Louis-José Houde fait un retour attendu à Winnipeg

Il en avait fait la promesse en 2019. Six ans plus tard, et une pandémie passés par là, l’humoriste sera de nouveau sur la scène de la salle Pauline-Boutal le 26 janvier au CCFM.

Normalement, ce retour dans la capitale manitobaine aurait dû se faire plus tôt que ça.

“En 2019, le spectacle avait été tellement agréable que vers la fin, encore sur la scène, j’avais déclaré que je reviendrais. Mon producteur l’apprenait au même moment. [rires] Donc, on avait pris rendez-vous pour avril ou mai 2020, et ce n’était pas arrivé …”

L’humoriste québécois se souvient notamment dans l’ambiance et de l’atmosphère qui régnait dans la salle Pauline-Boutal. “J’avais beaucoup aimé cette salle-là de par sa configuration. On n’a pas de salle comme ça à Montréal, il n’y a pas vraiment de scène dans mon souvenir. On est comme sur un plancher, avec le public en demi-lune. Pour l’humour, c’est extrêmement efficace, on entendait vraiment bien les rires. Je me sentais très proche des gens.”

Une relève pour le monde théâtrale francophone

Sur les planches du Théâtre Cercle Molière, six jeunes de 16 à 22 ans d’expression française vont pouvoir donner libre cours à leur imagination grâce à la pièce Un peu partout. Une pièce dont le message peut faire écho chez tout le monde.

À 18 ans, Isabelle est à la croisée des chemins, partir pour se découvrir ou bien rester. Ce sont ses réflexions que le public pourra suivre dès le 15 janvier.

Et qui de mieux que des personnes qui passent eux-mêmes par ce genre de réflexion pour écrire ce texte? Ce sont donc Mikaël Beaudry, Andreas Detillieux, Madison Nelson, Lizzie Rochon, Jordan Showers, Amélie Tétrault, accompagnés de leur guide Philippe Habeck, qui ont co-écrit et mis en scène cette pièce.

Il aura fallu 18 mois pour passer de la réflexion à la représentation, un beau travail pour Philippe Habeck, enseignant à la retraite. “Pour moi, faire du théâtre c’est la meilleure façon de parler avec le cœur. Le Festival théâtre jeunesse a toujours été ma plus grande passion.

New Jenna Rae cookbook focuses on bakers’ favourite home recipes

There’s a sweet new edition on the way.

Sisters Jenna Hutchinson and Ashley Kosowan are expanding their successful local bakery business with a new cookbook venture. Jenna Rae Cakes at Home: Our Favourite Recipes to Enjoy with Family and Friends hits bookstores Oct. 8 and features more than 100 colourful, family-friendly recipes.

The cookbook is a followup to their first release, Jenna Rae Cakes and Sweet Treats, and is a labour of love that brings together the twins’ individual interests.

“Ash was meant to make cookbooks,” says Hutchinson, whose passion for cake design prompted the entrepreneurial siblings to open their first Jenna Rae Cakes shop in 2014.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Teenage artist finds creative process helps her tap into emotions, find sense of self

Faiza Malik found more than peace and safety when she and her family arrived in Canada from Afghanistan nine years ago — she also found art.

The 16-year-old credits art and creativity with helping her transition to a new life. Now she wants to work with local kids to give them access to resources she never had growing up.

“I started painting when I first arrived in Canada when I was in Grade 2 or Grade 3. We had those little art projects in school and I was always excited to do those things because I was using my hands and creating something new,” Malik says. “Art wasn’t really a thing that was available in Afghanistan.”

She admits the culture shock was all-consuming when she and her family, including her mom, dad and three siblings, first arrived here.

Falling for a splash of colour

How silently they tumble downAnd come to rest upon the groundTo lay a carpet, rich and rare,Beneath the trees without a care,Content to sleep, their work well done,Colors gleaming in the sun.

Leaves, by Elsie N. Brady

The autumn equinox has come and gone, leaving a fully-fledged landscape to show off its finery every day. The luminescent yellow aspen leaves tip back and forth, back and forth. Maples slip into deep burgundy coats. And in the north, the delicate tamaracks blaze with gold. Fall foliage is in full swing. Time to grab a camera and hit the road.

Hecla Island Provincial Park promises a variety of landscape, offering plenty of diversity in not only its resident trees — including tamarack and birch — but also its stands of phragmites (common reeds) and cattails. You also have a great chance of spotting migrating bald eagles and plenty of waterfowl too.

