Exhibition digs into colonial ideas, societal pressures and resource use of lawns

Carrie Allison has thought a lot about lawns.

Specifically, the Halifax-based multidisciplinary artist thought about the time, money, resources and energy spent on the endless pursuit of the perfectly manicured, kelly-green squares in front of suburban houses; the colonial ideas about value, virtue, class and wealth lawns uphold; and the pressures exerted by societal expectations and full-on city bylaws to control what is a living thing.

It’s those ideas that inform we tend to care, a touring solo exhibition curated by Franchesca Hebert-Spence. The Winnipeg iteration of the show will be presented across two venues — Urban Shaman and within WAG-Qaumajuq’s permanent collection galleries — in collaboration with Marie-Anne Redhead, assistant curator of Indigenous and contemporary art at WAG-Qaumajuq.

“Lawns and grass are very much associated with that sort of, I would say, propaganda of what we value in society,” says Allison, 39, who is of nêhiýaw/Métis/mixed European descent. “They are used to tell people what they should value and how they should use their time.”

A curator’s dilemma: art, power, and the limits of neutrality

In recent weeks, a major Canadian art museum found itself at the centre of international attention — not over an exhibition on the wall, but over whether a recently produced artwork should enter its collection at all.

Storybook ending for student warming hut winners

Manitoba’s newest student-designed warming hut doubles as a public awareness campaign for a child advocacy centre.

Children’s Hospital to spruce up ward with local art

Local artists are being invited to create child-friendly nature-themed original artworks for the walls of CK5, the childhood cancer, blood disorders and transplants ward at the Health Sciences Centre Children’s Hospital.

Robert Archambeau and the value of artistic legacy

When I last visited Robert Archambeau’s ceramics studio in Bissett — long after the kiln had cooled and after Robert himself had left us — I found myself standing in a place that felt both haunting and profoundly alive.

City considers restrictions on Bois des Esprits tree carving

It started out as something quirky, a bit like hide-and-seek in the Bois des Esprits forest.

First came Woody, a large mythical troll-like carving in the trunk of a diseased tree marked for removal, off of the main trail. Several years later, another carver came forward requesting permission to produce a series of smaller carvings on dead trees and branches tucked away in the forest that hugs the Seine River in south Winnipeg. They were hidden gems to be found by the sharp-eyed walker.

But since 2020, there’s been a significant uptick in unauthorized carvings, including on living trees, often accompanied by small dedication plaques and in much more visible locations. Nearby Royalwood residents have raised concerns about the proliferation and the disruption to the natural setting.

Although there is no formal policy, the city continues to receive requests to allow carvings in both Bois des Esprits and other parks.

$54.7M sale of Frida Kahlo self-portrait breaks auction record for female artists

A haunting 1940 self-portrait by famed Mexican artist Frida Kahlo sold Thursday for $54.7 million and became the top-selling work by any female artist at an auction.

The painting of Kahlo asleep in a bed — titled “El sueño (La cama)” or in English, “The Dream (The Bed)” — surpassed the record held by Georgia O’Keeffe’s “Jimson Weed/White Flower No. 1," which sold for $44.4 million in 2014.

The sale at Sotheby's in New York also topped Kahlo's own auction record for a work by a Latin American artist. The 1949 painting “Diego and I,” depicting the artist and her husband, muralist Diego Rivera, went for $34.9 million in 2021. Her paintings are reported to have sold privately for even more.

The self-portrait is among the few Kahlo pieces that have remained in private hands outside Mexico, where her body of work has been declared an artistic monument. Her works in both public and private collections within the country cannot be sold abroad or destroyed.

Artificial art a threat to human creativity

Thinking of Drew Struzan’s art — magic, really — in hand-drawn film posters, it’s hard not to think that this particular form will be another casualty of artificial intelligence, another art form reduced to cheap slop.

Travelling sign painter finds his groove on the move

For someone whose writing appears all over the city, Joseph Pilapil’s penmanship isn’t the best.

You’ve probably seen his meticulously formed letters above store entrances, on shop windows and decorating sandwich boards all across the city.

But when it comes to writing on paper, well, the less said the better.

“My handwriting is terrible. When I am writing out my day-to-day stuff, it’s absolutely really bad,” he says, with a laugh.

