Une relève pour le monde théâtrale francophone

Sur les planches du Théâtre Cercle Molière, six jeunes de 16 à 22 ans d’expression française vont pouvoir donner libre cours à leur imagination grâce à la pièce Un peu partout. Une pièce dont le message peut faire écho chez tout le monde.

À 18 ans, Isabelle est à la croisée des chemins, partir pour se découvrir ou bien rester. Ce sont ses réflexions que le public pourra suivre dès le 15 janvier.

Et qui de mieux que des personnes qui passent eux-mêmes par ce genre de réflexion pour écrire ce texte? Ce sont donc Mikaël Beaudry, Andreas Detillieux, Madison Nelson, Lizzie Rochon, Jordan Showers, Amélie Tétrault, accompagnés de leur guide Philippe Habeck, qui ont co-écrit et mis en scène cette pièce.

Il aura fallu 18 mois pour passer de la réflexion à la représentation, un beau travail pour Philippe Habeck, enseignant à la retraite. “Pour moi, faire du théâtre c’est la meilleure façon de parler avec le cœur. Le Festival théâtre jeunesse a toujours été ma plus grande passion.

New Jenna Rae cookbook focuses on bakers’ favourite home recipes

There’s a sweet new edition on the way.

Sisters Jenna Hutchinson and Ashley Kosowan are expanding their successful local bakery business with a new cookbook venture. Jenna Rae Cakes at Home: Our Favourite Recipes to Enjoy with Family and Friends hits bookstores Oct. 8 and features more than 100 colourful, family-friendly recipes.

The cookbook is a followup to their first release, Jenna Rae Cakes and Sweet Treats, and is a labour of love that brings together the twins’ individual interests.

“Ash was meant to make cookbooks,” says Hutchinson, whose passion for cake design prompted the entrepreneurial siblings to open their first Jenna Rae Cakes shop in 2014.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Riel, le lien entre les francos d’Amérique

Pour Jocelyn Jalette, bédéiste de Joliette, au Québec, pas besoin d’être métis, ou manitobain, ou encore francophone en milieu minoritaire pour apprécier le combat, le triomphe et la tragédie de Louis Riel. Et voici pourquoi.

Dans La République assassinée des Métis, la bande dessinée de Jocelyn Jalette qui vient tout juste d’être publiée aux Éditions du Phoenix (www.editionsduphoenix.com), des personnages fictifs côtoient Louis Riel et Gabriel Dumont, mais aussi les politiciens Louis-Hippolyte Lafontaine, Louis-Joseph Papineau et Honoré Mercier.

Une palette de personnages pour mieux placer la résistance des Métis dans un contexte francophone plus large, comme le souligne l’auteur de 47 ans :

“Les liens sont étroits entre la résistance des Métis, Louis Riel et les francophones du Québec. Surtout quand on se rappelle que la lutte pour assurer un statut d’égalité entre le français, l’anglais, et les cultures francophone et anglophone, c’est l’affaire de tous les francophones.”

Traversant le Canada en 20 chansons

De La Rochelle à la Colombie-Britannique en passant par l’Acadie, le Québec, l’Ontario et les Prairies, voici le voyage que proposera la chorale québécoise En Supplément’Air dans la Cathédrale de Saint-Boniface à l’occasion du 150e anniversaire de la Confédération canadienne, le 11 juillet.

Le Chœur En Supplément’Air a été fondé en 2015 par Carole Bellavance, la directrice artistique de la chorale. “Cette année, le chœur compte 300 choristes de toute la province du Québec. Tous les étés, nous organisons une tournée avec une quarantaine d’entre eux. Nous sommes partis le 3 juillet pour un premier concert à Ottawa, puis nous nous rendrons à North Bay, Sault Sainte-Marie, Thunder Bay. Nous terminerons à Winnipeg le 11 juillet,” Bellavance a dit.

C’est la première fois que le chœur se déplace aussi loin à l’ouest du Canada. “Avec notre spectacle Le périple de la chanson francophone en Haute-Amérique, nous voulons faire valoir l’histoire de la chanson francophone au Canada à travers le temps. Nous avons choisi des chansons de partout pour mettre en valeur les régions. Le propos se prête bien à la grande aventure de la francophonie canadienne. J’ai profité du 150e anniversaire de la Confédération pour faire vivre aux choristes les chansons francophones canadiennes, et pas seulement québécoises.”

Harmonisé et orchestré par François Couture, le spectacle met la culture francophone au premier plan. “La culture francophone a été apportée de l’Europe. Pour illustrer cela, notre première chanson s’intitule Je pars à l’autre bout du monde. Au début du spectacle, on se sent vraiment à La Rochelle. Ensuite, on arrive dans les Maritimes avec des chansons qui reflètent l’histoire de l’Acadie, puis du Québec, et le développement de l’Ontario. Nous suivons le trajet de la chanson francophone, d’est en ouest.”

