Selkirk art crawl centres on city's thriving mural scene

Sometimes a wall is more than just a wall.

It’s a blank canvas. And in recent years, artists in Selkirk have turned several into works of art, highlighting local figures and traditions, using paint to transform bricks and plaster in the downtown into a growing visual history of the city.

Since 2018, nearly 20 murals have emerged, depicting everything from the traditional community round dance to Indigenous and settler women thriving on the Prairie landscape to a grandmother passing on her teachings. Others bring needed attention to the ongoing crisis of Missing and Murdered Indigenous Women and Girls, and to everyone affected, in the past and present, by the Indian Residential School System, those who came home and those who never did, artist Jordan Stranger says.

All these murals will serve as the backdrop for a free public art crawl Sept. 4 and 5, with local vendors and artisans posting up next to them and getting a long-awaited opportunity to share their work with the community, including handmade goods, paintings, crafts, sewing and woodworking pieces, and much more.

Riel, le lien entre les francos d’Amérique

Pour Jocelyn Jalette, bédéiste de Joliette, au Québec, pas besoin d’être métis, ou manitobain, ou encore francophone en milieu minoritaire pour apprécier le combat, le triomphe et la tragédie de Louis Riel. Et voici pourquoi.

Dans La République assassinée des Métis, la bande dessinée de Jocelyn Jalette qui vient tout juste d’être publiée aux Éditions du Phoenix (www.editionsduphoenix.com), des personnages fictifs côtoient Louis Riel et Gabriel Dumont, mais aussi les politiciens Louis-Hippolyte Lafontaine, Louis-Joseph Papineau et Honoré Mercier.

Une palette de personnages pour mieux placer la résistance des Métis dans un contexte francophone plus large, comme le souligne l’auteur de 47 ans :

“Les liens sont étroits entre la résistance des Métis, Louis Riel et les francophones du Québec. Surtout quand on se rappelle que la lutte pour assurer un statut d’égalité entre le français, l’anglais, et les cultures francophone et anglophone, c’est l’affaire de tous les francophones.”

Une nouvelle oeuvre pour raconter l’histoire autrement

Pendant des décennies, le parc La Vérendrye, situé sur l’avenue Taché, au cœur de Saint-Boniface, a raconté l’histoire de l’explorateur français du même nom à travers une seule statue. La Compagnie de La Vérendrye, un groupe de reconstitution historique, a piloté un projet de conception d’une nouvelle œuvre d’art qui pourrait raconter une autre partie de l’histoire.

Explorateur de la Nouvelle-France, La Vérendrye est associé aux premières expéditions françaises dans l’Ouest canadien. Il est responsable de l’établissement de colons français au Manitoba au 18e siècle. La Compagnie de La Vérendrye a pour mission de retracer l’histoire et de conserver l’héritage de l’arrivée des premiers Français qui se sont établis dans l’ouest.

“C’était important pour nous de mettre de l’avant un projet de réconciliation avec les peuples autochtones,” déclare Michel Loiselle, président et capitaine de La Compagnie de La Vérendrye.

“On est conscient qu’on représente un symbole colonialiste, explique Michel Loiselle. La traite des fourrures à l’époque reposait sur l’esclavage des peuples autochtones. La Vérendrye prenait des prisonniers de guerre autochtones pour les vendre à Montréal. C’est cette réalité qu’on veut mettre en lumière et aussi donner une voix aux peuples autochtones.”

Sisler program creating new generation of animators

The characters start as crude shapes and stand-ins, then take on form. Your Elsa, Miles Morales or Buzz Lightyear are born, but move only in key poses, like a picture book.

WAG-Qaumajuq exhibition offers fresh perspective on history of Indigenous representation in art

A new exhibition at WAG-Qaumajuq invites viewers to grapple with two simultaneous histories of Indigenous presence in art.

Reframed, which opened Wednesday, takes settler art of Indigenous people shaped by colonial perspectives of the time and contrasts it with modern-day contemporary work from Indigenous artists who challenge those perspectives.

Many historical paintings create a vague representation of Indigenous people by homogenizing the culture and erasing historical presence, says Marie-Anne Redhead, assistant curator of Indigenous and contemporary art.

“I wanted to highlight Indigenous perspectives on these artworks to really see these people as people,” she said.

Campers, canoes or loons: vote on provincial park licence plate

Manitobans are invited to vote on the design for a new licence plate promoting Manitoba’s provincial parks.

The new licence plates featuring the chosen design will be made available next year.

The provincial park-themed plate was promised in the Nov. 18 throne speech.

“Manitobans love our parks, and so we want to hear from you on the best design to represent that pride in our parks as a new provincial licence plate,” Premier Wab Kinew said in a news release Monday.

