie Bédard, responsable de projet au CJP, explique: “Nous voulions relancer l’idée d’une ligue d’improvisation pour les écoles d’immersion. Nous avons donc envoyé un courriel pour dire que nous étions prêts à les soutenir s’ils voulaient créer des clubs d’impro au sein de leur école.”

Le projet FLIIP avait vu le jour il y a plusieurs années, mais la pandémie avait stoppé net son développement. Cette année, il a enfin pu se concrétiser, avec plusieurs activités et formations déjà en place.

What to Stream: ‘Mountainhead,’ Bono documentary and Elizabeth Banks and Jessica Biel play sisters

NEW YORK (AP) — “Succession” creator Jesse Armstrong’s satirical drama “Mountainhead” and Elizabeth Banks and Jessica Biel playing dysfunctional siblings in the murder thriller series “The Better Sister” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time, as selected by The Associated Press’ entertainment journalists: a new concert special featuring Aretha Franklin, U2's frontman reveals all in the documentary “Bono: Stories of Surrender” and multiplayer gamers get Elden Ring: Nightreign, sending teams of three warriors to battle the flamboyant monsters of a haunted land.

New movies to stream from May 26-June 1

— Armstrong makes his feature debut with the satirical drama “Mountainhead,” streaming on HBO Max on Saturday. The film stars Steve Carell, Jason Schwartzman, Ramy Youssef and Cory Michael Smith as tech titans on a boys’ trip whose billionaire shenanigans are interrupted by an international crisis that may have been inflamed by their platforms. The movie was shot earlier this year, in March.

A show inside a cathedral featured raw chickens in diapers. The German president was in the audience

BERLIN (AP) — A performance inside a Catholic cathedral in Germany earlier this month that featured raw, plucked chickens wrapped in diapers onstage — and the country's president and the local archbishop in the audience — has prompted the church and municipal leaders to apologize that the show “hurt religious feelings."

The show, "Westphalia Side Story,” was part of a May 15 celebration to mark the 1,250th anniversary of Westphalia, a region in northwestern Germany.

Video footage shows one woman and two shirtless men singing “Fleisch ist Fleisch” (“Meat is meat”) — apparently spoofing Austrian band Opus' 1984 pop song “Live is Life” — with scythes and dancing with the dead chickens on a stage in front of Paderborn Cathedral's altar.

Performance company bodytalk said in a statement Friday that the show featured work-in-progress excerpts from “Westphalia Side Story" — which references the American musical "West Side Story."

Carrie’s voice is back. So is the show’s soul as ‘And Just Like That…’ grows up

PARIS (AP) — “She’s messy. It can be messy. But it’s real.”

So says Cynthia Nixon — not just of Miranda Hobbes, the character she’s embodied for almost three decades, but of the show itself. “And Just Like That...,” HBO’s “Sex and the City” revival, has come into its own in Season 3: less preoccupied with pleasing everyone, and more interested in telling the truth.

Truth, in this case, looks like complexity. Women in their 50s with evolving identities. Not frozen in time, but changing, reckoning, reliving. Queerness that’s joyful but not polished. Grief without melodrama. A pirate shirt with a bleach hole that somehow becomes a talisman of power.

At its glittering European premiere this week, Nixon and co-star Sarah Jessica Parker, flanked by Kristin Davis and Sarita Choudhury, spoke candidly with The Associated Press about how the show has evolved into something deeper, rawer and more reflective of who they are now.

Paul Reubens tells his story in ‘Pee-wee as Himself.’ Here’s how it came together after his death

Paul Reubens did not tell his director that he was dying.

On July 31, 2023, the news of Reubens' death came as a shock to documentary filmmaker Matt Wolf, who had spent a year trying to convince him to make the ambitious two-part documentary “Pee-wee as Himself,” now streaming on HBO Max, and over 40 hours interviewing him on camera.

But in 2023, the project was in danger of falling apart: The two had been at an impasse for a while over the issue of creative control and they’d finally found a way forward. He had one last interview scheduled, set for the first week of August. Then the texts started coming in. Wolf sat there shaking.

They’d spoken about everything — Reubens' childhood, his complicated relationship with fame, his ambitions, his commitment to his alter-ego Pee-wee Herman, his sexuality, his arrest — except the fact that he’d been battling cancer for the past six years. But after the initial shock, a renewed purpose set in.

The Cannes Film Festival is over. Here’s some key things that happened

CANNES, France (AP) — This year's Cannes Film Festival is over, ending in dramatic fashion with a power outage ahead of the closing ceremony that bestowed the Palme d'Or trophy to Iranian filmmaker Jafar Panahi's film, “It Was Just an Accident.”

This year's festival included a strong slate as Cannes has become increasingly important to the Oscars’ best picture hopefuls. As the festival drew to close Saturday, it was clear that filmmakers are reckoning with geopolitical doom, climate change and other calamities that closely resemble current events.

This year's festival was an attention-grabbing affair since its start — from new rules for its red carpets, nerves about potential U.S. tariffs and the return of Tom Cruise.

