Carrie’s voice is back. So is the show’s soul as ‘And Just Like That…’ grows up

PARIS (AP) — “She’s messy. It can be messy. But it’s real.”

So says Cynthia Nixon — not just of Miranda Hobbes, the character she’s embodied for almost three decades, but of the show itself. “And Just Like That...,” HBO’s “Sex and the City” revival, has come into its own in Season 3: less preoccupied with pleasing everyone, and more interested in telling the truth.

Truth, in this case, looks like complexity. Women in their 50s with evolving identities. Not frozen in time, but changing, reckoning, reliving. Queerness that’s joyful but not polished. Grief without melodrama. A pirate shirt with a bleach hole that somehow becomes a talisman of power.

At its glittering European premiere this week, Nixon and co-star Sarah Jessica Parker, flanked by Kristin Davis and Sarita Choudhury, spoke candidly with The Associated Press about how the show has evolved into something deeper, rawer and more reflective of who they are now.

Dive-bombed or not, Vancouverites are still pro-crow, researchers say

VANCOUVER - Along her journey towards understanding Vancouver's crows, psychology professor Suzanne MacDonald says she made a friend.

It's a crow that brings her gifts after she set up a bird feeder at her home in the neighbourhood of Kitsilano.

Once, it was a barnacle-covered shell, which MacDonald treasures. Other times, it was "bits of garbage" that MacDonald doesn't fancy much, though she "appreciates the sentiment."

"I think he definitely recognizes me. When other people go out on my patio, he doesn't come to them. He knows me," said MacDonald.

Big Ocean breaks new ground as K-pop’s first deaf group

SEOUL, South Korea (AP) — Big Ocean, a three-member K-pop group composed entirely of artists with hearing disabilities, is redefining the limits of music and performance — one beat at a time.

When Big Ocean takes the stage, they seamlessly incorporate sign language into their performances. But their polished shows are built on extensive preparation using high-tech tools born from necessity — vibrating smartwatches that pulse with musical beats and LED visual metronomes that flash timing cues during practice sessions. This technological approach represents significant progress in South Korea’s entertainment industry, where career opportunities for people with disabilities have historically been limited.

The trio, PJ, Jiseok and Chanyeon, made their debut in April 2024 and recently wrapped a solo European tour marking their first anniversary. The band performed in four countries, including France and the U.K., while promoting their second mini-album, “Underwater,” which dropped on April 20.

PJ rose to prominence as a YouTuber who educated viewers about hearing disabilities. Chanyeon previously worked as an audiologist. Jiseok was a professional ski racer.

Protests over ‘please walk on me’ flag artwork prompt its removal from New Zealand gallery – again

WELLINGTON, New Zealand (AP) — A New Zealand flag printed with the words “please walk on me” and laid on the floor of an art gallery has once again been packed away following public outcry, 30 years after protests forced the removal of the same artwork.

The Suter Art Gallery in the city of Nelson said Thursday it had taken down the work by Māori artist Diane Prince due to escalating tensions and safety fears. The episode mirrored an Auckland gallery's removal of the work amid public backlash and complaints to law enforcement in 1995.

This time, the flag was meant to remain on display for five months. Instead, it lasted just 19 days, reigniting long-running debates in New Zealand over artistic expression, national symbols and the country’s colonial history.

Police told The Associated Press on Friday that officers were investigating “several” complaints about the exhibition.

First solo show in WAG-Qaumajuq’s flagship Qilak gallery

Since his last gallery show in Winnipeg, Abraham Anghik Ruben’s focus has shifted from introspection to cross-cultural exploration.

That personal and artistic arc is currently on display at WAG-Qaumajuq in a sprawling retrospective of the master Inuit sculptor’s 50-year career.

It’s a fitting full-circle reunion.

The Winnipeg Art Gallery hosted Ruben’s first solo show at a major institution in 2001 and now, nearly 25 years later, the artist’s work is featured in the first solo exhibit in Qaumajuq’s main Qilak gallery.

Billy Joel cancels touring after being diagnosed with a brain disorder

NEW YORK (AP) — Billy Joel has canceled all his upcoming concerts across North America and England after being diagnosed with fluid buildup in his brain that has affected his “hearing, vision and balance.”

Joel revealed on Instagram that he has Normal Pressure Hydrocephalus, “a brain disorder that can affect brain-related abilities, including thinking and concentrating, memory, movement and more,” the Cleveland Clinic says.