Gripping drama Elle brings outdoor hardship to PTE's indoor stage

The medium of theatre doesn't necessarily lend itself to a story of survival in the wilderness.

There's a reason The Revenant was a movie and not a Broadway play.

And yet the historical drama Elle, an adaptation of the Governor General’s Award-winning novel by Douglas Glover of the same name by Toronto actress Severn Thompson, manages to be an engaging, gripping piece of work... even in the civilized Prairie Theatre Exchange environs in Portage Place.

Over the course of 90 minutes (without intermission), Thompson connects us to an extraordinary character, based on Marguerite de la Rocque de Roberval, a headstrong young Frenchwoman tantalized to a trip to Canada in 1542 by exotic tales of naked natives and strange customs.

Drumming program connects Southeast Asian students with traditional instrument, heritage

For many young musicians at Arthur E. Wright School, tabla class begins with a bow and tapping their music teacher’s toes.

Amjad Sabir isn’t all that fussy about formalities, but he recognizes his students’ families have taught them these gestures are important to show respect towards their Indo-Canadian elders.

“I just want to spread this art,” said Sabir, who is affectionately known as “guruji” — meaning esteemed teacher in Hindi and Punjabi — inside the kindergarten-to-Grade 8 building in the Maples.

The art in question? A pair of hand drums, known as tabla, that create a wide range of tones.

Imaginative production delivers excellent encore performances

When Brush Theatre first brought its flagship production, Doodle POP, to Winnipeg in 2022, the South Korean company was an unknown entity locally.

Not anymore: with its third visit to the Manitoba Theatre for Young People in five years underway, the highly imaginative troupe has scribbled its way into the memories of a generation of theatregoers.

While adult audiences might not appreciate a professional theatre company programming similar shows with such frequency, MTYP hasn’t hesitated to extend return invitations to Brush, which blends miming, clowning, drawing and dazzling projections into unique and approachable stage concoctions, driven by participation from a rapt, ever-changing audience.

A kid only gets one chance to see their first theatre performance, and Doodle POP is just about as fun and engaging an introductory experience one can dream up.

Exhibit connects traditional and contemporary Métis beadwork artists

Suspended from the ceiling in Gallery 1C03 at the University of Winnipeg is an octopus bag, created by Métis visual artist Claire Johnston.

Métis leaders unveil 1920s model dog sled repatriated from Vatican

OTTAWA - Métis leaders on Wednesday unveiled a model dog sled repatriated to their communities after more than a century in the Vatican collection.

The sled, made in the 1920s of leather, wood and glass beads, was one of 62 items repatriated to Indigenous Peoples from the Vatican last year after decades of calls for their return.

“We’re not simply opening a box. We’re welcoming something very special home. We’re beginning a new chapter, a chapter that’s grounded in relationship, kinship and connection,” Métis National Council president Victoria Pruden said during the ceremony.

“These are not artifacts in the Western sense. These are carriers of memory – that Kiyas Kiskiowin Oma – remembering who we are, our memories returning. They hold the imprint of the hands that made them, and the communities who once knew them.”

PTE play shines a light on cultural harms caused by forgeries

Drew Hayden Taylor explores art authentication with his signature wit in The Undeniable Accusations of Red Cadmium Light, a play inspired by the ongoing challenges to the artistic legacy of Anishinaabe painter Norval Morrisseau.

Belated Lunar New Year party a feast of Korean culture

For the last month, Andrea Kitano has been spending her weekends hosting hanbok fashion shows at shopping centres across Winnipeg.

Actor connects multiple storylines in RMTC’s telecommunications drama Rogers v. Rogers

Inviting audiences into the inner sanctum of a dysfunctional dynasty, playwright Michael Healey’s Rogers v. Rogers does for the Canadian telecommunications industry what Adam McKay’s The Big Short did for subprime loans: surveying a national economic ecosystem that feels destined to take advantage of consumer’s best interests while lining the coffers of a controlling billionaire class.

‘Anti-social’ dancer fell in love with metal, ‘community’ at WECC

Dammecia Hall is an artist, and for her that means spending a lot of time by herself.

“I’m extremely anti-social,” says the dancer, choreographer and educator. “But as soon as you put me in a social environment, I come alive.”

One of the social environments Hall finds herself in these days is the West End Cultural Centre, the non-profit performance venue inside a former church at the corner of Ellice Avenue and Sherbrook Street.

While attending an event at the WECC, a friend of a friend encouraged Hall to volunteer at the venue. The 43-year-old Wolseley resident applied soon after, and has been volunteering at the WECC for more than a year.

Elmwood students’ clothing venture instils pride, breaks down stereotypes in blue-collar neighbourhood

Xander Woodley is spending his fourth period filling orders.

The Grade 12 Elmwood High School student pulls a blank sweatshirt from the supply closet and double-checks the customer’s purchase: one double-extra-large GPS Crewneck in navy.

He walks over to the heat press at the back of the graphics lab and flips through a stack of transfer sheets to find the correct design.

