Museum diorama detailing marshland, rye farm decommissioned owing to pest infestation

What was designed as a triumph of taxidermy has instead become a buffet for pests.

Manitoba Museum has been forced to decommission the Delta Marsh and Rye Farm two-part diorama in the Parklands Gallery after discovering the extent of the devastation wrought by mice, clothes moths and beetle larvae. The open-air exhibition, completed in 2003, represents the province’s most important wetlands and the challenges faced by early farmers, including Ukrainian immigrants in the 1920s.

“Pests are a major issue,” says Amelia Fay, the museum’s director of research, collections and exhibitions. “All museums have pests and use discreet pest-management systems, but this specific diorama was particularly vulnerable because of how authentically it was constructed, using real plant materials and organic elements that various types of critters like to consume.”

Pests can enter the museum when the doors open; clothes moths drift in with foot traffic, mice can get in through tiny gaps and dermestid beetles can hitch a ride with visitors or via tiny cracks, laying eggs in areas close to food sources for future larvae.

Expressive power, emotional encounters: A closer look at Rothko’s Brown and Blacks in Reds

WHAT IT IS: Brown and Blacks in Reds, a 1957 painting by American artist Mark Rothko.

This work recently sold for US$85.8 million during a record-setting evening at Sotheby’s auction house, raising vexing questions about what we mean when we talk about the value of art.

WHAT IT’S ABOUT: Brown and Blacks in Reds offers a sombre example of Rothko’s most immediately recognizable period, with stacked blocks of colour vibrating against an intense ground. It is usually classified as a colour field painting, part of the larger abstract-expressionist movement of the 1940s and ’50s. (Rothko himself famously disliked both these terms.)

Mad Men fans might recall a Season 2 episode in which eccentric senior partner Bert Cooper acquires a Rothko painting something like this. (“I heard it cost $10,000,” Sal says.) Some of the younger employees sneak into Cooper’s office to look at it.

Improv co-conspirators reuniting for frenetic weekend comedy blitz

They were still green players developing their comedic compass when Riva Billows and Kristina Guevarra first plied their trade at Kelvin High School.

In 2012, as members of Kelvin Red, the pair zipped into the Clipper tradition of competitive improv at a school whose comedic alumni include theatre performers Nicholas Rice, Caity Curtis and Mariam Bernstein, plus members of the longstanding troupe Outside Joke: Jane Testar, Chadd Henderson, Andrea del Campo and Tobias Hughes first acted together in Fiddler on the Roof.

On Kelvin Red — coached by animator Lukas Conway with teammates such as Toronto-based actor Stevey Hunter, who went on to become a founding member of Halifax improv company Hello City — Billows and Guevarra started out learning to crawl on the groundling floor.

“We were so bad, and then we grew together,” says Guevarra, who moved to Montreal in 2021, where she’s the producer for the Sunday night program at Théâtre Sainte-Catherine, the longest-running English-language improv show in the home of Les Habitants.

A round of a-paws for ‘La Perra,’ winner of the Palm Dog award at Cannes

CANNES, France (AP) — A round of a-paws for “La Perra,” winner of this year’s Palm Dog award at the Cannes Film Festival. The Chilean movie took the top canine prize Friday, a day before the festival's official awards ceremony.

The quirky tradition on the Cannes beachfront was a celebratory affair, packed with journalists, dog lovers and, of course, plenty of dogs. The sound of barking was interspersed with the clink of wine glasses as eager pups posed for the cameras and socialized with their canine pals. It was bone appetit for the animal guests as they were served gourmet doggie snacks and look-alike local pooches stood in for their famous peers to collect awards.

Screening in the Directors' Fortnight sidebar, “La Perra” (Spanish for female dog) follows a solitary woman and her bond with an abandoned puppy, Yuri — named after the famous Mexican pop star.

When director, Dominga Sotomayor, collected the coveted dog collar, she explained that she rescued two very special dogs to play Yuri, from puppy to adulthood.

Theatre Projects Manitoba offers double the theatrics in ambitious new play

A city-based theatre company that’s devoted itself to new Prairie works since 1990 is doubling down on humankind.

Subvert music service prioritizing art over artificial intelligence

With its public launch earlier this month, a digital music marketplace called Subvert aims to live up to its name, directing more power — and more dollars — to recording artists navigating the choppy waters of the streaming wars.