Winnipeg artist’s House on Fire chronicles fallout of grandmother’s MK Ultra experience

In the late 1950s, Velma Orlikow sought treatment for postpartum depression at the Allen Memorial Institute at McGill University in Montreal.

Later, it would be discovered that she was unknowingly enrolled in the secret CIA research program now known as MK Ultra, where she was the victim of brainwashing experiments at the hands of Dr. Ewen Cameron. She was injected with LSD and forced to listen to Cameron’s voice on tape for hours.

In the 1980s, Orlikow and eight other victims sued the CIA, which settled out of court.

Winnipeg visual artist Sarah Anne Johnson, Orlikow’s granddaughter, explores this difficult family history through her long-running series of work House on Fire, which is on view now at Plug In ICA.

Winnipeg author explores a child’s grief in latest picture book

In the latest picture book from Winnipeg author Anna Lazowski, a child who has lost a loved one heads out to the backyard to build a rocket ship out of cardboard, tape and tinfoil.

That’s what you need to do, after all, when someone feels “as far away as the stars.”

I Built a Rocket Ship, out Tuesday via Kids Can Press, explores the constellation of feeling that is grief through our unnamed narrator — a kid with a shock of white hair just like the person they are missing — who is processing the loss.

Lazowski wrote the first draft of the book in 2021, during the pandemic.

Museum diorama detailing marshland, rye farm decommissioned owing to pest infestation

What was designed as a triumph of taxidermy has instead become a buffet for pests.

Manitoba Museum has been forced to decommission the Delta Marsh and Rye Farm two-part diorama in the Parklands Gallery after discovering the extent of the devastation wrought by mice, clothes moths and beetle larvae. The open-air exhibition, completed in 2003, represents the province’s most important wetlands and the challenges faced by early farmers, including Ukrainian immigrants in the 1920s.

“Pests are a major issue,” says Amelia Fay, the museum’s director of research, collections and exhibitions. “All museums have pests and use discreet pest-management systems, but this specific diorama was particularly vulnerable because of how authentically it was constructed, using real plant materials and organic elements that various types of critters like to consume.”

Pests can enter the museum when the doors open; clothes moths drift in with foot traffic, mice can get in through tiny gaps and dermestid beetles can hitch a ride with visitors or via tiny cracks, laying eggs in areas close to food sources for future larvae.

Expressive power, emotional encounters: A closer look at Rothko’s Brown and Blacks in Reds

WHAT IT IS: Brown and Blacks in Reds, a 1957 painting by American artist Mark Rothko.

This work recently sold for US$85.8 million during a record-setting evening at Sotheby’s auction house, raising vexing questions about what we mean when we talk about the value of art.

WHAT IT’S ABOUT: Brown and Blacks in Reds offers a sombre example of Rothko’s most immediately recognizable period, with stacked blocks of colour vibrating against an intense ground. It is usually classified as a colour field painting, part of the larger abstract-expressionist movement of the 1940s and ’50s. (Rothko himself famously disliked both these terms.)

Mad Men fans might recall a Season 2 episode in which eccentric senior partner Bert Cooper acquires a Rothko painting something like this. (“I heard it cost $10,000,” Sal says.) Some of the younger employees sneak into Cooper’s office to look at it.

Hands-on workshop guides process of making unique, custom silver jewellery

I know things aren’t going well when cracks keep forming on my clay — but not to worry. I’d been paying attention when instructors Jillian Sheedy and Joanne Roberts told me how to deal with this problem.

So I confidently dip my brush into the water and start moistening my clay to smooth it out. Except I’ve added a bit more water than I should have, and now the clay is wet and extremely sticky.

Beside me, Roberts smiles reassuringly.

“It’s a task that requires a little bit of patience,” she says, carefully removing the brush from my hand.

Pair of bird books offer fascinating insight into the avian world

These two newly-released bird books couldn’t be more different. Jackie Morris and Robert Macfarlane’s The Book of Birds is artful and poetic; Louis Lefebvre’s A Bird’s IQ is analytical and academic. Each would make an attractive addition to the libraries of people interested in birds — but not without certain provisos.

The subtitle of The Book of Birds is deceptive — it’s not really a “Field Guide” in the usual sense, too substantial and beautiful to carry along on a bird outing. In hardback with a blue cloth spine and a blue-ribbon page-holder, it’s more like a church song missal than toteable identification helper. It’s best kept inside, protected from wind and weather and damp fingerprints.

The Book of Birds is a follow-up to Morris and Macfarlane’s previous collaboration The Lost Words. When the Oxford Junior Dictionary dropped a bunch of words connected to the natural world (such as acorn, otter, fern, newt and wren), the renowned artist and celebrated author created a “spell book” to conjure back 20 of those words and bring increased awareness of the things the words describe. It proved to be immensely popular.

