Manitoba’s flag: A symbol of shared heritage at 60

On a fair spring afternoon 60 years ago, the Flag of Manitoba made its debut at the provincial legislature. In what the Winnipeg Free Press called an “impressive ceremony,” then-lieutenant-governor Richard Bowles formally proclaimed the new provincial flag on May 12, 1966.

Some Japanese snack packages are turning black-and-white as Iran war depletes ink supply

TOKYO (AP) — The packaging on some snacks in Japan is turning a somber black-and-white, as the war in Iran disrupts the supply of an ingredient used in colored ink.

Tokyo-based Calbee Inc., which makes potato chips and cereal, said what’s inside remains the same. Calbee's popular snacks are available in Japan's ubiquitous convenience stores and shipped to the United States, China and Australia.

“This measure is intended to help maintain a stable supply of products,” it said in a statement this week.

The change on 14 products in its lineup will start May 25, limiting ink colors to just two, the company said, noting it was necessary to respond flexibly to changing geopolitical conditions.

Met gala guests deliver works of art on the human form

New York (AP) — Whether dressed in a jewel-encrusted skeletal form, sculpted breast plates or anatomy-evoking trompe l’oeil, Met Gala guests physically evoked the theme “fashion is art” Monday evening as they masterfully pulled from a kaleidoscope of references to embody living works of art.

“Everyone who attended the Met Gala this year really leaned into fashion is art, using your body as a canvas, and that really came across in some of the best-dressed looks of the night,” said Kevin Huynh, fashion director of InStyle.

Fashionable A-listers gave into the theme and had fun with it. First-time Met Gala attendees included actors Chase Infiniti and Hudson Williams, as well as Olympian Alysa Liu, all of whom commanded the carpet in dramatic ensembles. Infiniti, for example, donned an enchanting Thom Browne sequined gown using trompe l’oeil to depict the female form.

Meanwhile, Met Gala mega stars and repeat attendees rose to the occasion: Vogue red-carpet correspondent Emma Chamberlain playfully dressed in a dramatic long-sleeved gown that appeared dipped in a rainbow of color from indigo to the brightest yellow-gold. And after 10 years of skipping the Gala, Beyoncé arrived to reclaim her throne, wearing a glittering crown and radiant Olivier Rousteing silver gown designed in the shape of a skeleton.

Stars on Ice skaters embrace high fashion with designer dresses

If anyone knows how to make a statement, it’s Canadian Olympian Deanna Stellato-Dudek.

Not only did the 42-year-old make history in February as the oldest female figure skater to compete at the Olympic Games in almost a century, Oscar de la Renta dressed her for the occasion — in Milan, Italy, one of the great fashion capitals of the world.

“I think a partnership between haute couture and figure skating is a match made in heaven,” says Stellato-Dudek, who won three Canadian titles and the 2024 world championship with pairs partner Maxime Deschamps.

Her collaboration with the New York fashion house marked the luxury brand’s first foray into figure skating costume design.

Most fashion mannequins are about a size 2. The Met Gala exhibit is making room for diverse bodies

NEW YORK (AP) — On a sultry summer day in Brooklyn last year, artist and couture designer Michaela Stark found herself in a studio surrounded by 175 cameras, for a photo shoot unlike any she’d done before.

Clad only in her signature corsetry that binds the flesh, Stark stood in the midst of a circle as the cameras captured all angles of her body, simultaneously — part of an intricate process known as photogrammetry. The goal: to scan her body and build a mannequin — three, actually — for display in one of the world’s top museums, the Metropolitan Museum of Art. And at the Met Gala, no less.

“It was definitely a bit nerve-wracking,” recalls Stark of the “intimate and vulnerable” experience. But, she quips, “something about being naked on a 40-degree (Celsius) day in a corset that isn’t hiding anything kind of takes the awkwardness away from the situation, actually.”

The mannequins, and others based on real-life models like Stark, will be featured in “Costume Art,” the upcoming spring exhibit at the museum’s Costume Institute that's launched by the starry May 4 gala. It’s part of an effort to add an element of body positivity to a show that examines the dressed body in art over the centuries, says curator Andrew Bolton.

