Not just Big Bird: Things to know about the Corporation for Public Broadcasting and its funding cuts

The Corporation for Public Broadcasting, which helps pay for PBS, NPR, 1,500 local radio and television stations as well as programs like “Sesame Street” and “Finding Your Roots,” said Friday that it would close after the U.S. government withdrew funding.

The organization told employees that most staff positions will end with the fiscal year on Sept. 30. A small transition team will stay until January to finish any remaining work.

The private, nonprofit corporation was founded in 1968 shortly after Congress authorized its formation. It now ends nearly six decades of fueling the production of renowned educational programming, cultural content and emergency alerts about natural disasters.

Here's what to know:

Canadian researchers create tool to remove anti-deepfake watermarks from AI content

OTTAWA - University of Waterloo researchers have built a tool that can quickly remove watermarks identifying content as artificially generated — and they say it proves that global efforts to combat deepfakes are most likely on the wrong track.

Academia and industry have focused on watermarking as the best way to fight deepfakes and "basically abandoned all other approaches," said Andre Kassis, a PhD candidate in computer science who led the research.

At a White House event in 2023, the leading AI companies — including OpenAI, Meta, Google and Amazon — pledged to implement mechanisms such as watermarking to clearly identify AI-generated content.

AI companies’ systems embed a watermark, which is a hidden signature or pattern that isn’t visible to a person but can be identified by another system, Kassis explained.

Celebrating cats and the pet parents who love them

The cats have come back to the big screen.

Graham Avenue stretch to get pedestrian, bike-only trial when buses vanish

The city will turn a four-block stretch of Graham Avenue into a living lab when Winnipeg Transit’s network overhaul pulls buses off the downtown street.

It will be cyclists and pedestrians only between Carlton and Garry streets in an indefinite pilot project scheduled to begin after June 29.

“In July 2025, buses will be removed from four blocks, creating a rare opportunity to transform the street into a safer, pedestrian-first space. With a focus on recreation, public gathering areas, and cultural programming, Graham Avenue can become a dynamic hub of activity in the heart of downtown,” a city document states.

Without changes, the area risks becoming a neglected corridor with minimal foot traffic once buses leave, it warns.

‘Elio’ is an intergalactic tale — but for Toronto’s Domee Shi, it hits close to home

TORONTO - For Domee Shi, making a movie about an introverted kid getting abducted by aliens felt oddly familiar.

Not because she’s had any close encounters, but because she remembers being a teenager longing to be taken away to a world where her weirdness was understood.

The Toronto native co-directs “Elio,” a Pixar animated sci-fi film about an 11-year-old orphan who yearns to be snatched by extraterrestrials to escape his loneliness — and gets his wish when an interplanetary organization mistakes him for Earth’s ambassador.

“He's this lonely artsy kid who just wants to belong somewhere. I definitely felt that way growing up,” says the Oscar-winning animator behind 2022’s coming-of-age Toronto-set hit “Turning Red.”

Diversified roles in society shape painter Brian Hunter’s work and process

Brian Hunter’s multiple roles within society inform the works in his current exhibition, On Shaky Ground, at 226 Gallery, located at 226 Main St.

It’s his first solo show in seven years.

The 22 oils, created in response to “the current shifting and uncertain atmosphere,” are a departure from the artist’s previous work.

Nine years ago Hunter snagged top spot at the RBC Canadian Painting Competition. He spent a year in an art residency at the Gwangju Museum of Art in South Korea, and has shown in South Korea, Spain, Montreal and Toronto.

Carrie’s voice is back. So is the show’s soul as ‘And Just Like That…’ grows up

PARIS (AP) — “She’s messy. It can be messy. But it’s real.”

So says Cynthia Nixon — not just of Miranda Hobbes, the character she’s embodied for almost three decades, but of the show itself. “And Just Like That...,” HBO’s “Sex and the City” revival, has come into its own in Season 3: less preoccupied with pleasing everyone, and more interested in telling the truth.

Truth, in this case, looks like complexity. Women in their 50s with evolving identities. Not frozen in time, but changing, reckoning, reliving. Queerness that’s joyful but not polished. Grief without melodrama. A pirate shirt with a bleach hole that somehow becomes a talisman of power.

At its glittering European premiere this week, Nixon and co-star Sarah Jessica Parker, flanked by Kristin Davis and Sarita Choudhury, spoke candidly with The Associated Press about how the show has evolved into something deeper, rawer and more reflective of who they are now.

Protests over ‘please walk on me’ flag artwork prompt its removal from New Zealand gallery – again

WELLINGTON, New Zealand (AP) — A New Zealand flag printed with the words “please walk on me” and laid on the floor of an art gallery has once again been packed away following public outcry, 30 years after protests forced the removal of the same artwork.