“It’s a map of our community of Elmwood; these are all of the streets, as well as the Red River and co-ordinates of where we are,” Woodley says, pointing to the line-art rendition of the northeast Winnipeg neighbourhood, the ward boundaries of which run from McLeod Avenue to the Canadian Pacific mainline and from the eastern bank of the Red River to Lagimodiere Boulevard.

Harlequin Costume seeks to sell building, ‘staggering’ collection; dancewear store to continue under same name

Looking to buy a building in downtown Winnipeg? Get in touch with the owners of Harlequin Costume.

If you’re interested in purchasing thousands upon thousands of costumes, you’ll want to talk to them, too.

Scott and Jan Malabar are selling their building at 375 Hargrave St., where the husband and wife have operated their costume, dance and formal wear business since the 1980s.

The asking price for the building, which sits a few blocks south of the Exchange District and a short walk from Central Park, is $995,000.

Stage-fighting the system in touching madcap comedy 'Holland'

One of Winnipeg’s funniest playwrights and an ensemble of five of the city’s strongest comic actors spin gold from parental rage in Holland, a guns-blazing production full of righteously madcap decision-making at the Tom Hendry Warehouse.

Exhibition digs into colonial ideas, societal pressures and resource use of lawns

Carrie Allison has thought a lot about lawns.

Specifically, the Halifax-based multidisciplinary artist thought about the time, money, resources and energy spent on the endless pursuit of the perfectly manicured, kelly-green squares in front of suburban houses; the colonial ideas about value, virtue, class and wealth lawns uphold; and the pressures exerted by societal expectations and full-on city bylaws to control what is a living thing.

It’s those ideas that inform we tend to care, a touring solo exhibition curated by Franchesca Hebert-Spence. The Winnipeg iteration of the show will be presented across two venues — Urban Shaman and within WAG-Qaumajuq’s permanent collection galleries — in collaboration with Marie-Anne Redhead, assistant curator of Indigenous and contemporary art at WAG-Qaumajuq.

“Lawns and grass are very much associated with that sort of, I would say, propaganda of what we value in society,” says Allison, 39, who is of nêhiýaw/Métis/mixed European descent. “They are used to tell people what they should value and how they should use their time.”

New Music Festival explores theme of technology amid global rise of AI

This year’s New Music Festival runs Jan. 21-29 and includes six events.

Teen quartet We’re Only Here for the Snacks to release debut album on limited-edition Winnipeg-inspired vinyl

The teenage instrumental indie-rock quartet will launch its debut album, Missed Our Stop, Sunday at the West End Cultural Centre.

$54.7M sale of Frida Kahlo self-portrait breaks auction record for female artists

A haunting 1940 self-portrait by famed Mexican artist Frida Kahlo sold Thursday for $54.7 million and became the top-selling work by any female artist at an auction.

The painting of Kahlo asleep in a bed — titled “El sueño (La cama)” or in English, “The Dream (The Bed)” — surpassed the record held by Georgia O’Keeffe’s “Jimson Weed/White Flower No. 1," which sold for $44.4 million in 2014.

The sale at Sotheby's in New York also topped Kahlo's own auction record for a work by a Latin American artist. The 1949 painting “Diego and I,” depicting the artist and her husband, muralist Diego Rivera, went for $34.9 million in 2021. Her paintings are reported to have sold privately for even more.

The self-portrait is among the few Kahlo pieces that have remained in private hands outside Mexico, where her body of work has been declared an artistic monument. Her works in both public and private collections within the country cannot be sold abroad or destroyed.

Travelling sign painter finds his groove on the move

For someone whose writing appears all over the city, Joseph Pilapil’s penmanship isn’t the best.

You’ve probably seen his meticulously formed letters above store entrances, on shop windows and decorating sandwich boards all across the city.

But when it comes to writing on paper, well, the less said the better.

“My handwriting is terrible. When I am writing out my day-to-day stuff, it’s absolutely really bad,” he says, with a laugh.

La créativité franco-manitobaine rayonne: Anna Binta Diallo expose à travers le pays

En 2025, l’artiste visuelle franco-manitobaine Anna Binta Diallo connaît une année charnière. De Vancouver à Toronto, en passant par Edmonton et Winnipeg, ses expositions se succèdent, confirmant la place qu’elle occupe désormais parmi les figures majeures de la scène artistique canadienne contemporaine.

Née à Dakar, Sénégal, en 1983 et élevée à Saint-Boniface, Anna Binta Diallo tisse depuis toujours des liens entre les continents et les mémoires. Ses œuvres explorent les intersections entre identité, nostalgie et nature, dans un langage visuel qui conjugue collage, vidéo, graphisme et sculpture.

“Le collage est depuis longtemps au cœur de ma démarche,” confie-t-elle. “J’aime réagencer des images anciennes, des sons, des fragments d’archives pour construire de nouveaux récits.”

L’artiste collecte cartes, livres et photos qu’elle transforme en compositions hybrides, à la croisée du passé et du futur.