A round of a-paws for ‘La Perra,’ winner of the Palm Dog award at Cannes

CANNES, France (AP) — A round of a-paws for “La Perra,” winner of this year’s Palm Dog award at the Cannes Film Festival. The Chilean movie took the top canine prize Friday, a day before the festival's official awards ceremony.

The quirky tradition on the Cannes beachfront was a celebratory affair, packed with journalists, dog lovers and, of course, plenty of dogs. The sound of barking was interspersed with the clink of wine glasses as eager pups posed for the cameras and socialized with their canine pals. It was bone appetit for the animal guests as they were served gourmet doggie snacks and look-alike local pooches stood in for their famous peers to collect awards.

Screening in the Directors' Fortnight sidebar, “La Perra” (Spanish for female dog) follows a solitary woman and her bond with an abandoned puppy, Yuri — named after the famous Mexican pop star.

When director, Dominga Sotomayor, collected the coveted dog collar, she explained that she rescued two very special dogs to play Yuri, from puppy to adulthood.

Theatre Projects Manitoba offers double the theatrics in ambitious new play

A city-based theatre company that’s devoted itself to new Prairie works since 1990 is doubling down on humankind.

Subvert music service prioritizing art over artificial intelligence

With its public launch earlier this month, a digital music marketplace called Subvert aims to live up to its name, directing more power — and more dollars — to recording artists navigating the choppy waters of the streaming wars.

Initially pitched as a collectively owned successor to Bandcamp — a popular sales interface for independent artists — and an alternative to big tech-funded streaming services like Spotify or Apple Music, Subvert (subvert.fm) was already hosting music for purchase by 20,000 artists from 120 countries as of Wednesday afternoon.

Nearly 30 of those artists — including Altona-based pop producer Daggerss, a.k.a. Laura Smith — call Manitoba home.

“To me, the co-op model is really exciting,” says Smith, a former touring member of indie rock stalwarts Said the Whale whose past projects include Rococode, a synthy duo that released music through Winnipeg label Head in the Sand Records in the 2010s. “It gives power to the people and keeps it in the hands of the people instead of us being at the beck and call of a tech company.”

Tribute to composer Ron Paley pays homage to local jazz leader who’s never wavered

When asked how he kept his big band together for so many years, Duke Ellington famously replied, “You simply have to have a gimmick, and the gimmick I use is to pay them money.”

While the remark was made half in jest, it strikes at a central truth: big bands, like orchestras, employ a lot of people and can be central economic drivers for jazz scenes.

All the more important, then, to have a leader like Ron Paley, who also inspires loyalty and admiration.

The nationally celebrated 75-year-old performer, composer, arranger and band leader is celebrated at a tribute concert this Saturday.

Hands-on workshop guides process of making unique, custom silver jewellery

I know things aren’t going well when cracks keep forming on my clay — but not to worry. I’d been paying attention when instructors Jillian Sheedy and Joanne Roberts told me how to deal with this problem.

So I confidently dip my brush into the water and start moistening my clay to smooth it out. Except I’ve added a bit more water than I should have, and now the clay is wet and extremely sticky.

Beside me, Roberts smiles reassuringly.

“It’s a task that requires a little bit of patience,” she says, carefully removing the brush from my hand.

Pair of bird books offer fascinating insight into the avian world

These two newly-released bird books couldn’t be more different. Jackie Morris and Robert Macfarlane’s The Book of Birds is artful and poetic; Louis Lefebvre’s A Bird’s IQ is analytical and academic. Each would make an attractive addition to the libraries of people interested in birds — but not without certain provisos.

The subtitle of The Book of Birds is deceptive — it’s not really a “Field Guide” in the usual sense, too substantial and beautiful to carry along on a bird outing. In hardback with a blue cloth spine and a blue-ribbon page-holder, it’s more like a church song missal than toteable identification helper. It’s best kept inside, protected from wind and weather and damp fingerprints.

The Book of Birds is a follow-up to Morris and Macfarlane’s previous collaboration The Lost Words. When the Oxford Junior Dictionary dropped a bunch of words connected to the natural world (such as acorn, otter, fern, newt and wren), the renowned artist and celebrated author created a “spell book” to conjure back 20 of those words and bring increased awareness of the things the words describe. It proved to be immensely popular.

Here they focus on 49 birds, presented alphabetically from avocet to kestrel to sparrow to yellowhammer, that are in danger of disappearing completely from the natural (European) world. Morris provides the spectacular bird illustrations, and Macfarlane waxes poetic on each of them in the hopes readers will not just identify birds, but “identify with them.”

