Échos croisés: le projet des sœurs Rezaei

L’exposition Échos croisés, proposée par Mancy et Farzaneh Rezaei a pris place, le 27 mars dernier, dans la galerie contemporaine de la maison des artistes visuels francophones.

Dans l’art comme dans la vie, Farzaneh et Mancy sont sœurs. Basées aujourd’hui à Montréal, les deux artistes sont originaires d’Iran. “Nous nous sommes installées au Canada il y a 11 ans,” explique Farzaneh, tout en précisant que ce choix fut motivé par l’envie de découvrir d’autres arts et d’avoir de nouvelles inspirations. C’est la quatrième fois que les deux artistes exposent en duo. Un tandem artistique qui existe depuis toujours, et qui a commencé à présenter leurs œuvres ensemble en 2018.

À travers “Échos croisés,” les sœurs offrent des propositions aussi différentes que complémentaires. C’est la première fois que les deux artistes, en parallèle de leur métier de médiatrices au Musée des beaux-arts de Montréal, exposent en dehors du Québec. Dans cette exposition, elles explorent le féminisme et la migration, des thématiques auxquelles elles ont pu être confrontées dans leurs parcours personnels. L’exposition composée d’une trentaine d’œuvres est ouverte aux visiteurs jusqu’au 10 mai.

Corps féminin

Runway show focuses on treasures, not trash

Some of Manitoba’s best-known public figures — including radio host Ace Burpee, activist Mitch Bourbonniere and politician Nahanni Fontaine — walk the catwalk in a fashion show at 109 Higgins Ave. tonight.

Une exposition gourmande ouvre ses portes au CCFM

La galerie d’art du Centre culturel franco-manitobain accueille une nouvelle exposition consacrée à la céramique mystérieusement intitulée Rester sur sa faim. L’artiste Solange Roy y présente des créations gourmandes dès le 20 mars.

À seulement 24 ans, la jeune artiste originaire de Winnipeg expose pour la première fois en solo son travail autour de la céramique.

Et pour ce faire, la nouvelle exposition de la galerie d’art du CCFM prend le nom intriguant suivant Rester sur sa faim… Ici Solange Roy y explore sa relation avec la nourriture, un sujet qui la touche personnellement.

“Cette exposition représente ma relation compliquée avec la nourriture. Cela me touche car ce n’est jamais une relation parfaite, particulièrement pour les femmes j’ai l’impression,” explique-t-elle à propos d’un trouble de l’alimentation développé pendant son enfance.

Le logo d’un francophile de cœur

Originaire du quartier Tyndall Park à Winnipeg, c’est pourtant à Saint-Boniface que l’anglophone Jonato Dalayoan a choisi de s’installer il y a 22 ans. “C’était mon premier domicile, et depuis je suis toujours resté ici avec ma femme et mes enfants.”

Lui-même d’origine philippine, et sa femme germano-philippine, ils ont pleinement embrassé Saint-Boniface, sa culture francophone, et bien sûr son Festival du Voyageur. “Mes enfants vont à l’école d’immersion française et parlent couramment le français, affirme-t-il avec fierté. Je les appelle mes francopinos! En fait, ils parlent très bien le français mais pas du tout le filipino.”

Le Festival du Voyageur, la famille Dalayoan y a donc passé de nombreuses journées à travers les années. Jonato Dalayoan raconte: “Je vis proche du parc Provencher et je me souviens que dans mes premières années à Saint-Boniface, il y avait des sculptures de neige du Festival dans le parc Provencher. C’était toujours quelque chose que j’avais très hâte d’aller voir.

“Aujourd’hui, on va souvent au parc du Voyageur avec les enfants. Le Festival a beaucoup changé dans les cinq à dix dernières années, il y a beaucoup de nouvelles activités, de nouveaux spectacles, de nouvelles musiques, c’était vraiment cool pour toute la famille!”

Quand les émotions se dégagent des formes et des couleurs

L’artiste peintre Xavier Mutshipayi présente pour la première fois ses créations dans l’exposition Nouveaux Horizons à la galerie d’art du Centre culturel franco-manitobain (CCFM).

Il s’agit de la troisième présentation solo du peintre originaire du Congo. L’occasion pour lui de présenter une nouvelle facette de son travail. En effet, si Xavier Mutshipayi est plutôt connu pour son style réaliste, ses créations évoluent ici vers l’art abstrait et l’impressionnisme.

La galerie du CCFM accueille environ une dizaine de tableaux dont la majorité ont été conçus pour l’évènement. Parmi eux, quatre toiles arborent un style abstrait tandis que quatre autres reprennent les codes du mouvement impressionniste. Cette évolution artistique s’est développée au fil des années pour Xavier Mutshipayi.