Initially pitched as a collectively owned successor to Bandcamp — a popular sales interface for independent artists — and an alternative to big tech-funded streaming services like Spotify or Apple Music, Subvert (subvert.fm) was already hosting music for purchase by 20,000 artists from 120 countries as of Wednesday afternoon.

Nearly 30 of those artists — including Altona-based pop producer Daggerss, a.k.a. Laura Smith — call Manitoba home.

“To me, the co-op model is really exciting,” says Smith, a former touring member of indie rock stalwarts Said the Whale whose past projects include Rococode, a synthy duo that released music through Winnipeg label Head in the Sand Records in the 2010s. “It gives power to the people and keeps it in the hands of the people instead of us being at the beck and call of a tech company.”

Tribute to composer Ron Paley pays homage to local jazz leader who’s never wavered

When asked how he kept his big band together for so many years, Duke Ellington famously replied, “You simply have to have a gimmick, and the gimmick I use is to pay them money.”

While the remark was made half in jest, it strikes at a central truth: big bands, like orchestras, employ a lot of people and can be central economic drivers for jazz scenes.

All the more important, then, to have a leader like Ron Paley, who also inspires loyalty and admiration.

The nationally celebrated 75-year-old performer, composer, arranger and band leader is celebrated at a tribute concert this Saturday.

Hands-on workshop guides process of making unique, custom silver jewellery

I know things aren’t going well when cracks keep forming on my clay — but not to worry. I’d been paying attention when instructors Jillian Sheedy and Joanne Roberts told me how to deal with this problem.

So I confidently dip my brush into the water and start moistening my clay to smooth it out. Except I’ve added a bit more water than I should have, and now the clay is wet and extremely sticky.

Beside me, Roberts smiles reassuringly.

“It’s a task that requires a little bit of patience,” she says, carefully removing the brush from my hand.

Pair of bird books offer fascinating insight into the avian world

These two newly-released bird books couldn’t be more different. Jackie Morris and Robert Macfarlane’s The Book of Birds is artful and poetic; Louis Lefebvre’s A Bird’s IQ is analytical and academic. Each would make an attractive addition to the libraries of people interested in birds — but not without certain provisos.

The subtitle of The Book of Birds is deceptive — it’s not really a “Field Guide” in the usual sense, too substantial and beautiful to carry along on a bird outing. In hardback with a blue cloth spine and a blue-ribbon page-holder, it’s more like a church song missal than toteable identification helper. It’s best kept inside, protected from wind and weather and damp fingerprints.

The Book of Birds is a follow-up to Morris and Macfarlane’s previous collaboration The Lost Words. When the Oxford Junior Dictionary dropped a bunch of words connected to the natural world (such as acorn, otter, fern, newt and wren), the renowned artist and celebrated author created a “spell book” to conjure back 20 of those words and bring increased awareness of the things the words describe. It proved to be immensely popular.

Here they focus on 49 birds, presented alphabetically from avocet to kestrel to sparrow to yellowhammer, that are in danger of disappearing completely from the natural (European) world. Morris provides the spectacular bird illustrations, and Macfarlane waxes poetic on each of them in the hopes readers will not just identify birds, but “identify with them.”

Shot-in-Manitoba films ready to screen, stream

This has been a big year for film and TV shot in Winnipeg, with fare such as the comedic gangster film Mike & Nick & Nick & Alice topping the streaming charts when it debuted in March on Hulu/Disney+, with more than 300 million views worldwide.

Smaller indie films, such as Johnny Ma’s The Mother and the Bear, and James McLellan and Alexandre (Sasha) Trudeau’s dramatic feature Hair of the Bear also got long-awaited screen time in the first quarter of the year, as did Rhayne Vermette’s experimental feature Levers.

After the Bob Odenkirk thriller Normal becomes available Tuesday, expect more locally shot fare to come to cinemas, or your TV screen, in the months ahead.

Dry Cold Productions co-founder retires after 25 years of onstage merriment

A lifelong contributor to Winnipeg’s musical theatre world is taking a step back from his leadership role with Dry Cold Productions as the company marks its 25th anniversary.

In 2001, Reid Harrison, whose retirement from the role as co-artistic director was announced in December, was sitting at the Charterhouse restaurant with Donna Fletcher and Melanie Whyte commiserating over the city’s seeming reluctance to program work by American musical theatre legend Stephen Sondheim.

“We were just sort of whining,” recalls Harrison, who’s also the general manager of the annual Agassiz Chamber Music Festival.