Shot-in-Manitoba films ready to screen, stream

This has been a big year for film and TV shot in Winnipeg, with fare such as the comedic gangster film Mike & Nick & Nick & Alice topping the streaming charts when it debuted in March on Hulu/Disney+, with more than 300 million views worldwide.

Smaller indie films, such as Johnny Ma’s The Mother and the Bear, and James McLellan and Alexandre (Sasha) Trudeau’s dramatic feature Hair of the Bear also got long-awaited screen time in the first quarter of the year, as did Rhayne Vermette’s experimental feature Levers.

After the Bob Odenkirk thriller Normal becomes available Tuesday, expect more locally shot fare to come to cinemas, or your TV screen, in the months ahead.

Dry Cold Productions co-founder retires after 25 years of onstage merriment

A lifelong contributor to Winnipeg’s musical theatre world is taking a step back from his leadership role with Dry Cold Productions as the company marks its 25th anniversary.

In 2001, Reid Harrison, whose retirement from the role as co-artistic director was announced in December, was sitting at the Charterhouse restaurant with Donna Fletcher and Melanie Whyte commiserating over the city’s seeming reluctance to program work by American musical theatre legend Stephen Sondheim.

“We were just sort of whining,” recalls Harrison, who’s also the general manager of the annual Agassiz Chamber Music Festival.

So the trio decided to do something about it.

New craft exhibition gives artists licence to lighten up

Textile artist and Manitoba Craft Council program co-ordinator Katrina Craig had a simple brief for the artists taking part in her curatorial debut, Serious Play, at C2 Centre for Craft: each person was asked to investigate the radical potential of play when making pieces for the show.

The four local interdisciplinary artists — Charlotte Sigurdson, Candace Neumann, Maureen Winnicki Lyons and Miriam Delos Santos — took her playful instructions seriously.

“Culturally, we think of play as frivolous or irrelevant. It’s a low priority,” Craig, 35, says. “But I think of play as an essential part of creating new things and of problem-solving. I’ve found that when I lean into that not-so-serious side of myself, good things tend to come about.”

The theme is especially pertinent in the field of craft, which can often be more intensely focused on rigorous skill-building and technical mastery. Sometimes playfulness can fall to the wayside in the pursuit of excellence

Movie review: Talking-sheep comedy pokes affectionate fun at mystery genre

There’s a certain kind of little British film that wants very much to be sweet and charming.

It’s a tricky genre. When it’s forced, sweetness can easily become sugary, charming can tip over into twee.

This all-ages talking-sheep comedy-mystery gets it right. With a lot of Babe sincerity and a smidge of Knives Out self-awareness, The Sheep Detectives is cosy but never complacent.

Using a deft blend of live-action and CGI animation, the story starts with George (Hugh Jackman), a shepherd who tends his flock just outside Denbrook, a picture-perfect village with thatched roofs, half-timbered walls and a mossy churchyard.

Winnipeg photographer captures striking stills that market major motion pictures

Eric Zachanowich is the most famous photographer you’ve probably never heard of.

He’s worked with Tinseltown heavyweights such as the late Robert Redford, Ralph Fiennes, Laura Linney, Woody Harrelson and Anya Taylor-Joy, and even appeared in Dwayne (The Rock) Johnson’s wrestling biopic The Smashing Machine, disguised as, you guessed it, a photographer.

“It was for one of the opening scenes so I could shoot Dwayne Johnson walking to the ring. I made the final cut of the movie — although it’s hard to place me — and also got a spectacular photo that was used heavily during marketing,” says Zachanowich, 32.

More often than not, he operates as a silent observer on the sets of cinema blockbusters and prestige television dramas alike, his lens capturing the world’s biggest A-listers at their most vulnerable and intense moments.

Wordless puppet show explores father-daughter ties

Having a parent who travels for work is a challenge for any child, but whenever Shizuka Kai’s father left on a voyage to capture elusive footage of white wolves and kodiaks, there was an element of danger that didn’t exist for other children.

“I would say I kind of grew up with my dad telling us that he actually might not come home,” says Kai, a Vancouver-based puppet maker and theatre artist. “A moment I vaguely remember as a kid was when he sat us down and explained the life-insurance process because (he) might actually get attacked and eaten by a bear, and that’s the reality of this project (he was) doing.”

That reality is put through a puppeteer’s lens in Otosan, the closing production of the 2025-2026 season at the Manitoba Theatre for Young People.

Based on Kai’s experiences growing up as the child of a dogged wildlife videographer, combined with memories from a joint trip to Alaska in Kai’s early 20s, Otosan — on to May 17 — is told in a wordless tabletop puppet show featuring lifelike renderings of father, daughter, grizzly bear and snowy owl.

Manitoba summit to explore solutions to chronic truancy

Winnipeg teachers are cutting class on Thursday to strategize how to improve student attendance and remove barriers so more children show up for lessons on a regular basis.

