Federal government still missing 111 Indigenous artworks from its collection

OTTAWA - The federal government still can't locate 111 Indigenous artworks missing from its collection — nearly two years after an internal audit found it couldn't account for 132.

The Indigenous Art Centre's collection — established by the federal government in 1965 to protect, preserve and promote Indigenous art — consists of more than 5,000 works from First Nations, Métis and Inuit artists.

The collection, which is valued at roughly $14.4 million, includes works by such renowned artists as Christi Belcourt, Elisapee Ishulutaq, Kent Monkman and Norval Morrisseau.

An internal audit of the collection, dated November 2024, was posted last October on the Crown-Indigenous Relations and Northern Affairs Canada website. It tracked the operations of the department’s Indigenous Art Centre from April 2019 to August 2024 and said the centre could not account for 132 items in the collection.

A Winnipeg home with a mountain view? You won’t find a real one, but AI-generated visual suggests otherwise

Manitoba’s mountain range peeked out behind a Scotia Street home.

At least, it did in a photo attached to a real estate listing for 232 Scotia St. in Winnipeg’s (flat) Seven Oaks neighbourhood.

Another picture — now removed — showed a cartoon cityscape viewable from the bungalow’s front porch.

Both photos had tags in their bottom left corners: “AI-generated content.”

Why celebrities from Zendaya to Kylie Jenner are wearing Fecal Matter

The brand name behind recent showstopping fashion moments isn’t quite as delicate as their romantic and otherworldly looks. When asked what an ethereal Zendaya was wearing for the “Odyssey” premiere in New York, her stylist Law Roach responded: “Fecal Matter.”

Zendaya’s angelic strapless gown with feathered white wings was the work of Matières Fécales — yes, in English, Fecal Matter — the Paris-based, high-end fashion house founded in Montreal over a decade ago that’s, seemingly suddenly, everywhere.

Why Matières Fécales is called ... that

The design duo behind Matières Fécales, Steven Raj Bhaskaran and Hannah Rose Dalton, have aimed to subvert beauty with their own alien-like personal style, including dramatic white makeup, shaved heads and eyebrows, and skin boots made to look like realistic feet.

Winnipeg artist RYAN AD's ambitions growing as work reaches Paris

RYAN AD is Jamaican-Grenadian, lives in Winnipeg and receives iPhone notifications in French.

One of these notifications recently gave the photographer (who goes by his artist name) good news: a prestigious Parisian art gallery was interested in featuring two of his photographs in one of its exhibitions. One was captured in Manitoba, the other in Jamaica.

“I felt a constant sense of community in Jamaica. You’ll walk down the road and people will talk to you,” he says. “Here you have to be buying something to exist in most places.”

One photo, entitled Born Underwater, is a gentle depiction of Lake Winnipeg, reminiscent of Wanda Koop for its symmetry and pastel-like softness. The other, Myself When Young, shows a man leaning on an old car with its hood popped, a glimpse into Jamaica’s culture of repair and resourcefulness.

Duelling symbols: Alberta and Canada flags creating division ahead of referendum

EDMONTON -

Sarah Batchelor says it started a few weeks ago when a large blue flag bearing Alberta's shield of arms appeared on her neighbour's window in Airdrie, a city north of Calgary.

The 49-year-old music teacher, who has lived in the province for most of her life, says she would not have been bothered if her neighbour put it up a couple of years ago.

But now it irks her because of its widespread use by separatists.

Sous les eaux islandaises avec Julien Nayet-Pelletier

Avec Julien Looks Under Things: Under Iceland’s Waters, le vulgarisateur scientifique Julien Nayet-Pelletier entraîne le public sous les eaux islandaises. Son documentaire met en lumière une biodiversité fascinante et les personnes qui travaillent à sa préservation.

Devenir cinéaste n’était pas un rêve d’enfance du franco-manitobain Julien Nayet-Pelletier.

Mais bien qu’il ait toujours été fasciné par la nature et le théâtre, et bien qu’il demeure fan des documentaires de David Attenborough, c’est donc sans surprise que la vie l’a finalement mené sur cette voie.

Il est l’animateur de la série numérique Julien Looks Under Things, où il vise à dévoiler les éléments variés de la nature avec humour et un talent pour rendre la nature accessible.

Cultural consultation gives Indigenous stories strength in Netflix’s new Little House on the Prairie

Through her work as an Indigenous consultant for film and TV, Julie O’Keefe, a citizen of the Osage Nation, has brought accuracy and authenticity to works such as Martin Scorsese’s 2023 crime drama Killers of the Flower Moon, the 2025 western miniseries American Primeval and, most recently, Rebecca Sonnenshine’s new adaptation of Little House on the Prairie.