“This condition has been exacerbated by recent concert performances, leading to problems with hearing, vision and balance,” according to a statement from Joel’s team. “Under his doctor’s instructions, Billy is undergoing specific physical therapy and has been advised to refrain from performing during this recovery period.”

In an accompanying statement, Joel said, “I’m sincerely sorry to disappoint our audience, and thank you for understanding.”

Paul Reubens tells his story in ‘Pee-wee as Himself.’ Here’s how it came together after his death

Paul Reubens did not tell his director that he was dying.

On July 31, 2023, the news of Reubens' death came as a shock to documentary filmmaker Matt Wolf, who had spent a year trying to convince him to make the ambitious two-part documentary “Pee-wee as Himself,” now streaming on HBO Max, and over 40 hours interviewing him on camera.

But in 2023, the project was in danger of falling apart: The two had been at an impasse for a while over the issue of creative control and they’d finally found a way forward. He had one last interview scheduled, set for the first week of August. Then the texts started coming in. Wolf sat there shaking.

They’d spoken about everything — Reubens' childhood, his complicated relationship with fame, his ambitions, his commitment to his alter-ego Pee-wee Herman, his sexuality, his arrest — except the fact that he’d been battling cancer for the past six years. But after the initial shock, a renewed purpose set in.

The Cannes Film Festival is over. Here’s some key things that happened

CANNES, France (AP) — This year's Cannes Film Festival is over, ending in dramatic fashion with a power outage ahead of the closing ceremony that bestowed the Palme d'Or trophy to Iranian filmmaker Jafar Panahi's film, “It Was Just an Accident.”

This year's festival included a strong slate as Cannes has become increasingly important to the Oscars’ best picture hopefuls. As the festival drew to close Saturday, it was clear that filmmakers are reckoning with geopolitical doom, climate change and other calamities that closely resemble current events.

This year's festival was an attention-grabbing affair since its start — from new rules for its red carpets, nerves about potential U.S. tariffs and the return of Tom Cruise.

Even in a normal year, Cannes is a lot to keep up with. Here's a handy guide of what's happened so far, what's left and what it may mean.

New music: Blake Shelton, Blondshell, Ingrid Laubrock, Elation Pauls

CountryBlake SheltonFor Recreational Use Only (Wheelhouse)

Blake Shelton’s 13th studio album opens with a fitting declaration for both his latest project and the current state of his career: Stay Country or Die Tryin’.

It would be more accurately phrased like a question.

At this stage, Shelton is a longtime veteran of Hollywood on The Voice stage with a pop superstar wife in Gwen Stefani, far removed from his Nashville roots, all while maintaining the position of one of the most high-profile country stars of the current moment.

‘A political football’: Canadian says his citizenship TV pitch was misrepresented

WASHINGTON - When Rob Worsoff recently dusted off an old idea he had for a reality television show about people on the path to United States citizenship, he had no idea of what he was letting himself in for.

The Canadian-born freelance television producer said he brought his pitch to build a show around aspiring immigrants learning about the culture of their new country to the U.S. Department of Homeland Security under both the Obama and Biden administrations. He even brought a version of it to the CBC.

Worsoff then put his idea forward to the new Trump administration — but this time the 49-year-old got caught up in a global media and political backlash.

"The spirit of my pitch was completely misrepresented and it's been used as a political football," the Los Angeles-based producer said.

‘Special to the world’: Supporters hope to save beloved Drumheller dinosaur

DRUMHELLER - A plan to send Tyra the tyrannosaurus, the popular tourist attraction that towers over the skyline in Drumheller, Alta., into proverbial extinction has sparked demands that she be spared.

The town of 8,400 northeast of Calgary bills itself as the Dinosaur Capital of the World. Home to the famed Royal Tyrrell Museum, the community also has statues of dinosaurs that look like they've crawled out of "The Flintstones" cartoon greeting people on the streets.

There's an extinct reptile riding a motorcycle. A triceratops in a frilly dress sits on a bus bench. Another dinosaur wearing a fireman's hat and holding a hose is poised outside a fire station.

The biggest is Tyra, standing across from the intersection of Gorgosaurus Street and Tyrannosaurus Drive near a visitor information centre. A nearby ice cream stand offers fossils, T-shirts and dino toys.

Runway show focuses on treasures, not trash

Some of Manitoba’s best-known public figures — including radio host Ace Burpee, activist Mitch Bourbonniere and politician Nahanni Fontaine — walk the catwalk in a fashion show at 109 Higgins Ave. tonight.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Crave introduces ad tiers, including $9.99 plan

TORONTO - Crave is introducing two ad-supported tiers that each shave $5 or $10 off the monthly subscription fee.