Even in a normal year, Cannes is a lot to keep up with. Here's a handy guide of what's happened so far, what's left and what it may mean.

‘A political football’: Canadian says his citizenship TV pitch was misrepresented

WASHINGTON - When Rob Worsoff recently dusted off an old idea he had for a reality television show about people on the path to United States citizenship, he had no idea of what he was letting himself in for.

The Canadian-born freelance television producer said he brought his pitch to build a show around aspiring immigrants learning about the culture of their new country to the U.S. Department of Homeland Security under both the Obama and Biden administrations. He even brought a version of it to the CBC.

Worsoff then put his idea forward to the new Trump administration — but this time the 49-year-old got caught up in a global media and political backlash.

"The spirit of my pitch was completely misrepresented and it's been used as a political football," the Los Angeles-based producer said.

Former mechanic gives a face to Rainbow Stage's Beast

It’s not exactly a tale as old as time.

About 20 years ago, Christian Hadley was an auto mechanic dissatisfied with the grind of machining auto parts and deflated at the prospect of repairing another tire.

He needed a change, and not the kind involving 5W30 motor oil.

His career pivot was, quite literally, dramatic. At the age of 25, he went to the University of Winnipeg to study theatre arts. He emerged with skills in both set-building and makeup design. And he brings those skills to fruition in the Rainbow Stage production of Beauty and the Beast.

Le Fil des francophiles – Monique LaCoste

LA voix de la Franco-Manitobaine Monique LaCoste est l’une des plus connues au Manitoba, et même en Amérique du Nord, sans pour autant que les gens le réalisent. Depuis 25 ans en effet, en plus de son emploi, Monique LaCoste travaille comme voix-off sur de nombreux projets corporatifs et communautaires.

“Ma voix est dans des musées partout au Canada, en anglais et en français,” racontet- elle. “C’est aussi moi qui ai enregistré la narration des films au Planétarium du Manitoba, en anglais. De plus, j’enregistre beaucoup de systèmes téléphoniques pour des entreprises et des organismes partout en Amérique du Nord, notamment en français aux États-Unis pour leurs clients québécois.”

Quand elle était annonceure à Radio-Canada, de 1988 à 2006, Monique LaCoste a commencé à recevoir et accepter des contrats d’enregistrement de voix-off pour des textes en français.

“Je prends plaisir à bien lire des textes dès la première prise,” confie Monique LaCoste. “J’ai toujours eu de la facilité avec la lecture à haute voix et j’ai toujours adoré ça. J’aime le défi d’explorer divers registres de voix selon le produit. On ne lit pas une annonce commerciale comme un documentaire ou comme un texte pour enfants.

Une Franco-Manitobaine à l’affiche

LA Franco-Manitobaine de 12 ans, Kally Berard, se souviendra longtemps de l’été de ses 11 ans. En juillet 2011, elle a en effet joué dans un film américain de Vince Marcello, McKenna Shoots for the Stars, qui était tourné à Winnipeg. Le film est sorti en DVD le 3 juillet dernier aux États-Unis et il a été diffusé sur la chaîne de télévision NBC le 14 juillet.

C’était ma première expérience de cinéma,» raconte Kally Berard. «Je n’avais même jamais fait de théâtre.

Ils cherchaient une gymnaste pour jouer dans le film, et comme il était entièrement tourné à Winnipeg, ils ont demandé à mon club de gymnastique et j’ai répondu. J’étais nerveuse avant la première journée de tournage, mais après je me suis vite habituée et c’était excitant! » La jeune Franco-Manitobaine avait pourtant de quoi être sous pression.

Pour son premier tournage, elle a incarné l’un des rôles principaux, celui de Sierra, l’une des trois amies de l’héroïne de l’histoire, McKenna Brooks.

Silence, ça tourne!

C’EST l’heure des grandes premières pour Gabriel Tougas.

À 21 ans, il signe la réalisation de son premier long métrage, Héliosols, qui n’est autre que le premier long métrage de fiction francophone réalisé au sein d’une communauté minoritaire de l’Ouest.

“Avec mon premier film je veux raconter une histoire fictive en français sans parler du français,” explique le scénariste et réalisateur du film, Gabriel Tougas. “Tous les films ou documentaires qui ont été faits jusqu’à présent par des Franco-Manitobains traitent de la francophonie, de notre communauté, de notre langue, culture ou histoire. Je pense que plutôt que d’expliquer qui sont les Franco-Manitobains, il est temps de prendre la francophonie comme naturelle, d’en être fier et de faire un film qui inscrit une histoire fictive dans notre contexte francophone mais sans en parler,” déclare-t-il.

Dès l’âge de 18 ans, Tougas a fait ses premiers pas dans la réalisation audio-visuelle, en signant de nombreuses réalisations avec Les Productions Rivard, notamment des documentaires. Mais pour la première fois, il va réaliser son rêve de mettre sur pied une fiction.