At 50, the WAG is embracing a spirit of reconciliation and reinvention

Paintings by Vincent Van Gogh and Group of Seven artists such as L.L. FitzGerald were among the famous paintings on display when the Winnipeg Art Gallery opened its doors 50 years ago today.

Grand works all, but it was a few sculptures by Inuit artists that were also on display that caught the eye of Princess Margaret, who gave the gallery its grand unveiling on Sept. 25, 1971, during her royal visit to the city, the Free Press reported then.

Perhaps the princess was onto something. Half a century later, works by Indigenous artists are no longer mere curiosities that add variety to exhibitions showcasing the old masters.

Indigenous art at the WAG has become the showcase.

WAG's angular architecture combines form, function in a building both timeless and of its time

Asked to talk about the Winnipeg Art Gallery building, Stephen Borys pauses for a moment.

“If I had to describe it in one word, it would be ‘timeless,’” says Borys, current director and CEO of the WAG.

Over the course of the Qaumajuq project, Borys found himself looking at photographs of the original WAG structure, designed by Hong Kong-born Canadian architect Gustavo da Roza, from its 1971 opening right up to the present.

“It’s one of Canada’s significant late modernist buildings,” Borys states. “But you look at these photos, and other than the make of cars and the way people dress, it’s hard to put a date on. And that is something that speaks not just of great architecture. It has a resonance beyond a style or a period.”

Magnificent mentorship program

Sitting on a piano bench at the back of the St. Norbert Arts Centre gallery space Thursday, up-and-coming musician Tomiwa Omolayo is wearing rose-coloured glasses — literally.

It’s the same pair of tinted shades (accented by a rolled-up mustard-yellow toque) the self-proclaimed optimist wore for his first live show since the COVID-19 pandemic: a performance on the GerryFest 2021 stage.

“I was nervous because I wasn’t sure if the music would connect,” Omolayo said, thinking back to the August 13 show on a breezy outdoor stage at the arts centre. “I’m trying to make something that’s different, something that’s fresh.”

The Lagos-born 23-year-old is an Afrofusion artist who launched his career blending a variety of musical genres with the classic sounds of afrobeats in 2018, after moving from Nigeria to Winnipeg for school just a few years before.

Set of The Porter a testament to the special connection production has with Winnipeg's Black history

On a rainy Friday evening in Winnipeg’s landmark Nutty Club building, camera crews, grips, food services, hair and makeup teams, stand-ins and actors are spinning about in dance-like organized chaos.

The five-storey candy warehouse — first erected in 1905 and still standing in the shadow of active CP and CN rail lines — has been transformed, pulled back to its turn-of-the-20th-century roots as a set for CBC’s upcoming TV drama The Porter. At each stop along the building’s steep wooden staircase, the team behind Canada’s largest Black-led production is hard at work bringing the roaring ‘20s — and an oft-forgotten story of Black liberation and empowerment — to life.

On one floor, cast and crew block their scene movements, listening raptly to directors, speaking in huddles, donning crisp white shirts and suspenders or gowns, preparing for the crack of the clapperboard.

A floor above, the members of the “video village” tuck on their headphones, lean over screens and warn each other not to move, lest the ceilings shake below.

Cree singer Rhonda Head stumbled into classical music, then made it her own

Singer Rhonda Head has travelled a long and winding road to get her voice heard.

Her classically trained vocals have received worldwide recognition after she received two bronze medals from the Global Music Awards, an online competition that specializes in classical and jazz artists and composers.

Head, who hails from Opaskwayak Cree Nation, near The Pas, earned the acclaim for two Cree language songs, Kisahkihitin I Love You, which was in the contemporary classical category, and 500 Years, which received honours among protest songs.

She began taking singing lessons in 1987, after she graduated from high school at the University of Winnipeg Collegiate and moved to Toronto to study fashion. She found, almost by chance, that singing suited her better.

The show must go on as Selkirk buys theatre

Many in Selkirk thought the credits had rolled for the Garry Theatre, but it appears there’s a sequel.

Landmark Cinemas decided to close it in May and on Wednesday, the City of Selkirk announced it had purchased the theatre for $350,000, plus closing costs.

“What we’ve heard so far is people are very excited and very happy that the city has been able to secure the property,” said Selkirk CAO Duane Nicol.

Nicol said the city will reach out to the community to determine how best to use the building. The city hopes it will become a centre for arts and culture, he said.

Selkirk art crawl centres on city's thriving mural scene

Sometimes a wall is more than just a wall.