Bell Media says its new Crave Basic with Ads costs $9.99/month, while Crave Standard with Ads costs $14.99/month. An unchanged ad-free option remains at $19.99/month, and is renamed Crave Premium Ad-Free.

Viewers can watch most shows and movies, including HBO and Max originals, on the ad-supported plans. About one per cent of titles won't be available due to licensing restrictions.

Ads will be 15 or 30 seconds long, totalling about five minutes per hour, and appear before and during some episodes and films.

Riel, le lien entre les francos d’Amérique

Pour Jocelyn Jalette, bédéiste de Joliette, au Québec, pas besoin d’être métis, ou manitobain, ou encore francophone en milieu minoritaire pour apprécier le combat, le triomphe et la tragédie de Louis Riel. Et voici pourquoi.

Dans La République assassinée des Métis, la bande dessinée de Jocelyn Jalette qui vient tout juste d’être publiée aux Éditions du Phoenix (www.editionsduphoenix.com), des personnages fictifs côtoient Louis Riel et Gabriel Dumont, mais aussi les politiciens Louis-Hippolyte Lafontaine, Louis-Joseph Papineau et Honoré Mercier.

Une palette de personnages pour mieux placer la résistance des Métis dans un contexte francophone plus large, comme le souligne l’auteur de 47 ans :

“Les liens sont étroits entre la résistance des Métis, Louis Riel et les francophones du Québec. Surtout quand on se rappelle que la lutte pour assurer un statut d’égalité entre le français, l’anglais, et les cultures francophone et anglophone, c’est l’affaire de tous les francophones.”

Traversant le Canada en 20 chansons

De La Rochelle à la Colombie-Britannique en passant par l’Acadie, le Québec, l’Ontario et les Prairies, voici le voyage que proposera la chorale québécoise En Supplément’Air dans la Cathédrale de Saint-Boniface à l’occasion du 150e anniversaire de la Confédération canadienne, le 11 juillet.

Le Chœur En Supplément’Air a été fondé en 2015 par Carole Bellavance, la directrice artistique de la chorale. “Cette année, le chœur compte 300 choristes de toute la province du Québec. Tous les étés, nous organisons une tournée avec une quarantaine d’entre eux. Nous sommes partis le 3 juillet pour un premier concert à Ottawa, puis nous nous rendrons à North Bay, Sault Sainte-Marie, Thunder Bay. Nous terminerons à Winnipeg le 11 juillet,” Bellavance a dit.

C’est la première fois que le chœur se déplace aussi loin à l’ouest du Canada. “Avec notre spectacle Le périple de la chanson francophone en Haute-Amérique, nous voulons faire valoir l’histoire de la chanson francophone au Canada à travers le temps. Nous avons choisi des chansons de partout pour mettre en valeur les régions. Le propos se prête bien à la grande aventure de la francophonie canadienne. J’ai profité du 150e anniversaire de la Confédération pour faire vivre aux choristes les chansons francophones canadiennes, et pas seulement québécoises.”

Harmonisé et orchestré par François Couture, le spectacle met la culture francophone au premier plan. “La culture francophone a été apportée de l’Europe. Pour illustrer cela, notre première chanson s’intitule Je pars à l’autre bout du monde. Au début du spectacle, on se sent vraiment à La Rochelle. Ensuite, on arrive dans les Maritimes avec des chansons qui reflètent l’histoire de l’Acadie, puis du Québec, et le développement de l’Ontario. Nous suivons le trajet de la chanson francophone, d’est en ouest.”

Ad another thing: sounding the alarm about advertising’s ill effects on society

Jean Kilbourne was an adbuster long before there was anything close to resembling Adbusters.

When the acclaimed feminist scholar, author, filmmaker and media literacy pioneer, who speaks Thursday at 7:30 p.m., at the University of Winnipeg's Convocation Hall, began tearing advertisements out of magazines and posting them on her refrigerator back in 1968, she didn't know she would start a movement, let alone a respected field of study.

At the time, she just wanted to open people's eyes. She assembled the ads she collected into a slideshow presentation that she took to college campuses in the 1970s. She had one goal: tell anyone who would listen about the damaging effect ads were having on women.

"I was the first person to start talking about the image of women in advertising," Kilbourne, 70, recalls. "(The ads) were outrageous and no one was paying attention to them."