Flora Luna: entre confidences musicales et rayonnement vers l’Est

Dans l’ordre, à la fin du mois de mars, Geneviève Freynet, connue sous le nom d’artiste de Flora Luna, avait annoncé sa signature avec Indica Records, un label indépendant basé à Montréal.

Fondé en 1997, Indica Records présente une variété de genres musicaux allant du rock/punk/alternative sur laquelle le label a été fondé, incluant le folk, mais aussi la pop, l’indie, la musique du monde et l’électro/rock.

Indica Records s’occupera spécifiquement du booking pour Flora Luna. Cela veut dire notamment la réservation et l’organisation des spectacles de l’artiste.

“L’idée, c’est qu’ils me réservent des spectacles et des tournées, surtout au Québec, et potentiellement en Europe, et un peu en Ontario aussi. Leur centre d’attention, c’est vraiment le Québec, alors oui, j’ai hâte,” précise Geneviève Freynet.

AI-rendered Val Kilmer debuts in ‘As Deep as the Grave’ trailer

LAS VEGAS (AP) — The filmmakers behind “As Deep as the Grave,” the indie film that is using an artificial intelligence-rendered version of Val Kilmer in a prominent role, debuted a first look at the recreated actor Wednesday at CinemaCon in Las Vegas.

“Don’t fear the dead and don’t fear me,” Kilmer’s character, Father Fintan, a Catholic priest and Native American spiritualist, says at the end of the trailer.

The actor died last year at 65, of pneumonia. The use of generative AI to recreate Kilmer for the historical drama based on archaeologists Ann and Earl Morris became a hot button topic when the filmmakers announced it last month. The trailer shows Kilmer’s character at various ages.

Writer-director Coerte Voorhees, along with his brother John, spoke on a panel Wednesday about the controversial decision to use technology to create a performance from a deceased actor and explained why they feel they've done it ethically by working with Kilmer's children and the actors union. Coerte Voorhees stopped short of calling it a Val Kilmer performance, however.

Pallister portrait shows more of the man

Salvador Dali once said, “The reason some portraits don’t look true to life is that some people make no effort to resemble their pictures.” This cannot be said of Manitoba’s 22nd premier, Brian Pallister. His official portrait by artist Andrew Valko doesn’t just resemble Pallister, it reveals him.

It reveals not just who he is but more, someone far different than the public portrait many Manitobans had of him.

Begin with the setting. Manitoba’s most outdoors premier has the first outdoors portrait of a premier.

Significantly, he chose not where he worked — the formal pediments and stone of the province’s legislative building which form the preferred backdrop of all his predecessors — but where he lived and loved, the landscape of Manitoba itself. High Bluff, part of his hometown municipality of Portage la Prairie, with the Assiniboine River gently wending its way in the background, fills the canvas. It cries out roots and belonging, not position or status.

SiR’s upcoming season a case of all’s fair in love and war

A month before Christopher Nolan’s film adaptation of The Odyssey invades cinemas worldwide, Shakespeare in the Ruins’ 2026 season will feature a solo version of The Iliad, giving audiences a crash course in Homer’s epic prequel just in time for a blockbuster summer.

With global conflict and the threats of unmitigated re-armament on his — and everyone’s — mind, artistic director Rodrigo Beilfuss says it only made sense for the outdoor theatre company to return to the Trojan War as a window into the everlasting human cost of international conflict.

Beilfuss, who joined SiR as artistic director in 2019, made a concerted effort throughout the company’s return from pandemic-induced hiatus to program gentler fare. But with last year’s well-received production of Macbeth, the company indicated it was ready to return to tragic terrain.

During a season backdropped by wildfire, the artistic director was reminded of the potential for the classics to cut through the smoke and reveal eternal truths as the world burns.

Manitoba Opera season features reimagined Scott Joplin work and Puccini classic

Manitoba Opera’s 54th season will feature a once-forgotten masterpiece and a returning classic.

The 2026-27 season opens with the local première of Scott Joplin’s Treemonisha: A Musical Reimagining (Nov. 21, 25, 27) and closes with Madama Butterfly (April 17, 21, 23, 2027), both performed at the Centennial Concert Hall.

Treemonisha was published in 1911 by Scott Joplin, the celebrated African-American pianist and composer often referred to as the King of Ragtime. Set during the Reconstruction era in the United States, the three-act opera focuses on the story of its title character, a young freedwoman, and fuses Western classical music with blues, gospel and ragtime.

The work proved too groundbreaking for the Euro-centric opera establishment and was produced for the first time in 1970, more than 50 years after Joplin’s death. The composer was awarded a Pulitzer Prize posthumously for his contributions to American music.

