Visual Arts
Please review each article prior to use: grade-level applicability and curricular alignment might not be obvious from the headline alone.
Sous les eaux islandaises avec Julien Nayet-Pelletier
7 minute read Preview Saturday, Aug. 1, 2026Cultural consultation gives Indigenous stories strength in Netflix’s new Little House on the Prairie
13 minute read Preview Monday, Jul. 27, 2026In an apartment above the Sherbie, famous local artists line the walls
4 minute read Preview Friday, Jul. 24, 2026Giant metal roosters spread autism acceptance in Maine after town zoning spat
5 minute read Preview Monday, Aug. 10, 2026New graphic images are rolling out on cigarette packs in Canada. Could more be done?
6 minute read Preview Thursday, Jul. 23, 2026Manitoba documentary focuses lens on environmental defenders, beauty of prairies
4 minute read Preview Thursday, Jul. 16, 2026Twelve metres of museum space
4 minute read Thursday, Jul. 16, 2026It is striking that one of the smallest exhibitions at the Canadian Museum for Human Rights in Winnipeg has generated one of the largest public controversies in the museum’s history. Palestine Uprooted: Nakba Past and Present occupies only about 12 metres within an existing gallery.
Yet it has prompted protests, political statements, passionate public debate and accusations that the museum has somehow abandoned its mission.
This exhibition matters. But I have come to think that the reaction to it matters just as much. It raises a question that reaches well beyond this particular exhibition.
Why has one small gallery space become such a flashpoint?