“Comme pour l’homme, l’artiste grandit et change avec le temps. L’endroit où j’habite et mon parcours de vie m’inspirent dans mes créations. C’est pourquoi il y a beaucoup de portraits dans mes œuvres. À force de travailler, j’ai développé un style, une patte.”

New Jenna Rae cookbook focuses on bakers’ favourite home recipes

There’s a sweet new edition on the way.

Sisters Jenna Hutchinson and Ashley Kosowan are expanding their successful local bakery business with a new cookbook venture. Jenna Rae Cakes at Home: Our Favourite Recipes to Enjoy with Family and Friends hits bookstores Oct. 8 and features more than 100 colourful, family-friendly recipes.

The cookbook is a followup to their first release, Jenna Rae Cakes and Sweet Treats, and is a labour of love that brings together the twins’ individual interests.

“Ash was meant to make cookbooks,” says Hutchinson, whose passion for cake design prompted the entrepreneurial siblings to open their first Jenna Rae Cakes shop in 2014.

Riel, le lien entre les francos d’Amérique

Pour Jocelyn Jalette, bédéiste de Joliette, au Québec, pas besoin d’être métis, ou manitobain, ou encore francophone en milieu minoritaire pour apprécier le combat, le triomphe et la tragédie de Louis Riel. Et voici pourquoi.

Dans La République assassinée des Métis, la bande dessinée de Jocelyn Jalette qui vient tout juste d’être publiée aux Éditions du Phoenix (www.editionsduphoenix.com), des personnages fictifs côtoient Louis Riel et Gabriel Dumont, mais aussi les politiciens Louis-Hippolyte Lafontaine, Louis-Joseph Papineau et Honoré Mercier.

Une palette de personnages pour mieux placer la résistance des Métis dans un contexte francophone plus large, comme le souligne l’auteur de 47 ans :

“Les liens sont étroits entre la résistance des Métis, Louis Riel et les francophones du Québec. Surtout quand on se rappelle que la lutte pour assurer un statut d’égalité entre le français, l’anglais, et les cultures francophone et anglophone, c’est l’affaire de tous les francophones.”

Imaginative production delivers excellent encore performances

When Brush Theatre first brought its flagship production, Doodle POP, to Winnipeg in 2022, the South Korean company was an unknown entity locally.

Not anymore: with its third visit to the Manitoba Theatre for Young People in five years underway, the highly imaginative troupe has scribbled its way into the memories of a generation of theatregoers.

While adult audiences might not appreciate a professional theatre company programming similar shows with such frequency, MTYP hasn’t hesitated to extend return invitations to Brush, which blends miming, clowning, drawing and dazzling projections into unique and approachable stage concoctions, driven by participation from a rapt, ever-changing audience.

A kid only gets one chance to see their first theatre performance, and Doodle POP is just about as fun and engaging an introductory experience one can dream up.

Exhibit connects traditional and contemporary Métis beadwork artists

Suspended from the ceiling in Gallery 1C03 at the University of Winnipeg is an octopus bag, created by Métis visual artist Claire Johnston.

Métis leaders unveil 1920s model dog sled repatriated from Vatican

OTTAWA - Métis leaders on Wednesday unveiled a model dog sled repatriated to their communities after more than a century in the Vatican collection.

The sled, made in the 1920s of leather, wood and glass beads, was one of 62 items repatriated to Indigenous Peoples from the Vatican last year after decades of calls for their return.

“We’re not simply opening a box. We’re welcoming something very special home. We’re beginning a new chapter, a chapter that’s grounded in relationship, kinship and connection,” Métis National Council president Victoria Pruden said during the ceremony.

“These are not artifacts in the Western sense. These are carriers of memory – that Kiyas Kiskiowin Oma – remembering who we are, our memories returning. They hold the imprint of the hands that made them, and the communities who once knew them.”

PTE play shines a light on cultural harms caused by forgeries

Drew Hayden Taylor explores art authentication with his signature wit in The Undeniable Accusations of Red Cadmium Light, a play inspired by the ongoing challenges to the artistic legacy of Anishinaabe painter Norval Morrisseau.

Elmwood students’ clothing venture instils pride, breaks down stereotypes in blue-collar neighbourhood

Xander Woodley is spending his fourth period filling orders.

The Grade 12 Elmwood High School student pulls a blank sweatshirt from the supply closet and double-checks the customer’s purchase: one double-extra-large GPS Crewneck in navy.

He walks over to the heat press at the back of the graphics lab and flips through a stack of transfer sheets to find the correct design.