North End vocational school opens ‘cultural learning lab’ creative design studio

A North End warehouse has been converted into a multi-purpose design studio where students can sew ribbon skirts, print 3D models and launch businesses.

The Winnipeg School Division celebrated the grand opening of its Waabishkaa-Makwa Lab last week.

The first-of-its-kind “cultural learning lab” embeds Indigenous teachings into project-based learning activities.

For more than a decade, the 4,500-square-foot space inside R.B. Russell Vocational School had been collecting dust and housing broken equipment.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

Hand-drawn 1884 map captures Winnipeg at moment when frontier hadn’t fully given way to a metropolis

At first glance, the map is still. Ink on paper, streets drawn neatly in place, buildings rendered by a careful hand. Look more closely and it begins to loosen. Step into the image, between the lines, and immerse yourself in a city of movement.

In pictures: Artemis II crew captures eclipse, Earthrise, far side of moon during lunar flyby

NASA released new photos Tuesday captured by the Artemis II astronauts.

Artemis II’s lunar fly-around and intense observation period lasted seven hours.

A total solar eclipse greeted the three Americans and one Canadian as the moon temporarily blocked the sun from their perspective.

Venturing as close as 4,067 miles (6,545 kilometers) to the gray dusty surface, the astronauts zipped through a list of more than two dozen photo targets, using powerful Nikon cameras as well as their iPhones to zoom in on impact craters and other intriguing lunar features.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Churchill s’expose à l’Hôtel Fort Garry

À peine franchi le seuil de la passerelle arrière de l’emblématique Hôtel Fort Garry, le visiteur est happé par un regard. Immense. Blanc. Perçant. Celui d’un ours polaire saisi à Churchill par le photographe manitobain Jean-Pierre Parenty. Depuis quelques jours à peine, 46 de ses clichés transforment le couloir vitré de l’hôtel en une véritable immersion arctique.

Photographe animalier, Jean-Pierre Parenty s’est spécialisé depuis une dizaine d’années dans la faune canadienne. “Je suis Canadien et j’aime chercher, photographier et représenter la faune canadienne,” confie-t-il.

Né et élevé au Manitoba dans une ferme, Jean-Pierre Parenty nourrit depuis l’enfance une passion pour les animaux et la photographie. “La partie qui m’intéresse et que j’adore, c’est être en nature, chercher des animaux, les trouver et puis essayer de les capturer dans mon appareil photo,” dit-il. S’il a longtemps parcouru le monde, c’est désormais vers le Nord qu’il tourne son objectif, et plus particulièrement vers Churchill, cette localité de la baie d’Hudson capitale mondiale de l’ours polaire.

L’idée de l’exposition est née d’un appel de l’hôtel, il y a environ un an. “L’Hôtel Fort Garry m’a appelé pour créer une galerie dans la passerelle arrière de l’hôtel. Et ils ont demandé que ce soient des photos d’animaux de Churchill,” explique-t-il. Une demande sur mesure pour celui qui fréquente régulièrement la région. “Je vais à Churchill très souvent, donc j’ai beaucoup de photos que j’ai prises là-bas,” souligne le photographe.

Exhibit connects traditional and contemporary Métis beadwork artists

Suspended from the ceiling in Gallery 1C03 at the University of Winnipeg is an octopus bag, created by Métis visual artist Claire Johnston.

Métis leaders unveil 1920s model dog sled repatriated from Vatican

OTTAWA - Métis leaders on Wednesday unveiled a model dog sled repatriated to their communities after more than a century in the Vatican collection.

The sled, made in the 1920s of leather, wood and glass beads, was one of 62 items repatriated to Indigenous Peoples from the Vatican last year after decades of calls for their return.

“We’re not simply opening a box. We’re welcoming something very special home. We’re beginning a new chapter, a chapter that’s grounded in relationship, kinship and connection,” Métis National Council president Victoria Pruden said during the ceremony.

“These are not artifacts in the Western sense. These are carriers of memory – that Kiyas Kiskiowin Oma – remembering who we are, our memories returning. They hold the imprint of the hands that made them, and the communities who once knew them.”