La créativité franco-manitobaine rayonne: Anna Binta Diallo expose à travers le pays

En 2025, l’artiste visuelle franco-manitobaine Anna Binta Diallo connaît une année charnière. De Vancouver à Toronto, en passant par Edmonton et Winnipeg, ses expositions se succèdent, confirmant la place qu’elle occupe désormais parmi les figures majeures de la scène artistique canadienne contemporaine.

Née à Dakar, Sénégal, en 1983 et élevée à Saint-Boniface, Anna Binta Diallo tisse depuis toujours des liens entre les continents et les mémoires. Ses œuvres explorent les intersections entre identité, nostalgie et nature, dans un langage visuel qui conjugue collage, vidéo, graphisme et sculpture.

“Le collage est depuis longtemps au cœur de ma démarche,” confie-t-elle. “J’aime réagencer des images anciennes, des sons, des fragments d’archives pour construire de nouveaux récits.”

L’artiste collecte cartes, livres et photos qu’elle transforme en compositions hybrides, à la croisée du passé et du futur.

Forum Art Centre and the art of neighbourhood life

Most mornings when I step outside my door at Philips Square, I look across the street and see something that makes me quietly grateful to live where I do. It isn’t just the park or skyline view — it’s the steady rhythm of people coming and going through the doors of the Forum Art Centre at the corner of Eugenie Street and Taché Avenue.

Rosa Parks and Helen Keller statues unveiled at the Alabama Capitol

MONTGOMERY, Ala. (AP) — Statues of Rosa Parks and Helen Keller, pivotal figures who fought for justice and inspired change across the world, were unveiled Friday on the grounds of the Alabama Capitol.

The monuments honoring the Alabama natives whose advocacy helped dismantle racial segregation and promoted the rights of people with disabilities are the first statues of women to be installed on the lawn of the Alabama Capitol, broadening the history reflected on the grounds that also include tributes to the Confederacy, which was formed at the site in 1861.

Gov. Kay Ivey, currently the nation's longest serving female governor, said Parks and Keller “rose to shape history through quiet strength and unwavering conviction.”

“Courage changes the course of history, and today, these statutes stand as symbols of that courage — testaments to what one person, especially one determined one, can do to make the world a better place,” Ivey said.

Misguided dramedy not great

Making her directorial debut, actor Scarlett Johansson (whose movies range from Lost in Translation to The Avengers) has chosen a small human story that is enormously well-intentioned.

But as the central character in this awkward, uneven dramedy proves, good intentions can have disastrous consequences. Attempting to make a much-needed statement about our contemporary culture’s difficulty in dealing with age, grief and loneliness, Eleanor the Great misfires, sometimes badly.

There are things that work. As we often see in projects by actors-turned-directors, the film’s core strength comes from its performances, especially that of 95-year-old June Squibb, a veteran actress who has a long list of supporting work in such movies as Nebraska and About Schmidt and recently received star billing in 2024’s Thelma. Here she takes the title role of Eleanor Morgenstein, a cranky, critical but compassionate senior.

As the story opens, Eleanor is living in Florida with Bessie (Rita Zohar). After the deaths of their husbands, the two old friends have been looking after each other. When Bessie wakes from nightmares rising out of her experiences during the Holocaust — a story she has never related, even to her own family — she and Eleanor sit at the kitchen table and talk it through.

Local filmmaker’s lo-fi feature packs a punch

It feels right that this low-budget, lo-fi experimental feature should be showing as part of We’re Still Here, a slate of programming that marks 50 resilient and resourceful years of the Winnipeg Film Group.

Winnipegger’s artwork chosen for Walmart’s national Orange Shirt offering

As she walked into the Unicity Walmart department store, Indigenous artist Brooklyn Rudolph-Nicholas felt her excitement levels rising.

She headed towards the racks of instantly recognizable orange T-shirts, smiling as she glimpsed the familiar image on the front.

It was a pinch-me moment: her work was emblazoned on Walmart Canada’s National Day for Truth & Reconciliation orange shirts stocked in stores across the country.

The granddaughter of two residential school survivors, Rudolph-Nicholas made her T-shirt art in honour of her late grandparents.

Introduction to Michif — one word at a time

Before the wolf can howl, Norman Fleury says a Michif word: Ooyoowuk.

“Ooyoowuk,” Fleury repeats. Or, in English, “howl.”

Ooyoowuk is one of 70 words articulated by Fleury with an animation and English translation to match — all bundled into digital flashcards.