“It’s a map of our community of Elmwood; these are all of the streets, as well as the Red River and co-ordinates of where we are,” Woodley says, pointing to the line-art rendition of the northeast Winnipeg neighbourhood, the ward boundaries of which run from McLeod Avenue to the Canadian Pacific mainline and from the eastern bank of the Red River to Lagimodiere Boulevard.

Exhibition digs into colonial ideas, societal pressures and resource use of lawns

Carrie Allison has thought a lot about lawns.

Specifically, the Halifax-based multidisciplinary artist thought about the time, money, resources and energy spent on the endless pursuit of the perfectly manicured, kelly-green squares in front of suburban houses; the colonial ideas about value, virtue, class and wealth lawns uphold; and the pressures exerted by societal expectations and full-on city bylaws to control what is a living thing.

It’s those ideas that inform we tend to care, a touring solo exhibition curated by Franchesca Hebert-Spence. The Winnipeg iteration of the show will be presented across two venues — Urban Shaman and within WAG-Qaumajuq’s permanent collection galleries — in collaboration with Marie-Anne Redhead, assistant curator of Indigenous and contemporary art at WAG-Qaumajuq.

“Lawns and grass are very much associated with that sort of, I would say, propaganda of what we value in society,” says Allison, 39, who is of nêhiýaw/Métis/mixed European descent. “They are used to tell people what they should value and how they should use their time.”

$54.7M sale of Frida Kahlo self-portrait breaks auction record for female artists

A haunting 1940 self-portrait by famed Mexican artist Frida Kahlo sold Thursday for $54.7 million and became the top-selling work by any female artist at an auction.

The painting of Kahlo asleep in a bed — titled “El sueño (La cama)” or in English, “The Dream (The Bed)” — surpassed the record held by Georgia O’Keeffe’s “Jimson Weed/White Flower No. 1," which sold for $44.4 million in 2014.

The sale at Sotheby's in New York also topped Kahlo's own auction record for a work by a Latin American artist. The 1949 painting “Diego and I,” depicting the artist and her husband, muralist Diego Rivera, went for $34.9 million in 2021. Her paintings are reported to have sold privately for even more.

The self-portrait is among the few Kahlo pieces that have remained in private hands outside Mexico, where her body of work has been declared an artistic monument. Her works in both public and private collections within the country cannot be sold abroad or destroyed.

Travelling sign painter finds his groove on the move

For someone whose writing appears all over the city, Joseph Pilapil’s penmanship isn’t the best.

You’ve probably seen his meticulously formed letters above store entrances, on shop windows and decorating sandwich boards all across the city.

But when it comes to writing on paper, well, the less said the better.

“My handwriting is terrible. When I am writing out my day-to-day stuff, it’s absolutely really bad,” he says, with a laugh.

La créativité franco-manitobaine rayonne: Anna Binta Diallo expose à travers le pays

En 2025, l’artiste visuelle franco-manitobaine Anna Binta Diallo connaît une année charnière. De Vancouver à Toronto, en passant par Edmonton et Winnipeg, ses expositions se succèdent, confirmant la place qu’elle occupe désormais parmi les figures majeures de la scène artistique canadienne contemporaine.

Née à Dakar, Sénégal, en 1983 et élevée à Saint-Boniface, Anna Binta Diallo tisse depuis toujours des liens entre les continents et les mémoires. Ses œuvres explorent les intersections entre identité, nostalgie et nature, dans un langage visuel qui conjugue collage, vidéo, graphisme et sculpture.

“Le collage est depuis longtemps au cœur de ma démarche,” confie-t-elle. “J’aime réagencer des images anciennes, des sons, des fragments d’archives pour construire de nouveaux récits.”

L’artiste collecte cartes, livres et photos qu’elle transforme en compositions hybrides, à la croisée du passé et du futur.

Rosa Parks and Helen Keller statues unveiled at the Alabama Capitol

MONTGOMERY, Ala. (AP) — Statues of Rosa Parks and Helen Keller, pivotal figures who fought for justice and inspired change across the world, were unveiled Friday on the grounds of the Alabama Capitol.

The monuments honoring the Alabama natives whose advocacy helped dismantle racial segregation and promoted the rights of people with disabilities are the first statues of women to be installed on the lawn of the Alabama Capitol, broadening the history reflected on the grounds that also include tributes to the Confederacy, which was formed at the site in 1861.

Gov. Kay Ivey, currently the nation's longest serving female governor, said Parks and Keller “rose to shape history through quiet strength and unwavering conviction.”

“Courage changes the course of history, and today, these statutes stand as symbols of that courage — testaments to what one person, especially one determined one, can do to make the world a better place,” Ivey said.

Misguided dramedy not great

Making her directorial debut, actor Scarlett Johansson (whose movies range from Lost in Translation to The Avengers) has chosen a small human story that is enormously well-intentioned.