How Canadian box-office hit ‘Undertone’ got to the screen without public funding

TORONTO - Personal grief, a potentially haunted house and a sound-driven sense of dread helped turn “Undertone” into one of the year’s most unexpected horror hits.

But the biggest twist? The director says he made the film with no government money after his previous work was rejected by Canada’s public film funders.

The Toronto-shot film opened to $9.3 million at the North American box office over the weekend — a scary good debut for a movie made on a $500,000 budget.

For director Ian Tuason, his debut feature’s unlikely path to the big screen is also a quiet critique of how Canadian films get financed.

RWB turns classic 'Sleeping Beauty' fairy tale into waking dream

The Royal Winnipeg Ballet unveiled its dreamy new production The Sleeping Beauty Thursday, with the beloved ballet throwing more sparks than a spray of pixie dust.

Considered one of the pillars of the classical ballet canon, the lushly romantic story ballet features Tchaikovsky’s masterful score. American guest conductor Ming Luke crisply leads the Winnipeg Symphony Orchestra throughout the production, with the maestro officially stepping onto the podium as RWB music director this fall, taking over the baton from outgoing conductor Julian Pellicano.

The Sleeping Beauty, composed of a prologue and three acts, is essentially an archetypal tale of goodness triumphing over evil. Its protagonist, Princess Aurora, is doomed by evil fairy Carabosse to die on her 16th birthday, until the benevolent Lilac Fairy of Wisdom saves the day by switching the curse to a 100-year slumber.

Only a tender kiss by Aurora’s true love, Prince Desire/Florimund, can awaken her, as they all live happily ever after.

Ghosts of pasts faced in spirited Royal MTC production

Under the light of a lakeside moon and its brighter-than-the-city constellations, in the glow of a sacred fire, a portal to awakening opens for three men grieving the loss of their childhood friend in this spirit story, an absorbing, eerie and chill-inducing first play from Norway House’s Rhonda Apetagon.

Next Prairie Theatre Exchange season will capitalize on what works

Five Canadian productions are slated for next season at Prairie Theatre Exchange, a downtown institution that’s in the midst of a post-pandemic bounceback under the leadership of artistic director Ann Hodges and managing director Katie Inverarity.

Midway through their first full seasons at the venerable Portage Place company, Hodges and Inverarity have helped oversee a 59 per cent increase in subscriptions with a 27 per cent leap in single-ticket sales compared to 2024.

So when it came time to program PTE’s 54th season and her second at the helm, Hodges — who inherited the artistic mantle in 2024 from Thomas Morgan Jones — figured she wouldn’t try to fix what’s firing on all cylinders.

Announced Friday, the 2026-27 season will kick off with a trip to the rink for Tracey Power’s Glory, based on the story of the Preston Rivulettes, a women’s hockey team that won 95 per cent of its games over a dominant decade between 1931 and 1940. Set to be directed by Mariam Bernstein, the production (Oct. 13-25) will feature several hockey games choreographed by Victoria Exconde to era-specific swing music directed by Joseph Aragon.

Brandon-based visual artist focuses on precarious labour in series of portraits

What you’ll notice first in the portraits by Lisa Wood on view now at the School of Art Gallery at the University of Manitoba are not the subjects’ faces, but their hands.

Gesticulating hands, reaching hands, hands covering a mouth. Tattooed hands. Hands attached to wrists wrapped with friendship bracelets and smartwatches, tracking thousands of steps logged over hundreds of shifts. Hands that perform labour.

“I love painting hands,” the Brandon-based visual artist says. “I think that when a viewer sees faces, they’re thinking about that particular person, but when a viewer sees hands, they’re personal, but I think that we can connect more or think more about ourselves when we’re seeing somebody else’s hands.”

The paintings are part of a suite of works that compose SHIFT/WORK: Portraits of Precarity, a multimedia research-creation project that shares the experiences of rural Manitobans navigating precarious work — whether that’s insecure, short-term or contract-based employment — created from more than two years of research.

Stars hit Paris runways, but fall’s real trend was dressing for hard times – and real life

PARIS (AP) — The celebrities came first, as they always do at the Paris runways.

After Oprah Winfrey stole the show in the opening stretch of the nine-day week, Naomi Watts and Kai Schreiber were at Balenciaga. Rooney Mara, Diane Kruger, Alexa Chung, Elizabeth Olsen and Yseult turned up at Givenchy.

Sarah Paulson and Tracee Ellis Ross watched Celine. Chappell Roan was at Vivienne Westwood and then at McQueen, where Myha’la and Sophie Thatcher were also there. Chanel was still to come Monday, and Louis Vuitton capping the season Tuesday.

But this week was about more than the front row.