So the trio decided to do something about it.

Manitoba’s flag: A symbol of shared heritage at 60

On a fair spring afternoon 60 years ago, the Flag of Manitoba made its debut at the provincial legislature. In what the Winnipeg Free Press called an “impressive ceremony,” then-lieutenant-governor Richard Bowles formally proclaimed the new provincial flag on May 12, 1966.

Some Japanese snack packages are turning black-and-white as Iran war depletes ink supply

TOKYO (AP) — The packaging on some snacks in Japan is turning a somber black-and-white, as the war in Iran disrupts the supply of an ingredient used in colored ink.

Tokyo-based Calbee Inc., which makes potato chips and cereal, said what’s inside remains the same. Calbee's popular snacks are available in Japan's ubiquitous convenience stores and shipped to the United States, China and Australia.

“This measure is intended to help maintain a stable supply of products,” it said in a statement this week.

The change on 14 products in its lineup will start May 25, limiting ink colors to just two, the company said, noting it was necessary to respond flexibly to changing geopolitical conditions.

Fausses histoires, vrais liens

Ce vendredi 1er mai, la finale de la 35e saison de la Ligue d’improvisation du Manitoba (LIM) a fait salle comble une fois de plus au Centre culturel franco-manitobain.

Pour la troisième année consécutive, c’est l’équipe des Verts — Roger Durand, Eric Plamondon, Gilles Lessard, Alexandre McMurray, Avery Wolchuk, Léanne Marchildon, Zara Ramlal — menée par Mathieu Jubinville, qui a soulevé la Coupe Canot après l’avoir emporté sur les Jaunes — Alexandre Normandeau, Dominique Wyrchowny, Jacques de Moissac, Josée Roy, Lynne Connelly, Stéphane Grégoire, Stéphanie Morin-Robert — de Maryse Gagné au terme d’un match très serré.

Pour celles et ceux qui ignorent en quoi consiste un match de LIM, imaginez deux équipes qui partagent une même scène et qui s’affrontent ou collaborent parfois sur un thème donné pour raconter l’histoire la plus drôle possible.

Mathieu Jubinville, capitaine de l’équipe gagnante, donne l’exemple suivant: surveillance de voisinage.

New craft exhibition gives artists licence to lighten up

Textile artist and Manitoba Craft Council program co-ordinator Katrina Craig had a simple brief for the artists taking part in her curatorial debut, Serious Play, at C2 Centre for Craft: each person was asked to investigate the radical potential of play when making pieces for the show.

The four local interdisciplinary artists — Charlotte Sigurdson, Candace Neumann, Maureen Winnicki Lyons and Miriam Delos Santos — took her playful instructions seriously.

“Culturally, we think of play as frivolous or irrelevant. It’s a low priority,” Craig, 35, says. “But I think of play as an essential part of creating new things and of problem-solving. I’ve found that when I lean into that not-so-serious side of myself, good things tend to come about.”

The theme is especially pertinent in the field of craft, which can often be more intensely focused on rigorous skill-building and technical mastery. Sometimes playfulness can fall to the wayside in the pursuit of excellence

Movie review: Talking-sheep comedy pokes affectionate fun at mystery genre

There’s a certain kind of little British film that wants very much to be sweet and charming.

It’s a tricky genre. When it’s forced, sweetness can easily become sugary, charming can tip over into twee.

This all-ages talking-sheep comedy-mystery gets it right. With a lot of Babe sincerity and a smidge of Knives Out self-awareness, The Sheep Detectives is cosy but never complacent.

Using a deft blend of live-action and CGI animation, the story starts with George (Hugh Jackman), a shepherd who tends his flock just outside Denbrook, a picture-perfect village with thatched roofs, half-timbered walls and a mossy churchyard.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

Met gala guests deliver works of art on the human form

New York (AP) — Whether dressed in a jewel-encrusted skeletal form, sculpted breast plates or anatomy-evoking trompe l’oeil, Met Gala guests physically evoked the theme “fashion is art” Monday evening as they masterfully pulled from a kaleidoscope of references to embody living works of art.

“Everyone who attended the Met Gala this year really leaned into fashion is art, using your body as a canvas, and that really came across in some of the best-dressed looks of the night,” said Kevin Huynh, fashion director of InStyle.

