Churchill s’expose à l’Hôtel Fort Garry

À peine franchi le seuil de la passerelle arrière de l’emblématique Hôtel Fort Garry, le visiteur est happé par un regard. Immense. Blanc. Perçant. Celui d’un ours polaire saisi à Churchill par le photographe manitobain Jean-Pierre Parenty. Depuis quelques jours à peine, 46 de ses clichés transforment le couloir vitré de l’hôtel en une véritable immersion arctique.

Photographe animalier, Jean-Pierre Parenty s’est spécialisé depuis une dizaine d’années dans la faune canadienne. “Je suis Canadien et j’aime chercher, photographier et représenter la faune canadienne,” confie-t-il.

Né et élevé au Manitoba dans une ferme, Jean-Pierre Parenty nourrit depuis l’enfance une passion pour les animaux et la photographie. “La partie qui m’intéresse et que j’adore, c’est être en nature, chercher des animaux, les trouver et puis essayer de les capturer dans mon appareil photo,” dit-il. S’il a longtemps parcouru le monde, c’est désormais vers le Nord qu’il tourne son objectif, et plus particulièrement vers Churchill, cette localité de la baie d’Hudson capitale mondiale de l’ours polaire.

L’idée de l’exposition est née d’un appel de l’hôtel, il y a environ un an. “L’Hôtel Fort Garry m’a appelé pour créer une galerie dans la passerelle arrière de l’hôtel. Et ils ont demandé que ce soient des photos d’animaux de Churchill,” explique-t-il. Une demande sur mesure pour celui qui fréquente régulièrement la région. “Je vais à Churchill très souvent, donc j’ai beaucoup de photos que j’ai prises là-bas,” souligne le photographe.

Children’s film festival showcases joy of shared experience

In a world where anyone can stream anything almost instantly at any time, film festivals such as Freeze Frame International still matter, says artistic director Pascal Boutroy.

“I am disheartened by how accessible some things are to children,” says Boutroy, who established the festival in 1996 with his wife Nicole Matiation.

“We have screens everywhere — the television, the computer, the cellphones … shared experience has disappeared over the years. But (watching a movie with an audience) is such a thrill; it’s actually like watching a game of hockey or soccer with people in a stadium or arena rather than watching it in front of TV by yourself.

“There’s something very precious about the shared experience.”

Art for Minneapolis: West Broadway not-for-profit partners with sister agency

Art City has issued a callout to creatives of all kinds for paintings and other flat artworks to show solidarity with residents of Minneapolis.

The West Broadway not-for-profit is hosting a free workshop on Monday to create and collect art to send south of the border.

“There’s a lot of feelings of anxiety because this is a situation that we have no control over and we don’t like it,” said Eddie Ayoub, artistic director of the local community hub.

As ICE operations continue to upend daily life in their sister city, Ayoub said his team wants to give residents a chance to gather, process and take action.

A curator’s dilemma: art, power, and the limits of neutrality

In recent weeks, a major Canadian art museum found itself at the centre of international attention — not over an exhibition on the wall, but over whether a recently produced artwork should enter its collection at all.

Storybook ending for student warming hut winners

Manitoba’s newest student-designed warming hut doubles as a public awareness campaign for a child advocacy centre.

Children’s Hospital to spruce up ward with local art

Local artists are being invited to create child-friendly nature-themed original artworks for the walls of CK5, the childhood cancer, blood disorders and transplants ward at the Health Sciences Centre Children’s Hospital.

Robert Archambeau and the value of artistic legacy

When I last visited Robert Archambeau’s ceramics studio in Bissett — long after the kiln had cooled and after Robert himself had left us — I found myself standing in a place that felt both haunting and profoundly alive.

City considers restrictions on Bois des Esprits tree carving

It started out as something quirky, a bit like hide-and-seek in the Bois des Esprits forest.

First came Woody, a large mythical troll-like carving in the trunk of a diseased tree marked for removal, off of the main trail. Several years later, another carver came forward requesting permission to produce a series of smaller carvings on dead trees and branches tucked away in the forest that hugs the Seine River in south Winnipeg. They were hidden gems to be found by the sharp-eyed walker.

But since 2020, there’s been a significant uptick in unauthorized carvings, including on living trees, often accompanied by small dedication plaques and in much more visible locations. Nearby Royalwood residents have raised concerns about the proliferation and the disruption to the natural setting.

Although there is no formal policy, the city continues to receive requests to allow carvings in both Bois des Esprits and other parks.

Artificial art a threat to human creativity

Thinking of Drew Struzan’s art — magic, really — in hand-drawn film posters, it’s hard not to think that this particular form will be another casualty of artificial intelligence, another art form reduced to cheap slop.

Forum Art Centre and the art of neighbourhood life

Most mornings when I step outside my door at Philips Square, I look across the street and see something that makes me quietly grateful to live where I do. It isn’t just the park or skyline view — it’s the steady rhythm of people coming and going through the doors of the Forum Art Centre at the corner of Eugenie Street and Taché Avenue.

Introduction to Michif — one word at a time

Before the wolf can howl, Norman Fleury says a Michif word: Ooyoowuk.

“Ooyoowuk,” Fleury repeats. Or, in English, “howl.”