The Suter Art Gallery in the city of Nelson said Thursday it had taken down the work by Māori artist Diane Prince due to escalating tensions and safety fears. The episode mirrored an Auckland gallery's removal of the work amid public backlash and complaints to law enforcement in 1995.

This time, the flag was meant to remain on display for five months. Instead, it lasted just 19 days, reigniting long-running debates in New Zealand over artistic expression, national symbols and the country’s colonial history.

Police told The Associated Press on Friday that officers were investigating “several” complaints about the exhibition.

Paul Reubens tells his story in ‘Pee-wee as Himself.’ Here’s how it came together after his death

Paul Reubens did not tell his director that he was dying.

On July 31, 2023, the news of Reubens' death came as a shock to documentary filmmaker Matt Wolf, who had spent a year trying to convince him to make the ambitious two-part documentary “Pee-wee as Himself,” now streaming on HBO Max, and over 40 hours interviewing him on camera.

But in 2023, the project was in danger of falling apart: The two had been at an impasse for a while over the issue of creative control and they’d finally found a way forward. He had one last interview scheduled, set for the first week of August. Then the texts started coming in. Wolf sat there shaking.

They’d spoken about everything — Reubens' childhood, his complicated relationship with fame, his ambitions, his commitment to his alter-ego Pee-wee Herman, his sexuality, his arrest — except the fact that he’d been battling cancer for the past six years. But after the initial shock, a renewed purpose set in.

The Cannes Film Festival is over. Here’s some key things that happened

CANNES, France (AP) — This year's Cannes Film Festival is over, ending in dramatic fashion with a power outage ahead of the closing ceremony that bestowed the Palme d'Or trophy to Iranian filmmaker Jafar Panahi's film, “It Was Just an Accident.”

This year's festival included a strong slate as Cannes has become increasingly important to the Oscars’ best picture hopefuls. As the festival drew to close Saturday, it was clear that filmmakers are reckoning with geopolitical doom, climate change and other calamities that closely resemble current events.

This year's festival was an attention-grabbing affair since its start — from new rules for its red carpets, nerves about potential U.S. tariffs and the return of Tom Cruise.

Even in a normal year, Cannes is a lot to keep up with. Here's a handy guide of what's happened so far, what's left and what it may mean.

‘Special to the world’: Supporters hope to save beloved Drumheller dinosaur

DRUMHELLER - A plan to send Tyra the tyrannosaurus, the popular tourist attraction that towers over the skyline in Drumheller, Alta., into proverbial extinction has sparked demands that she be spared.

The town of 8,400 northeast of Calgary bills itself as the Dinosaur Capital of the World. Home to the famed Royal Tyrrell Museum, the community also has statues of dinosaurs that look like they've crawled out of "The Flintstones" cartoon greeting people on the streets.

There's an extinct reptile riding a motorcycle. A triceratops in a frilly dress sits on a bus bench. Another dinosaur wearing a fireman's hat and holding a hose is poised outside a fire station.

The biggest is Tyra, standing across from the intersection of Gorgosaurus Street and Tyrannosaurus Drive near a visitor information centre. A nearby ice cream stand offers fossils, T-shirts and dino toys.

Crave introduces ad tiers, including $9.99 plan

TORONTO - Crave is introducing two ad-supported tiers that each shave $5 or $10 off the monthly subscription fee.

Bell Media says its new Crave Basic with Ads costs $9.99/month, while Crave Standard with Ads costs $14.99/month. An unchanged ad-free option remains at $19.99/month, and is renamed Crave Premium Ad-Free.

Viewers can watch most shows and movies, including HBO and Max originals, on the ad-supported plans. About one per cent of titles won't be available due to licensing restrictions.

Ads will be 15 or 30 seconds long, totalling about five minutes per hour, and appear before and during some episodes and films.

Former mechanic gives a face to Rainbow Stage's Beast

It’s not exactly a tale as old as time.

About 20 years ago, Christian Hadley was an auto mechanic dissatisfied with the grind of machining auto parts and deflated at the prospect of repairing another tire.

He needed a change, and not the kind involving 5W30 motor oil.

His career pivot was, quite literally, dramatic. At the age of 25, he went to the University of Winnipeg to study theatre arts. He emerged with skills in both set-building and makeup design. And he brings those skills to fruition in the Rainbow Stage production of Beauty and the Beast.

Un festival qui fait confiance aux enfants

Depuis 20 ans, le Festival international de films pour enfants de tous âges Freeze Frame valorise la perspective des plus jeunes et les incite à penser. Le cofondateur du festival, Pascal Boutroy, est un cinéphile de longue date.

