Take pride in ongoing sobriety and don’t look back

Blue Bombers whiff on their opportunities to put game away

In theory, Bryce Perkins has a simple job.

When it’s third and short, the Winnipeg Blue Bombers trot out the short-yardage quarterback, and all he has to do is plunge forward for a yard or two to make everyone on his sideline happy.

But on Friday night against the visiting Toronto Argonauts, he went above and beyond his job description.

The Bombers, down 24-21 with six minutes left, faced a third-and-one from their own end when Perkins found a hole and burst through it for a 76-yard touchdown to put the home team in front 28-24 late.

Unhappy Dynacare staff refuse OT shifts; doors could be closed at clinics with Saturday hours

Some Winnipeg Dynacare sites normally open on Saturday were closed last week, and may continue to be because staff are refusing to pick up overtime shifts after they were forced back to work amid a labour dispute with the company.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

Positive anticipation is growing about major housing developments underway in Winnipeg’s downtown

If traffic is light and the wind is down, Somia Sadiq is able to hear the roar of Winnipeg Jets fans twice: first through her window, then on TV.

From her apartment view high above downtown, she can look out at Graham Avenue’s painted pedestrian landscape, see construction cranes and hear the heavy equipment at work as massive housing projects take shape at The Forks, at what used to be Portage Place shopping centre and at the former Hudson’s Bay building.

Sadiq has lived at 300 Main for 2 1/2 years, a few steps from the city’s famous, windy and reopened-to-pedestrians Portage Avenue intersection. At 42 storeys, it’s the tallest building in Winnipeg.

She is among 18,000 downtown residents who will soon be joined by thousands of others attracted to the city’s core by the new wave of major construction projects.