But as the central character in this awkward, uneven dramedy proves, good intentions can have disastrous consequences. Attempting to make a much-needed statement about our contemporary culture’s difficulty in dealing with age, grief and loneliness, Eleanor the Great misfires, sometimes badly.

There are things that work. As we often see in projects by actors-turned-directors, the film’s core strength comes from its performances, especially that of 95-year-old June Squibb, a veteran actress who has a long list of supporting work in such movies as Nebraska and About Schmidt and recently received star billing in 2024’s Thelma. Here she takes the title role of Eleanor Morgenstein, a cranky, critical but compassionate senior.

As the story opens, Eleanor is living in Florida with Bessie (Rita Zohar). After the deaths of their husbands, the two old friends have been looking after each other. When Bessie wakes from nightmares rising out of her experiences during the Holocaust — a story she has never related, even to her own family — she and Eleanor sit at the kitchen table and talk it through.

Local filmmaker’s lo-fi feature packs a punch

It feels right that this low-budget, lo-fi experimental feature should be showing as part of We’re Still Here, a slate of programming that marks 50 resilient and resourceful years of the Winnipeg Film Group.

Winnipegger’s artwork chosen for Walmart’s national Orange Shirt offering

As she walked into the Unicity Walmart department store, Indigenous artist Brooklyn Rudolph-Nicholas felt her excitement levels rising.

She headed towards the racks of instantly recognizable orange T-shirts, smiling as she glimpsed the familiar image on the front.

It was a pinch-me moment: her work was emblazoned on Walmart Canada’s National Day for Truth & Reconciliation orange shirts stocked in stores across the country.

The granddaughter of two residential school survivors, Rudolph-Nicholas made her T-shirt art in honour of her late grandparents.

Artist explores internal dialogues with a surreal twist

Can you ever truly be alone with your thoughts when your thoughts don’t leave you alone?

In the oil and acrylic paintings that populate Bria Fernandes’ solo show, Things Left Unsaid — on view now at Gallery 1C03 at the University of Winnipeg — feelings and thoughts of self-doubt, anxiety, grief and displacement show up as physical visitors, often in the most banal moments of daily life. Like when you’re brushing your teeth, say. Or making coffee.

In the 2024 work Ain’t Misbehavin’, they arrive when the central figure is pulling on her socks. A melancholy blue figure leans against her thigh as though seeking comfort. Another appears from behind, hands on her shoulders.

“She’s trying to live her life, and she’s having these thoughts, and the thoughts in her mind are coming out into reality and interacting with her,” Fernandes says.

Drawn to their unique grain pattern, carver gravitates to trees’ ungainly outgrowths

There’s more to a burl than meets the eye. On the surface the flawed wood is a gnarly, lumpy mess. But beneath the scars hides something rather special.

“Burls are an unappealing wart-like growth on a tree,” artist Gary Foidart, 69, explains.

“They are horrific looking on the outside. Some of them look terrible. You never know what you are going to hit when you cut a burl open but the wood inside is the most beautiful wood there is. Each one is totally unique.”

Bulbous and rough, a wood burl forms when a tree experiences stress or disruption to its growth. Burls can also develop from insect infestation, bacterial or fungi growth, and environmental injuries.

The defunded Corporation for Public Broadcasting will get one of TV’s biggest prizes

The Corporation for Public Broadcasting will be honored with one of the television's top prizes even as it winds down its nearly 60-year work after the U.S. government withdrew funding.

The organization, which has helped pay for PBS, NPR, 1,500 local radio and TV stations as well as programs like “Sesame Street” and “Finding Your Roots,” will be awarded the Television Academy's Governors Award, which honors those who have "made a profound, transformational and long-lasting contribution to the arts and/or science of television.”

It will be handed to Patricia de Stacy Harrison, the longest-serving president and CEO of the Corporation for Public Broadcasting at the Creative Arts Emmy Awards ceremony on Sept. 7.

“For more than half a century, CPB has been a steadfast champion of storytelling that informs, educates and unites us and ensures public media remains a vital space where diverse voices are heard and communities are served,” Television Academy Chair Cris Abrego said in a statement Tuesday.

‘No safety rules’: Concerns grow as AI-generated videos spread hate online

At first it appears to be a quirky video clip generated by artificial intelligence to make people laugh.

In it, a hairy Bigfoot wearing a cowboy hat and a vest emblazoned with the American flag sits behind the wheel of a pickup truck.

“We are going today to the LGBT parade,” the apelike creature says with a laugh. “You are going to love it.”

Things then take a violent and disturbing turn as Bigfoot drives through a crowd of screaming people, some of them holding rainbow flags.