Here they focus on 49 birds, presented alphabetically from avocet to kestrel to sparrow to yellowhammer, that are in danger of disappearing completely from the natural (European) world. Morris provides the spectacular bird illustrations, and Macfarlane waxes poetic on each of them in the hopes readers will not just identify birds, but “identify with them.”

New craft exhibition gives artists licence to lighten up

Textile artist and Manitoba Craft Council program co-ordinator Katrina Craig had a simple brief for the artists taking part in her curatorial debut, Serious Play, at C2 Centre for Craft: each person was asked to investigate the radical potential of play when making pieces for the show.

The four local interdisciplinary artists — Charlotte Sigurdson, Candace Neumann, Maureen Winnicki Lyons and Miriam Delos Santos — took her playful instructions seriously.

“Culturally, we think of play as frivolous or irrelevant. It’s a low priority,” Craig, 35, says. “But I think of play as an essential part of creating new things and of problem-solving. I’ve found that when I lean into that not-so-serious side of myself, good things tend to come about.”

The theme is especially pertinent in the field of craft, which can often be more intensely focused on rigorous skill-building and technical mastery. Sometimes playfulness can fall to the wayside in the pursuit of excellence

Movie review: Talking-sheep comedy pokes affectionate fun at mystery genre

There’s a certain kind of little British film that wants very much to be sweet and charming.

It’s a tricky genre. When it’s forced, sweetness can easily become sugary, charming can tip over into twee.

This all-ages talking-sheep comedy-mystery gets it right. With a lot of Babe sincerity and a smidge of Knives Out self-awareness, The Sheep Detectives is cosy but never complacent.

Using a deft blend of live-action and CGI animation, the story starts with George (Hugh Jackman), a shepherd who tends his flock just outside Denbrook, a picture-perfect village with thatched roofs, half-timbered walls and a mossy churchyard.

Winnipeg photographer captures striking stills that market major motion pictures

Eric Zachanowich is the most famous photographer you’ve probably never heard of.

He’s worked with Tinseltown heavyweights such as the late Robert Redford, Ralph Fiennes, Laura Linney, Woody Harrelson and Anya Taylor-Joy, and even appeared in Dwayne (The Rock) Johnson’s wrestling biopic The Smashing Machine, disguised as, you guessed it, a photographer.

“It was for one of the opening scenes so I could shoot Dwayne Johnson walking to the ring. I made the final cut of the movie — although it’s hard to place me — and also got a spectacular photo that was used heavily during marketing,” says Zachanowich, 32.

More often than not, he operates as a silent observer on the sets of cinema blockbusters and prestige television dramas alike, his lens capturing the world’s biggest A-listers at their most vulnerable and intense moments.

Wordless puppet show explores father-daughter ties

Having a parent who travels for work is a challenge for any child, but whenever Shizuka Kai’s father left on a voyage to capture elusive footage of white wolves and kodiaks, there was an element of danger that didn’t exist for other children.

“I would say I kind of grew up with my dad telling us that he actually might not come home,” says Kai, a Vancouver-based puppet maker and theatre artist. “A moment I vaguely remember as a kid was when he sat us down and explained the life-insurance process because (he) might actually get attacked and eaten by a bear, and that’s the reality of this project (he was) doing.”

That reality is put through a puppeteer’s lens in Otosan, the closing production of the 2025-2026 season at the Manitoba Theatre for Young People.

Based on Kai’s experiences growing up as the child of a dogged wildlife videographer, combined with memories from a joint trip to Alaska in Kai’s early 20s, Otosan — on to May 17 — is told in a wordless tabletop puppet show featuring lifelike renderings of father, daughter, grizzly bear and snowy owl.

AI-rendered Val Kilmer debuts in ‘As Deep as the Grave’ trailer

LAS VEGAS (AP) — The filmmakers behind “As Deep as the Grave,” the indie film that is using an artificial intelligence-rendered version of Val Kilmer in a prominent role, debuted a first look at the recreated actor Wednesday at CinemaCon in Las Vegas.

“Don’t fear the dead and don’t fear me,” Kilmer’s character, Father Fintan, a Catholic priest and Native American spiritualist, says at the end of the trailer.

The actor died last year at 65, of pneumonia. The use of generative AI to recreate Kilmer for the historical drama based on archaeologists Ann and Earl Morris became a hot button topic when the filmmakers announced it last month. The trailer shows Kilmer’s character at various ages.

Writer-director Coerte Voorhees, along with his brother John, spoke on a panel Wednesday about the controversial decision to use technology to create a performance from a deceased actor and explained why they feel they've done it ethically by working with Kilmer's children and the actors union. Coerte Voorhees stopped short of calling it a Val Kilmer performance, however.

Pallister portrait shows more of the man

Salvador Dali once said, “The reason some portraits don’t look true to life is that some people make no effort to resemble their pictures.” This cannot be said of Manitoba’s 22nd premier, Brian Pallister. His official portrait by artist Andrew Valko doesn’t just resemble Pallister, it reveals him.