But she doesn’t work solo.

“One of the things that I always say is, in any of these jobs that I do — whether it’s Shoshone and Paiute and Ute or Osage — I never come alone to this,” says O’Keefe, who grew up in Pawhuska, Okla., the heart of the Osage Nation, and is now based in Santa Fe, N.M. “I engage because those stories are so much richer with our voices added to it, and we know that.

“I’m sitting down with brilliant directors, brilliant writers, and I’m handing over pieces of history that they’re like, ‘How come nobody knows this?’ And the great part is, this is the time in history … people are really starting to get on top of wanting this for their stories, because it really wasn’t of any importance before.”

In an apartment above the Sherbie, famous local artists line the walls

Directly above the West Broadway vendor and noisy bar now known as the Kyoto Kat Club, amid a primly kept wardrobe and dirty coffee mugs, Josh Peterson’s bachelor suite is bursting with coveted Manitoba art.

Giant metal roosters spread autism acceptance in Maine after town zoning spat

OGUNQUIT, Maine (AP) — Giant metal roosters are popping up on lawns in and around a community in southern Maine and as far away as New Zealand in support of a 6-year-old autistic girl and her love of the colorful creations.

David and Sara LeBlanc had a rotating display of the roughly 6-foot-tall (1.8-meter-tall) ornaments decorating their Ogunquit lawn until officials in the small coastal town deemed them to be impermissible advertising for their attached restaurant, The Omelette Factory.

The couple initially resisted the town's removal order, insisting the roosters were meant to comfort their daughter Pyper, not advertise their business.

“Roosters don’t lay eggs,” David LeBlanc told The Associated Press on Wednesday.

New graphic images are rolling out on cigarette packs in Canada. Could more be done?

TORONTO - A baby swarmed by smoke. A toilet of bloody urine. A cancerous colon.

These are among the new series of 13 graphic images that are required to be printed on cigarette packages across Canada by Aug. 1.

This is the fourth set of warnings mandated by Health Canada since 2000, aiming to reduce tobacco use to less than 5 per cent by 2035.

According to the federal health agency’s latest projections, Canada appears on track to reach that goal. Tobacco use was down to an estimated 13 per cent in 2024, compared to 29 per cent in 2001. Approximately 300,000 Canadians who smoked in 2023 quit in 2024.

Manitoba documentary focuses lens on environmental defenders, beauty of prairies

Everything We Need Is Here is the latest sumptuously shot Manitoba film rooted in the Prairie landscape.

Though totally unrelated in subject matter, the documentary recalls the 2024 Daughters of the Sun with its saturated and slow-mo sweeps across boreal forests and limestone tinted lakes.

But while Daughters has much murmured narration and arthouse flair, Everything is a plucky film, a can-do sort of doc about the land and its grassroots defenders.

Their voices resonate strong and clear across storylines that weave together the joys of foraging and local environmental protests.

New Folklorama mural rises in Winnipeg’s West End

A Métis sash, Chinese dragon, Japanese lanterns, Scottish bagpipes and an Italian Vespa scooter are just a few of the cultural symbols taking shape on a new Folklorama mural in Winnipeg’s West End, celebrating the annual festival and the communities that have helped define it.

Manitoba firm fills merch tables

Fans of California-based rock band Mammoth who purchase one of the group’s T-shirts tonight at Canada Life Centre will be purchasing clothing that was screenprinted in Manitoba.

Painter honed art of volunteering at Lower Fort Garry historic site

When visitors wandered around Lower Fort Garry National Historic Site in the summer of 2023, they encountered a rather unusual volunteer: artist JD Hawk at his easel, busily working on his live paintings.

Hawk engaged with visitors as he painted, encouraging them to come and ask questions about what he was working on.

The paintings he produced during his tenure were never intended for exhibition, however. They were rough drafts for him to reference later in the year when creating his final paintings.

“There’s no fine detail, they’re not masterpieces. I consider them like a scrapbook, exploring the colours I would need to use for my master paintings,” he explains, adding that when he wasn’t painting he would walk around taking photographs for further reference material.

Quebec municipalities express interest in Samuel de Champlain statue from Ontario

Some Quebec municipalities and organizations are offering to take a controversial statue of Samuel de Champlain from an Ontario city in Simcoe County.

The nearly four-metre-tall bronze monument of the 17th century explorer and founder of Quebec City was removed from a park in Orillia, Ont., and placed in storage in 2017 following debate over its colonial imagery.

Orillia Mayor Don McIsaac said a wave of offers poured in after the city recently raised the possibility of melting the statue down.