It’s a blank canvas. And in recent years, artists in Selkirk have turned several into works of art, highlighting local figures and traditions, using paint to transform bricks and plaster in the downtown into a growing visual history of the city.

Since 2018, nearly 20 murals have emerged, depicting everything from the traditional community round dance to Indigenous and settler women thriving on the Prairie landscape to a grandmother passing on her teachings. Others bring needed attention to the ongoing crisis of Missing and Murdered Indigenous Women and Girls, and to everyone affected, in the past and present, by the Indian Residential School System, those who came home and those who never did, artist Jordan Stranger says.

All these murals will serve as the backdrop for a free public art crawl Sept. 4 and 5, with local vendors and artisans posting up next to them and getting a long-awaited opportunity to share their work with the community, including handmade goods, paintings, crafts, sewing and woodworking pieces, and much more.

Riel, le lien entre les francos d’Amérique

Pour Jocelyn Jalette, bédéiste de Joliette, au Québec, pas besoin d’être métis, ou manitobain, ou encore francophone en milieu minoritaire pour apprécier le combat, le triomphe et la tragédie de Louis Riel. Et voici pourquoi.

Dans La République assassinée des Métis, la bande dessinée de Jocelyn Jalette qui vient tout juste d’être publiée aux Éditions du Phoenix (www.editionsduphoenix.com), des personnages fictifs côtoient Louis Riel et Gabriel Dumont, mais aussi les politiciens Louis-Hippolyte Lafontaine, Louis-Joseph Papineau et Honoré Mercier.

Une palette de personnages pour mieux placer la résistance des Métis dans un contexte francophone plus large, comme le souligne l’auteur de 47 ans :

“Les liens sont étroits entre la résistance des Métis, Louis Riel et les francophones du Québec. Surtout quand on se rappelle que la lutte pour assurer un statut d’égalité entre le français, l’anglais, et les cultures francophone et anglophone, c’est l’affaire de tous les francophones.”

Traversant le Canada en 20 chansons

De La Rochelle à la Colombie-Britannique en passant par l’Acadie, le Québec, l’Ontario et les Prairies, voici le voyage que proposera la chorale québécoise En Supplément’Air dans la Cathédrale de Saint-Boniface à l’occasion du 150e anniversaire de la Confédération canadienne, le 11 juillet.

Le Chœur En Supplément’Air a été fondé en 2015 par Carole Bellavance, la directrice artistique de la chorale. “Cette année, le chœur compte 300 choristes de toute la province du Québec. Tous les étés, nous organisons une tournée avec une quarantaine d’entre eux. Nous sommes partis le 3 juillet pour un premier concert à Ottawa, puis nous nous rendrons à North Bay, Sault Sainte-Marie, Thunder Bay. Nous terminerons à Winnipeg le 11 juillet,” Bellavance a dit.

C’est la première fois que le chœur se déplace aussi loin à l’ouest du Canada. “Avec notre spectacle Le périple de la chanson francophone en Haute-Amérique, nous voulons faire valoir l’histoire de la chanson francophone au Canada à travers le temps. Nous avons choisi des chansons de partout pour mettre en valeur les régions. Le propos se prête bien à la grande aventure de la francophonie canadienne. J’ai profité du 150e anniversaire de la Confédération pour faire vivre aux choristes les chansons francophones canadiennes, et pas seulement québécoises.”

Harmonisé et orchestré par François Couture, le spectacle met la culture francophone au premier plan. “La culture francophone a été apportée de l’Europe. Pour illustrer cela, notre première chanson s’intitule Je pars à l’autre bout du monde. Au début du spectacle, on se sent vraiment à La Rochelle. Ensuite, on arrive dans les Maritimes avec des chansons qui reflètent l’histoire de l’Acadie, puis du Québec, et le développement de l’Ontario. Nous suivons le trajet de la chanson francophone, d’est en ouest.”

Gripping drama Elle brings outdoor hardship to PTE's indoor stage

The medium of theatre doesn't necessarily lend itself to a story of survival in the wilderness.

There's a reason The Revenant was a movie and not a Broadway play.

And yet the historical drama Elle, an adaptation of the Governor General’s Award-winning novel by Douglas Glover of the same name by Toronto actress Severn Thompson, manages to be an engaging, gripping piece of work... even in the civilized Prairie Theatre Exchange environs in Portage Place.

Over the course of 90 minutes (without intermission), Thompson connects us to an extraordinary character, based on Marguerite de la Rocque de Roberval, a headstrong young Frenchwoman tantalized to a trip to Canada in 1542 by exotic tales of naked natives and strange customs.