It reveals not just who he is but more, someone far different than the public portrait many Manitobans had of him.

Begin with the setting. Manitoba’s most outdoors premier has the first outdoors portrait of a premier.

Significantly, he chose not where he worked — the formal pediments and stone of the province’s legislative building which form the preferred backdrop of all his predecessors — but where he lived and loved, the landscape of Manitoba itself. High Bluff, part of his hometown municipality of Portage la Prairie, with the Assiniboine River gently wending its way in the background, fills the canvas. It cries out roots and belonging, not position or status.

How Canadian box-office hit ‘Undertone’ got to the screen without public funding

TORONTO - Personal grief, a potentially haunted house and a sound-driven sense of dread helped turn “Undertone” into one of the year’s most unexpected horror hits.

But the biggest twist? The director says he made the film with no government money after his previous work was rejected by Canada’s public film funders.

The Toronto-shot film opened to $9.3 million at the North American box office over the weekend — a scary good debut for a movie made on a $500,000 budget.

For director Ian Tuason, his debut feature’s unlikely path to the big screen is also a quiet critique of how Canadian films get financed.

Brandon-based visual artist focuses on precarious labour in series of portraits

What you’ll notice first in the portraits by Lisa Wood on view now at the School of Art Gallery at the University of Manitoba are not the subjects’ faces, but their hands.

Gesticulating hands, reaching hands, hands covering a mouth. Tattooed hands. Hands attached to wrists wrapped with friendship bracelets and smartwatches, tracking thousands of steps logged over hundreds of shifts. Hands that perform labour.

“I love painting hands,” the Brandon-based visual artist says. “I think that when a viewer sees faces, they’re thinking about that particular person, but when a viewer sees hands, they’re personal, but I think that we can connect more or think more about ourselves when we’re seeing somebody else’s hands.”

The paintings are part of a suite of works that compose SHIFT/WORK: Portraits of Precarity, a multimedia research-creation project that shares the experiences of rural Manitobans navigating precarious work — whether that’s insecure, short-term or contract-based employment — created from more than two years of research.

Stars hit Paris runways, but fall’s real trend was dressing for hard times – and real life

PARIS (AP) — The celebrities came first, as they always do at the Paris runways.

After Oprah Winfrey stole the show in the opening stretch of the nine-day week, Naomi Watts and Kai Schreiber were at Balenciaga. Rooney Mara, Diane Kruger, Alexa Chung, Elizabeth Olsen and Yseult turned up at Givenchy.

Sarah Paulson and Tracee Ellis Ross watched Celine. Chappell Roan was at Vivienne Westwood and then at McQueen, where Myha’la and Sophie Thatcher were also there. Chanel was still to come Monday, and Louis Vuitton capping the season Tuesday.

But this week was about more than the front row.

Children’s book on Ramadan put back on school shelves

A Ramadan-themed children’s book is returning to elementary school shelves in Winnipeg following public outcry.

The Louis Riel School Division announced on Friday afternoon that it was bringing Upside-Down Iftar back into circulation.

The newly released picture book by Palestinian author Maysa Odeh is about a girl and her grandmother preparing a traditional dish for their family to break their fast together after sunset.

It was temporarily pulled from schools last week following a complaint about an illustration of a map.

VistaVision, a vintage format left for dead, is revived in ‘One Battle After Another’ and more

NEW YORK (AP) — When Paul Thomas Anderson told his cinematographer Michael Bauman that he wanted to shoot “One Battle After Another” on VistaVision — a large-scale film format born in the 1950s — he had some questions.

“Question one was: Is this even going to be reliable?” Bauman recalls.

For much of the past 60 years, the few remaining VistaVision cameras have been mostly collecting dust on shelves. Though the format was widely used in the 1950s, when Alfred Hitchcock shot “Vertigo” on it and Cecil B. DeMille used it for “The Ten Commandments,” VistaVision went dormant by the early 1960s.

Yet at the March 15 Academy Awards, a movie made largely with decades-old antique cameras is poised to win best picture. Even in 2026, when most films are shot digitally and AI has begun filtering into moviemaking, “One Battle After Another” has — with film equipment borrowed from collectors and museums — showed that a vintage, analog film system can still astonish moviegoers.

Kids’ book pulled from division shelves over map illustration

A school library-technician is raising concerns about the swift removal of a new children’s book about a Palestinian family preparing to break their fast during Ramadan.

The Louis Riel School Division has taken Maysa Odeh’s Upside-Down Iftar off its shelves in response to a complaint about an illustrated map.

The superintendent says the decision isn’t final, but the case has left one elementary school employee “feeling quite uncomfortable.”

“The process for challenging books is supposed to be quite long and involved,” said the library technician, who agreed to an interview on the condition of anonymity for fear of retribution at work.