Play serves as prism for different politics, histories

If you can’t make it to opening night for the latest production from Theatre Projects Manitoba, don’t fret: there are five premières for The Only Good Indian, with each solo performance vastly different from the next.

Winnipeg Jewish Theatre’s therapy-set two-hander plays with reality

The public and private perils of online engagement crash through the screen and into a therapist’s office in Job, a nervy drama that explores the power of posts and the ethical responsibilities inherent to our respective postings.

Written by New York’s Max Wolf Friedlich and directed by Calgary’s Jack Grinhaus, the opening production of the Winnipeg Jewish Theatre’s season heads to the races with the brandishing of a starter’s gun in the warped offices of Bay Area psychotherapist Lloyd (Dov Mickelson).

Lloyd’s description of his typical patient — young people who are “hopeless and beyond help” — isn’t exactly inspirational.

Blundstone-booted Jane (Jada Rifkin) seems to have made the cut, having been placed on paid administrative leave after a viral meltdown by her employer, an unnamed tech giant on whose campus she’s enrolled as an adjudicator.

Researchers solve decades-old color mystery in iconic Jackson Pollock painting

NEW YORK (AP) — Scientists have identified the origins of the blue color in one of Jackson Pollock's paintings with a little help from chemistry, confirming for the first time that the abstract expressionist used a vibrant, synthetic pigment known as manganese blue.

“Number 1A, 1948,” showcases Pollock's classic style: paint has been dripped and splattered across the canvas, creating a vivid, multicolored work. Pollock even gave the piece a personal touch, adding his handprints near the top.

The painting, currently on display at the Museum of Modern Art in New York, is almost 9 feet (2.7 meters) wide. Scientists had previously characterized the reds and yellows splattered across the canvas, but the source of the rich turquoise blue proved elusive.

In a new study, researchers took scrapings of the blue paint and used lasers to scatter light and measure how the paint's molecules vibrated. That gave them a unique chemical fingerprint for the color, which they pinpointed as manganese blue.

A Lebanese dancer defies extremist threats and social norms with his sold-out performances

BEIRUT (AP) — Alexandre Paulikevitch put on his white dress and wig and danced his way to center stage, knowing that the extremist groups who had threatened him before his controversial recital might be waiting for him outside the theater.

The Lebanese dancer’s sold-out performance to a cheering crowd at a popular Beirut venue had angered fundamentalist movements ranging from the right-wing Christian Soldiers of God to Sunni Islamists.

The fundamentalists say Paulikevitch is “promoting homosexuality" because he wears dresses and corsets and undulates to classical Arabic music in a way which society largely sees as exclusive to women.

Paulikevitch says he’s breaking social norms and reintroducing forms of dance that were commonplace for men as recently as the early 20th century.

Offhand insult in 2003 gave rise to the Banjo Bowl — one of CFL's most-colourful and enduring rivalries

It was the verbal shot heard ’round the world. Or at least, across a pair of Prairie provinces.

Canadian Football League fans in Manitoba and Saskatchewan are well familiar with the origin of the Banjo Bowl, the annual tilt that pits the host Winnipeg Blue Bombers against their principal rival, the Saskatchewan Roughriders.

Followers of both teams can tell you that the match evolved out of a comment uttered by former Bombers placekicker Troy Westwood in September 2003, when he sarcastically referred to Saskatchewaners (Saskatchewanites? Saskatchewians?) as “banjo-picking inbreds.”

Then, how he doubled down on that jibe a few weeks later when, at a scheduled news conference, he told members of the media that he had misspoken, as “the vast majority of the people in Saskatchewan have no idea how to play the banjo.” (For the record, Westwood’s mom was born in the Land of the Living Skies, and his aunts and grandmother were living there when he was spouting off.)

Ryan Reynolds suggests swapping phones with a MAGA supporter, checking out their algorithm

TORONTO - Ryan Reynolds says mounting tensions between Canada and the U.S. haven't changed anything for him as a Canuck in Hollywood.

The "Deadpool" star preached unity during an onstage conversation at the Toronto International Film Festival, when chief programming officer Anita Lee asked him what it was like being a Canadian in Los Angeles during this "elbows up" era of increased nationalism.

In a nearly five-minute answer to the question, Reynolds said he's always held Canadian values, including conflict resolution, and he seeks "to learn, rather than win."

Reynolds is at TIFF to promote the new documentary "John Candy: I Like Me," which he produced.

Hotel-weary evacuees guests at powwow

SIOUX VALLEY DAKOTA NATION — Evacuees displaced from their communities in northern Manitoba were invited to Sioux Valley Dakota Nation on Friday for what the chief called a mental health day.

A hundred people were at the afternoon event when the Brandon Sun visited.

The event, which included live music, games and children’s entertainment, was a way to give a day of fresh air to evacuees, Chief Vince Tacan said.

“We thought we’d give our relatives from the north a mental health day, because staying in hotels gets hard after a while,” Tacan said.

‘You’re planting your brand flag’: The power of brand building in the women’s sports boom

On a cold day in the beginning of 2024, Alastair Merry and Mary Lou Bunn had a few questions for a public librarian in Ottawa, Ontario.

“If you could describe Ottawa and what it means to you in a couple words, how would you do it?” they asked. “What do you think of the spirit of the city?”

Merry and Bunn, along with the design firm Flower Shop that they co-founded, were hired by the then newly minted Professional Women’s Hockey League to create the nicknames and logos for the league’s inaugural six teams. They were traveling around North America to figure out what made those six cities tick.

As the ever-growing crop of new women’s leagues — at least eight have launched in the past three years — all aim for longevity, one of the cornerstones of any sustainable foundation is team branding. It encompasses everything from the nicknames to the color schemes and logos, and the PWHL has set a high bar there that other up-and-comers would love to emulate.