Life at the speed of sound

I was only five years old when the Beatles broke up and yet their music has been the overarching soundtrack of my life.

Winnipeg author explores a child’s grief in latest picture book

In the latest picture book from Winnipeg author Anna Lazowski, a child who has lost a loved one heads out to the backyard to build a rocket ship out of cardboard, tape and tinfoil.

That’s what you need to do, after all, when someone feels “as far away as the stars.”

I Built a Rocket Ship, out Tuesday via Kids Can Press, explores the constellation of feeling that is grief through our unnamed narrator — a kid with a shock of white hair just like the person they are missing — who is processing the loss.

Lazowski wrote the first draft of the book in 2021, during the pandemic.

You should be dancing, yeah. Moving to music offers all kinds of benefits as you age

TUCSON, Ariz. (AP) — Carol Ross can’t stop smiling at dance practice as she shouts out the steps of a routine to members of her tap and jazz troupe for women age 50 and older.

“I’ve been dancing my whole life, it’s the best,” said Ross, who founded the Rodeo City Wreckettes group 23 years ago at an age when many people are getting ready for retirement.

Now 87, Ross and her husband and lifelong dance partner John, also 87, have long known what more older adults are now discovering: Moving to music is one of the best ways to stay healthy. Medical professionals say it doesn’t matter if it’s Western line dancing, ballroom steps, salsa, tap, Zumba at the gym, or with a group like the Wreckettes.

“Dancing is one of the most powerful activities for older people,” said Julio Loya, a nurse and geriatric program coordinator at the Tucson Medical Center.

Museum diorama detailing marshland, rye farm decommissioned owing to pest infestation

What was designed as a triumph of taxidermy has instead become a buffet for pests.

Manitoba Museum has been forced to decommission the Delta Marsh and Rye Farm two-part diorama in the Parklands Gallery after discovering the extent of the devastation wrought by mice, clothes moths and beetle larvae. The open-air exhibition, completed in 2003, represents the province’s most important wetlands and the challenges faced by early farmers, including Ukrainian immigrants in the 1920s.

“Pests are a major issue,” says Amelia Fay, the museum’s director of research, collections and exhibitions. “All museums have pests and use discreet pest-management systems, but this specific diorama was particularly vulnerable because of how authentically it was constructed, using real plant materials and organic elements that various types of critters like to consume.”

Pests can enter the museum when the doors open; clothes moths drift in with foot traffic, mice can get in through tiny gaps and dermestid beetles can hitch a ride with visitors or via tiny cracks, laying eggs in areas close to food sources for future larvae.

Expressive power, emotional encounters: A closer look at Rothko’s Brown and Blacks in Reds

WHAT IT IS: Brown and Blacks in Reds, a 1957 painting by American artist Mark Rothko.

This work recently sold for US$85.8 million during a record-setting evening at Sotheby’s auction house, raising vexing questions about what we mean when we talk about the value of art.

WHAT IT’S ABOUT: Brown and Blacks in Reds offers a sombre example of Rothko’s most immediately recognizable period, with stacked blocks of colour vibrating against an intense ground. It is usually classified as a colour field painting, part of the larger abstract-expressionist movement of the 1940s and ’50s. (Rothko himself famously disliked both these terms.)

Mad Men fans might recall a Season 2 episode in which eccentric senior partner Bert Cooper acquires a Rothko painting something like this. (“I heard it cost $10,000,” Sal says.) Some of the younger employees sneak into Cooper’s office to look at it.

Improv co-conspirators reuniting for frenetic weekend comedy blitz

They were still green players developing their comedic compass when Riva Billows and Kristina Guevarra first plied their trade at Kelvin High School.

In 2012, as members of Kelvin Red, the pair zipped into the Clipper tradition of competitive improv at a school whose comedic alumni include theatre performers Nicholas Rice, Caity Curtis and Mariam Bernstein, plus members of the longstanding troupe Outside Joke: Jane Testar, Chadd Henderson, Andrea del Campo and Tobias Hughes first acted together in Fiddler on the Roof.

On Kelvin Red — coached by animator Lukas Conway with teammates such as Toronto-based actor Stevey Hunter, who went on to become a founding member of Halifax improv company Hello City — Billows and Guevarra started out learning to crawl on the groundling floor.

“We were so bad, and then we grew together,” says Guevarra, who moved to Montreal in 2021, where she’s the producer for the Sunday night program at Théâtre Sainte-Catherine, the longest-running English-language improv show in the home of Les Habitants.