Fashionable A-listers gave into the theme and had fun with it. First-time Met Gala attendees included actors Chase Infiniti and Hudson Williams, as well as Olympian Alysa Liu, all of whom commanded the carpet in dramatic ensembles. Infiniti, for example, donned an enchanting Thom Browne sequined gown using trompe l’oeil to depict the female form.

Meanwhile, Met Gala mega stars and repeat attendees rose to the occasion: Vogue red-carpet correspondent Emma Chamberlain playfully dressed in a dramatic long-sleeved gown that appeared dipped in a rainbow of color from indigo to the brightest yellow-gold. And after 10 years of skipping the Gala, Beyoncé arrived to reclaim her throne, wearing a glittering crown and radiant Olivier Rousteing silver gown designed in the shape of a skeleton.

Stars on Ice skaters embrace high fashion with designer dresses

If anyone knows how to make a statement, it’s Canadian Olympian Deanna Stellato-Dudek.

Not only did the 42-year-old make history in February as the oldest female figure skater to compete at the Olympic Games in almost a century, Oscar de la Renta dressed her for the occasion — in Milan, Italy, one of the great fashion capitals of the world.

“I think a partnership between haute couture and figure skating is a match made in heaven,” says Stellato-Dudek, who won three Canadian titles and the 2024 world championship with pairs partner Maxime Deschamps.

Her collaboration with the New York fashion house marked the luxury brand’s first foray into figure skating costume design.

RMTC's Rubaboo: A Métis Cabaret is a musical mélange of jazz, folk, roots

You’ve probably had sirop d’érable and pemmican, but have you tried rubaboo?

A scoop of peas or corn, a dash of flour and onions, bison meat if you have it, a maple syrup garnish — and suddenly you’re cooking with bear grease (which you shouldn’t forget to add, either).

In a pinch, you might substitute grouse for bison meat, and throw in some extra turnip and parsnip plus wild vegetables to thicken your rubaboo stew.

Cooking and fusion metaphors are never far from how we talk about cultural blending, but in Canada, we’ve tended to resist America’s more assimilationist image of the melting pot. Instead, we talk of mosaics, or sometimes salad bowls, to emphasize eclecticism.

Winnipeg photographer captures striking stills that market major motion pictures

Eric Zachanowich is the most famous photographer you’ve probably never heard of.

He’s worked with Tinseltown heavyweights such as the late Robert Redford, Ralph Fiennes, Laura Linney, Woody Harrelson and Anya Taylor-Joy, and even appeared in Dwayne (The Rock) Johnson’s wrestling biopic The Smashing Machine, disguised as, you guessed it, a photographer.

“It was for one of the opening scenes so I could shoot Dwayne Johnson walking to the ring. I made the final cut of the movie — although it’s hard to place me — and also got a spectacular photo that was used heavily during marketing,” says Zachanowich, 32.

More often than not, he operates as a silent observer on the sets of cinema blockbusters and prestige television dramas alike, his lens capturing the world’s biggest A-listers at their most vulnerable and intense moments.

Wordless puppet show explores father-daughter ties

Having a parent who travels for work is a challenge for any child, but whenever Shizuka Kai’s father left on a voyage to capture elusive footage of white wolves and kodiaks, there was an element of danger that didn’t exist for other children.

“I would say I kind of grew up with my dad telling us that he actually might not come home,” says Kai, a Vancouver-based puppet maker and theatre artist. “A moment I vaguely remember as a kid was when he sat us down and explained the life-insurance process because (he) might actually get attacked and eaten by a bear, and that’s the reality of this project (he was) doing.”

That reality is put through a puppeteer’s lens in Otosan, the closing production of the 2025-2026 season at the Manitoba Theatre for Young People.

Based on Kai’s experiences growing up as the child of a dogged wildlife videographer, combined with memories from a joint trip to Alaska in Kai’s early 20s, Otosan — on to May 17 — is told in a wordless tabletop puppet show featuring lifelike renderings of father, daughter, grizzly bear and snowy owl.

Stirring oratorio pays homage to Indigenous veterans

‘My war wasn’t in Europe. My war was when I came back to Canada and I couldn’t vote until 1962,” says composer Andrew Balfour. He’s paraphrasing a quote by an Indigenous veteran and the inspiration for his oratorio notinikew (i went to war).

Manitoba summit to explore solutions to chronic truancy

Winnipeg teachers are cutting class on Thursday to strategize how to improve student attendance and remove barriers so more children show up for lessons on a regular basis.