Taking Reel Pride in transformation

Reel Pride isn’t entering a mid-life crisis.

At 40, the annual Winnipeg LGBTTQ+ film festival appears as forward-looking as ever — though at the moment, its president, Ray Desautels, is feeling reflective about its arc.

“The festival started at a time when … you didn’t see LGBTQ characters on television, and if you did, they were shown in a very poor light or very stereotypical way,” he says.

“It’s become more, I think, a gathering place for queer people and queer arts … It’s more of an arts festival, not necessarily just strictly the film festival that it used to be. So we’re a gathering place for the queer community and its allies and supporters.”

We all live in glass houses now

In the 19th century, stocks and pillories were still in use in Canada, with people put on public display, their necks, hands or feet clamped into hinged wooden frames for a few hours as punishment for crimes like public drunkenness or disorder, theft and perjury.

Winnipeg vigil for Kirk draws 2,000 mourners

About 2,000 people held a vigil Tuesday evening to remember American conservative activist Charlie Kirk, who was shot to death last week as he spoke to university students in Utah.

They gathered at the steps of the Manitoba legislature, holding lit candles and posters bearing Kirk’s name and photo. Several attendees wore T-shirts with the slogan “We are all Charlie Kirk now.”

Several speakers discussed Kirk and his imprint on U.S. politics; some recited Bible verses, including Collin Watson, who opened the night with a prayer and referred to Kirk as a martyr.

“We should all use Charlie as an example as how to discuss things with people we disagree with,” he told the crowd.

Homemade Cooking School: Squash your aversion to veggies

In this Homemade Cooking School class, Camille Metcalfe shares how to make the most of produce.

The big meaning behind micro-relationships, and why we should talk to strangers more

VANCOUVER - Psychology Prof. Gillian Sandstrom was a lonely graduate student in Toronto when she began what she calls "a tiny, tiny micro-relationship."

She and a woman who ran a hotdog stand on her way to university around 2007 would wave hello and smile at each other. Their interactions were so small that Sandstrom uses air quotes to even describe them as a "relationship."

And yet "it really meant something much bigger than it seemed like it should, and it made me feel like I belonged there," said Sandstrom.

"I felt very out of place and she, more than anyone else, is who made me feel OK, which was a bit puzzling."

The American Right has its martyr — what’s next?

Every revolution needs heroes and martyrs. Heroes to follow and martyrs to look up to. MAGA is no exception.

Winnipeg Jewish Theatre’s therapy-set two-hander plays with reality

The public and private perils of online engagement crash through the screen and into a therapist’s office in Job, a nervy drama that explores the power of posts and the ethical responsibilities inherent to our respective postings.

Written by New York’s Max Wolf Friedlich and directed by Calgary’s Jack Grinhaus, the opening production of the Winnipeg Jewish Theatre’s season heads to the races with the brandishing of a starter’s gun in the warped offices of Bay Area psychotherapist Lloyd (Dov Mickelson).

Lloyd’s description of his typical patient — young people who are “hopeless and beyond help” — isn’t exactly inspirational.

Blundstone-booted Jane (Jada Rifkin) seems to have made the cut, having been placed on paid administrative leave after a viral meltdown by her employer, an unnamed tech giant on whose campus she’s enrolled as an adjudicator.

New documentary revisits Lilith Fair, gives it the overdue kudos it deserves

In the opening moments of Lilith Fair: Building a Mystery, a new documentary about the pioneering all-women touring festival co-founded by Canadian icon Sarah McLachlan in the late 1990s, there’s a series of TikTok videos fronted by gen Z women expressing wonder and astonishment that something like that ever even existed.

“There was an all-female music festival from 1997 to 1999 — and I am shook to my core,” one woman says.

Ally Pankiw, the film’s director, is not surprised younger generations have never heard of Lilith Fair.

“It was not celebrated for how massive it was,” says the Canadian film/TV writer and director (Feel Good, Shrill). “It was so commercially successful. It changed so many artists’ trajectories and careers. It raised so much money for charity.