Children’s film festival showcases joy of shared experience

In a world where anyone can stream anything almost instantly at any time, film festivals such as Freeze Frame International still matter, says artistic director Pascal Boutroy.

“I am disheartened by how accessible some things are to children,” says Boutroy, who established the festival in 1996 with his wife Nicole Matiation.

“We have screens everywhere — the television, the computer, the cellphones … shared experience has disappeared over the years. But (watching a movie with an audience) is such a thrill; it’s actually like watching a game of hockey or soccer with people in a stadium or arena rather than watching it in front of TV by yourself.

“There’s something very precious about the shared experience.”

Elmwood students’ clothing venture instils pride, breaks down stereotypes in blue-collar neighbourhood

Xander Woodley is spending his fourth period filling orders.

The Grade 12 Elmwood High School student pulls a blank sweatshirt from the supply closet and double-checks the customer’s purchase: one double-extra-large GPS Crewneck in navy.

He walks over to the heat press at the back of the graphics lab and flips through a stack of transfer sheets to find the correct design.

“It’s a map of our community of Elmwood; these are all of the streets, as well as the Red River and co-ordinates of where we are,” Woodley says, pointing to the line-art rendition of the northeast Winnipeg neighbourhood, the ward boundaries of which run from McLeod Avenue to the Canadian Pacific mainline and from the eastern bank of the Red River to Lagimodiere Boulevard.

Art for Minneapolis: West Broadway not-for-profit partners with sister agency

Art City has issued a callout to creatives of all kinds for paintings and other flat artworks to show solidarity with residents of Minneapolis.

The West Broadway not-for-profit is hosting a free workshop on Monday to create and collect art to send south of the border.

“There’s a lot of feelings of anxiety because this is a situation that we have no control over and we don’t like it,” said Eddie Ayoub, artistic director of the local community hub.

As ICE operations continue to upend daily life in their sister city, Ayoub said his team wants to give residents a chance to gather, process and take action.

A curator’s dilemma: art, power, and the limits of neutrality

In recent weeks, a major Canadian art museum found itself at the centre of international attention — not over an exhibition on the wall, but over whether a recently produced artwork should enter its collection at all.

Storybook ending for student warming hut winners

Manitoba’s newest student-designed warming hut doubles as a public awareness campaign for a child advocacy centre.

Children’s Hospital to spruce up ward with local art

Local artists are being invited to create child-friendly nature-themed original artworks for the walls of CK5, the childhood cancer, blood disorders and transplants ward at the Health Sciences Centre Children’s Hospital.

Robert Archambeau and the value of artistic legacy

When I last visited Robert Archambeau’s ceramics studio in Bissett — long after the kiln had cooled and after Robert himself had left us — I found myself standing in a place that felt both haunting and profoundly alive.

City considers restrictions on Bois des Esprits tree carving

It started out as something quirky, a bit like hide-and-seek in the Bois des Esprits forest.

First came Woody, a large mythical troll-like carving in the trunk of a diseased tree marked for removal, off of the main trail. Several years later, another carver came forward requesting permission to produce a series of smaller carvings on dead trees and branches tucked away in the forest that hugs the Seine River in south Winnipeg. They were hidden gems to be found by the sharp-eyed walker.

But since 2020, there’s been a significant uptick in unauthorized carvings, including on living trees, often accompanied by small dedication plaques and in much more visible locations. Nearby Royalwood residents have raised concerns about the proliferation and the disruption to the natural setting.

Although there is no formal policy, the city continues to receive requests to allow carvings in both Bois des Esprits and other parks.

Artificial art a threat to human creativity

Thinking of Drew Struzan’s art — magic, really — in hand-drawn film posters, it’s hard not to think that this particular form will be another casualty of artificial intelligence, another art form reduced to cheap slop.

Forum Art Centre and the art of neighbourhood life

Most mornings when I step outside my door at Philips Square, I look across the street and see something that makes me quietly grateful to live where I do. It isn’t just the park or skyline view — it’s the steady rhythm of people coming and going through the doors of the Forum Art Centre at the corner of Eugenie Street and Taché Avenue.