A group of Métis entrepreneurs unveiled their Michif flashcards this week. They join a swelling movement to revitalize the Métis language, which combines languages such as Cree and French.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

Discovering public art by chance

A few weeks ago, on a bike ride through St. Boniface with my wife, we veered off the familiar path and stumbled upon something unexpected.

Researchers solve decades-old color mystery in iconic Jackson Pollock painting

NEW YORK (AP) — Scientists have identified the origins of the blue color in one of Jackson Pollock's paintings with a little help from chemistry, confirming for the first time that the abstract expressionist used a vibrant, synthetic pigment known as manganese blue.

“Number 1A, 1948,” showcases Pollock's classic style: paint has been dripped and splattered across the canvas, creating a vivid, multicolored work. Pollock even gave the piece a personal touch, adding his handprints near the top.

The painting, currently on display at the Museum of Modern Art in New York, is almost 9 feet (2.7 meters) wide. Scientists had previously characterized the reds and yellows splattered across the canvas, but the source of the rich turquoise blue proved elusive.

In a new study, researchers took scrapings of the blue paint and used lasers to scatter light and measure how the paint's molecules vibrated. That gave them a unique chemical fingerprint for the color, which they pinpointed as manganese blue.

Artist explores internal dialogues with a surreal twist

Can you ever truly be alone with your thoughts when your thoughts don’t leave you alone?

In the oil and acrylic paintings that populate Bria Fernandes’ solo show, Things Left Unsaid — on view now at Gallery 1C03 at the University of Winnipeg — feelings and thoughts of self-doubt, anxiety, grief and displacement show up as physical visitors, often in the most banal moments of daily life. Like when you’re brushing your teeth, say. Or making coffee.

In the 2024 work Ain’t Misbehavin’, they arrive when the central figure is pulling on her socks. A melancholy blue figure leans against her thigh as though seeking comfort. Another appears from behind, hands on her shoulders.

“She’s trying to live her life, and she’s having these thoughts, and the thoughts in her mind are coming out into reality and interacting with her,” Fernandes says.

Drawn to their unique grain pattern, carver gravitates to trees’ ungainly outgrowths

There’s more to a burl than meets the eye. On the surface the flawed wood is a gnarly, lumpy mess. But beneath the scars hides something rather special.

“Burls are an unappealing wart-like growth on a tree,” artist Gary Foidart, 69, explains.

“They are horrific looking on the outside. Some of them look terrible. You never know what you are going to hit when you cut a burl open but the wood inside is the most beautiful wood there is. Each one is totally unique.”

Bulbous and rough, a wood burl forms when a tree experiences stress or disruption to its growth. Burls can also develop from insect infestation, bacterial or fungi growth, and environmental injuries.

Ryan Reynolds suggests swapping phones with a MAGA supporter, checking out their algorithm

TORONTO - Ryan Reynolds says mounting tensions between Canada and the U.S. haven't changed anything for him as a Canuck in Hollywood.

The "Deadpool" star preached unity during an onstage conversation at the Toronto International Film Festival, when chief programming officer Anita Lee asked him what it was like being a Canadian in Los Angeles during this "elbows up" era of increased nationalism.

In a nearly five-minute answer to the question, Reynolds said he's always held Canadian values, including conflict resolution, and he seeks "to learn, rather than win."

Reynolds is at TIFF to promote the new documentary "John Candy: I Like Me," which he produced.

The defunded Corporation for Public Broadcasting will get one of TV’s biggest prizes

The Corporation for Public Broadcasting will be honored with one of the television's top prizes even as it winds down its nearly 60-year work after the U.S. government withdrew funding.

The organization, which has helped pay for PBS, NPR, 1,500 local radio and TV stations as well as programs like “Sesame Street” and “Finding Your Roots,” will be awarded the Television Academy's Governors Award, which honors those who have "made a profound, transformational and long-lasting contribution to the arts and/or science of television.”

It will be handed to Patricia de Stacy Harrison, the longest-serving president and CEO of the Corporation for Public Broadcasting at the Creative Arts Emmy Awards ceremony on Sept. 7.

“For more than half a century, CPB has been a steadfast champion of storytelling that informs, educates and unites us and ensures public media remains a vital space where diverse voices are heard and communities are served,” Television Academy Chair Cris Abrego said in a statement Tuesday.