Ooyoowuk is one of 70 words articulated by Fleury with an animation and English translation to match — all bundled into digital flashcards.

A group of Métis entrepreneurs unveiled their Michif flashcards this week. They join a swelling movement to revitalize the Métis language, which combines languages such as Cree and French.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

Discovering public art by chance

A few weeks ago, on a bike ride through St. Boniface with my wife, we veered off the familiar path and stumbled upon something unexpected.

Researchers solve decades-old color mystery in iconic Jackson Pollock painting

NEW YORK (AP) — Scientists have identified the origins of the blue color in one of Jackson Pollock's paintings with a little help from chemistry, confirming for the first time that the abstract expressionist used a vibrant, synthetic pigment known as manganese blue.

“Number 1A, 1948,” showcases Pollock's classic style: paint has been dripped and splattered across the canvas, creating a vivid, multicolored work. Pollock even gave the piece a personal touch, adding his handprints near the top.

The painting, currently on display at the Museum of Modern Art in New York, is almost 9 feet (2.7 meters) wide. Scientists had previously characterized the reds and yellows splattered across the canvas, but the source of the rich turquoise blue proved elusive.

In a new study, researchers took scrapings of the blue paint and used lasers to scatter light and measure how the paint's molecules vibrated. That gave them a unique chemical fingerprint for the color, which they pinpointed as manganese blue.

Ryan Reynolds suggests swapping phones with a MAGA supporter, checking out their algorithm

TORONTO - Ryan Reynolds says mounting tensions between Canada and the U.S. haven't changed anything for him as a Canuck in Hollywood.

The "Deadpool" star preached unity during an onstage conversation at the Toronto International Film Festival, when chief programming officer Anita Lee asked him what it was like being a Canadian in Los Angeles during this "elbows up" era of increased nationalism.

In a nearly five-minute answer to the question, Reynolds said he's always held Canadian values, including conflict resolution, and he seeks "to learn, rather than win."

Reynolds is at TIFF to promote the new documentary "John Candy: I Like Me," which he produced.

‘You’re planting your brand flag’: The power of brand building in the women’s sports boom

On a cold day in the beginning of 2024, Alastair Merry and Mary Lou Bunn had a few questions for a public librarian in Ottawa, Ontario.

“If you could describe Ottawa and what it means to you in a couple words, how would you do it?” they asked. “What do you think of the spirit of the city?”

Merry and Bunn, along with the design firm Flower Shop that they co-founded, were hired by the then newly minted Professional Women’s Hockey League to create the nicknames and logos for the league’s inaugural six teams. They were traveling around North America to figure out what made those six cities tick.

As the ever-growing crop of new women’s leagues — at least eight have launched in the past three years — all aim for longevity, one of the cornerstones of any sustainable foundation is team branding. It encompasses everything from the nicknames to the color schemes and logos, and the PWHL has set a high bar there that other up-and-comers would love to emulate.

Graphic novelist to lead free workshop for aspiring artists

Jonathan Dyck’s most monumental piece of advice? Start small.

Mass tourism a modern ill

When I went to Paris in 2012, I skipped the Louvre. Sacré bleu!

‘She’s all of us’: mural illustrates ties between Winnipeg and grateful Ukrainian newcomers

Blue and yellow ribbons wrapping around the city’s skyline show the deep connection between Ukraine and Manitoba in a new mural.

Take Pride Winnipeg, a downtown non-profit that seeks to clean up and inspire civic pride, unveiled its newest mural, titled “Pray for Ukraine” in the Exchange District on Monday.

It pictures a Ukrainian woman in traditional clothing stoically gazing into the distance as butterflies and a dove — which symbolize hope, peace and rebirth — flutter around the Esplanade Riel and Canadian Museum for Human Rights.

The installation at Exchange District BIZ at 492 Main St. was painted by Jennifer Mosienko, who’s worked on more than 40 murals across the city.

In Marseille, a shadow becomes art in Banksy’s latest street mural

MARSEILLE, France (AP) — The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: “I want to be what you saw in me.”

Banksy had struck again.

On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille’s 7th arrondissement, near the sea.

Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look.

Dive-bombed or not, Vancouverites are still pro-crow, researchers say

VANCOUVER - Along her journey towards understanding Vancouver's crows, psychology professor Suzanne MacDonald says she made a friend.

It's a crow that brings her gifts after she set up a bird feeder at her home in the neighbourhood of Kitsilano.

Once, it was a barnacle-covered shell, which MacDonald treasures. Other times, it was "bits of garbage" that MacDonald doesn't fancy much, though she "appreciates the sentiment."

"I think he definitely recognizes me. When other people go out on my patio, he doesn't come to them. He knows me," said MacDonald.

First solo show in WAG-Qaumajuq’s flagship Qilak gallery

Since his last gallery show in Winnipeg, Abraham Anghik Ruben’s focus has shifted from introspection to cross-cultural exploration.

That personal and artistic arc is currently on display at WAG-Qaumajuq in a sprawling retrospective of the master Inuit sculptor’s 50-year career.

It’s a fitting full-circle reunion.

The Winnipeg Art Gallery hosted Ruben’s first solo show at a major institution in 2001 and now, nearly 25 years later, the artist’s work is featured in the first solo exhibit in Qaumajuq’s main Qilak gallery.