“They say it's racist, it's not our history, it is an insult to Indigenous peoples,” McIsaac said in an interview about the controversy over the statue.

Colourful folk festival campground a hive of creative activity

The 51st annual Winnipeg Folk Festival had yet to commence, but festivities in the campground were already in full swing.

The festival campground opened early Wednesday morning and provides a temporary home to more than 6,000 residents during the four-day music festival at Birds Hill Provincial Park.

By Thursday afternoon, the area had been transformed into a sea of colourful tents and trailers. A steady stream of campers could be seen hauling wagons from the parking lot loaded with essentials: coolers and tarps, sleeping bags and sunscreen.

Others brought a little more than the basics.

Gem Studio puts new shine on handmade experience

Gem Studio's first franchise location in Western Canada offers an interactive retail concept in which customers design and create personalized jewelry with the help of one of its 14 employees.

The Bird River offers prime kayaking conditions in late spring

A two-hour drive northeast of Winnipeg, the lower Bird River is a popular draw for whitewater enthusiasts.

The water moves fast and the hazards — rapids, rocks and technical drops — are challenging.

This is not a beginner-friendly run. Paddlers need to keep their wits about them as they roll through Class 1 to 4 rapids.

The Bird River, flowing through the traditional territory of the Sagkeeng First Nation, stretches from the Ontario border, through Nopiming Provincial Park, before reaching the Winnipeg River, east of Lac du Bonnet.

New Kevin Walters Plaza graced by art with heart

Tears fill the eyes of an Ojibwa sculptor from Peguis First Nation as he talks about the spiritual journey and deep friendships that came out of creating his first public art piece.

Protesters denounce controversial exhibition at rights museum

More than 200 people demonstrated outside the Canadian Museum for Human Rights Friday evening to protest the exhibition about the mass displacement of Palestinians in the 1940s during the Arab-Israeli war.

Outside the museum at The Forks, the sidewalk was lined with people wearing white and blue clothing while waving Israeli flags and holding placards that denounced the display.

Palestine Uprooted: Nakba Past and Present focuses on the Nakba, in which an estimated 750,000 Palestinians were displaced between 1947 and 1949. The exhibition documents Palestinian Canadians’ experiences through art, photos and text.

One protester said she worries students and other groups who visit the exhibition will get a one-sided version.

Fish handling tips for fishes’ welfare and better photos

Most of us who spend any appreciable time fishing have encountered those special moments when we want to capture a photograph of the catch that has just made it into the boat.

Numerous circumstances might be driving our desire to get that photo: a neophyte’s first fish, an exceptional catch, the so called “fish of a lifetime,” or any number of other factors that really can be determined only by the angler and the photographer.

Regrettably, many of us have also experienced varying levels of satisfaction with the images captured after we have released the fish to swim free, leaving the angler wishing for more, at which time it’s too late.

The good news is that with a little bit of forethought and planning, we can consistently take great photos of the fish we catch — with the fishes’ welfare of utmost interest, of course.

Palestinian Canadians share keepsakes, memories in CMHR’s Nakba exhibition

Fouad Sahyoun was four years old when his family fled their home in Haifa amid bombardment from encroaching Israeli paramilitary forces in 1948.

“We took a few suitcases and (some) money and we went to Alexandria. We were never allowed to go back,” said Sahyoun, a Palestinian Canadian living in Montreal. “When the money ran out, we became real refugees.”

The 82-year-old is one of an estimated 750,000 Palestinians forcibly displaced in 1948 following the partitioning of Palestine and during the creation of the State of Israel. This event is known as the Nakba, which means “catastrophe” in Arabic.

Sahyoun’s story and the deeds to his family’s seized property in Haifa are included in Palestine Uprooted: Nakba Past and Present, a new exhibition open to the public Saturday at the Canadian Museum for Human Rights.

Exhibit on displaced Palestinians set to open at human rights museum amid criticism

WINNIPEG - The head of the Canadian Museum for Human Rights says it's unfortunate a trustee resigned over an exhibit about displaced Palestinians but she stands by the decision for it to open to the public Saturday.

The exhibit, titled "Palestine Uprooted: Nakba Past and Present," focuses on people affected by the Nakba, Arabic for catastrophe. About 750,000 Palestinians were forcibly displaced in 1948 during fighting over control of what is now Israel.

The exhibit has been in the works for four years, though Palestinian Canadians have been calling for their stories to be told at the Winnipeg museum since it opened in 2014.

Jewish groups have raised concerns that the exhibit could fuel antisemitism by not providing more historical context and that it was created without sufficient consultation and transparency.