“J’ai découvert le cinéma pour enfants dans les années 1990, quand j’ai travaillé comme critique de cinéma à Montréal. Surtout, j’ai découvert quelque chose d’extraordinaire: des films intelligents et sensibles. Et j’ai vu l’effet que cela pouvait avoir sur les enfants. Quand ils sortent de la salle, ils ont appris des choses à propos d’eux-mêmes.”

En 1996, nouvellement arrivés à Winnipeg, Boutroy et sa conjointe, Nicole Matiation, cofondent le festival Freeze Frame. En 20 ans le festival, qui met à l’affiche des films en plusieurs langues, y compris le français, est devenu le festival de cinéma le plus fréquenté au Manitoba, avec entre 6,000 et 8,000 participants chaque année.

Boutroy attribue le succès du festival à la diversité de la programmation.

Ceci est mon drapeau

DEPUIS plus de deux ans, vous lisez chaque semaine le Fil des francophiles dans ce journal.

Vous commencez à connaître davantage la communauté francomanitobaine. Mais connaissez-vous son drapeau?

Examinez bien la photo qui accompagne cet article. Il est fort possible que vous ayez vu ce drapeau flotter au mat d’une école française. Peutêtre l’avez-vous vu au Festival du Voyageur, à l’entrée de l’Université de Saint-Boniface, sur un T-shirt ou encore sur le pare-choc d’une voiture. En 2010, il a même flotté au mat de la Tour de la Paix du Parlement canadien, à Ottawa!

En fait, si les Franco-Manitobains en ont fait leur drapeau, il n’empêche que le drapeau est relativement récent, ayant été créé, et adopté par la communauté francophone, en 1980.

Ad another thing: sounding the alarm about advertising’s ill effects on society

Jean Kilbourne was an adbuster long before there was anything close to resembling Adbusters.

When the acclaimed feminist scholar, author, filmmaker and media literacy pioneer, who speaks Thursday at 7:30 p.m., at the University of Winnipeg's Convocation Hall, began tearing advertisements out of magazines and posting them on her refrigerator back in 1968, she didn't know she would start a movement, let alone a respected field of study.

At the time, she just wanted to open people's eyes. She assembled the ads she collected into a slideshow presentation that she took to college campuses in the 1970s. She had one goal: tell anyone who would listen about the damaging effect ads were having on women.

"I was the first person to start talking about the image of women in advertising," Kilbourne, 70, recalls. "(The ads) were outrageous and no one was paying attention to them."

Réal explorateur

RÉAL Bérard est l’un des rares explorateurs des temps modernes à partir à l’assaut des rivières capricieuses armé de son canoë, de papier et d’un crayon.

Réal Bérard est en effet le premier à avoir entrepris de cartographier pour le gouvernement puis par passion l’ensemble des rivières manitobaines.

Depuis 1961 le cartographe parcourt ainsi des kilomètres de rivières et des jours durant, pour les dessiner et les décrire dans les moindres détails afin de créer des cartes uniques en leur genre.

“Après avoir fait les Beaux-arts de Montréal j’ai travaillé pour le ministère des ressources naturelles et je patrouillais sur les rivières jusqu’au jour où j’ai voulu intégrer mon art à mon travail de tous les jours en dessinant et peignant ce que je voyais.”

Des pinceaux contre le traumatisme

À 18 ans, Briand-Nelson Mutima a déjà acquis une grande expérience dans le domaine de la peinture. L'élève de 12e année au Collège Louis-Riel (CLR), originaire de la République démocratique du Congo, dessine depuis qu'il a cinq ans et peint depuis qu'il en a 12.

Il a d'abord travaillé la gouache, avant d'apprendre l'art de l'acrylique, la peinture à l'huile et l'aquarelle.

La passion de Briand-Nelson Mutima pour la peinture est liée de près avec sa vie. Les pinceaux et les crayons l'ont notamment aidé à surmonter son bégaiement, car ça lui permettait de s'exprimer et de se faire des amis, mais ils lui ont surtout permis de surmonter des traumatismes.

"Je fais partie de la troisième génération de gens ayant vécu la guerre au Congo," raconte-t-il. "Ma famille a dû fuir au Cameroun où j'ai vécu 11 ans avant de venir au Canada. Ma mère m'a dit que quand on est arrivés au Cameroun, j'étais traumatisé par la guerre et que mes premiers dessins étaient toujours des soldats avec des armes. Aujourd'hui encore, il y a toujours un signe de souffrance dans la plupart de mes tableaux."