Green chemist and musician on fighting climate change

There’s no shortage of doom and gloom associated with the words “climate change” these days. As a result, many people are stressed out and feeling helpless.

Particularly concerning is that, more than ever, younger people are experiencing considerable distress with environmental anxiety, also known as eco-anxiety or climate anxiety. The Journal of Mental Health and Climate Change, an open-access publication that features interdisciplinary scientific research on mental health and climate change, continues to write extensively on this subject.

While prominent environmental activists, including well-known science broadcaster David Suzuki, paint a bleak picture of the future, many other professionals in various fields are working tirelessly to educate, inspire and fight the good fight for the next generations.

Born and raised in Lynn Lake, Man., Devin Latimer is one of those professionals. The faculty member in chemistry at the University of Winnipeg is also a long-time musician, bass player with local band Leaf Rapids and the Juno award-winning Nathan Music Co.

Graphic novelist to lead free workshop for aspiring artists

Jonathan Dyck’s most monumental piece of advice? Start small.

Mass tourism a modern ill

When I went to Paris in 2012, I skipped the Louvre. Sacré bleu!

‘She’s all of us’: mural illustrates ties between Winnipeg and grateful Ukrainian newcomers

Blue and yellow ribbons wrapping around the city’s skyline show the deep connection between Ukraine and Manitoba in a new mural.

Take Pride Winnipeg, a downtown non-profit that seeks to clean up and inspire civic pride, unveiled its newest mural, titled “Pray for Ukraine” in the Exchange District on Monday.

It pictures a Ukrainian woman in traditional clothing stoically gazing into the distance as butterflies and a dove — which symbolize hope, peace and rebirth — flutter around the Esplanade Riel and Canadian Museum for Human Rights.

The installation at Exchange District BIZ at 492 Main St. was painted by Jennifer Mosienko, who’s worked on more than 40 murals across the city.

In Marseille, a shadow becomes art in Banksy’s latest street mural

MARSEILLE, France (AP) — The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: “I want to be what you saw in me.”

Banksy had struck again.

On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille’s 7th arrondissement, near the sea.

Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look.

Dive-bombed or not, Vancouverites are still pro-crow, researchers say

VANCOUVER - Along her journey towards understanding Vancouver's crows, psychology professor Suzanne MacDonald says she made a friend.

It's a crow that brings her gifts after she set up a bird feeder at her home in the neighbourhood of Kitsilano.

Once, it was a barnacle-covered shell, which MacDonald treasures. Other times, it was "bits of garbage" that MacDonald doesn't fancy much, though she "appreciates the sentiment."

"I think he definitely recognizes me. When other people go out on my patio, he doesn't come to them. He knows me," said MacDonald.

Big Ocean breaks new ground as K-pop’s first deaf group

SEOUL, South Korea (AP) — Big Ocean, a three-member K-pop group composed entirely of artists with hearing disabilities, is redefining the limits of music and performance — one beat at a time.

When Big Ocean takes the stage, they seamlessly incorporate sign language into their performances. But their polished shows are built on extensive preparation using high-tech tools born from necessity — vibrating smartwatches that pulse with musical beats and LED visual metronomes that flash timing cues during practice sessions. This technological approach represents significant progress in South Korea’s entertainment industry, where career opportunities for people with disabilities have historically been limited.

The trio, PJ, Jiseok and Chanyeon, made their debut in April 2024 and recently wrapped a solo European tour marking their first anniversary. The band performed in four countries, including France and the U.K., while promoting their second mini-album, “Underwater,” which dropped on April 20.

PJ rose to prominence as a YouTuber who educated viewers about hearing disabilities. Chanyeon previously worked as an audiologist. Jiseok was a professional ski racer.

First solo show in WAG-Qaumajuq’s flagship Qilak gallery

Since his last gallery show in Winnipeg, Abraham Anghik Ruben’s focus has shifted from introspection to cross-cultural exploration.

That personal and artistic arc is currently on display at WAG-Qaumajuq in a sprawling retrospective of the master Inuit sculptor’s 50-year career.

It’s a fitting full-circle reunion.

The Winnipeg Art Gallery hosted Ruben’s first solo show at a major institution in 2001 and now, nearly 25 years later, the artist’s work is featured in the first solo exhibit in Qaumajuq’s main Qilak gallery.

Échos croisés: le projet des sœurs Rezaei

L’exposition Échos croisés, proposée par Mancy et Farzaneh Rezaei a pris place, le 27 mars dernier, dans la galerie contemporaine de la maison des artistes visuels francophones.

Dans l’art comme dans la vie, Farzaneh et Mancy sont sœurs. Basées aujourd’hui à Montréal, les deux artistes sont originaires d’Iran. “Nous nous sommes installées au Canada il y a 11 ans,” explique Farzaneh, tout en précisant que ce choix fut motivé par l’envie de découvrir d’autres arts et d’avoir de nouvelles inspirations. C’est la quatrième fois que les deux artistes exposent en duo. Un tandem artistique qui existe depuis toujours, et qui a commencé à présenter leurs œuvres ensemble en 2018.

À travers “Échos croisés,” les sœurs offrent des propositions aussi différentes que complémentaires. C’est la première fois que les deux artistes, en parallèle de leur métier de médiatrices au Musée des beaux-arts de Montréal, exposent en dehors du Québec. Dans cette exposition, elles explorent le féminisme et la migration, des thématiques auxquelles elles ont pu être confrontées dans leurs parcours personnels. L’exposition composée d’une trentaine d’œuvres est ouverte aux visiteurs jusqu’au 10 mai.

Corps féminin

Runway show focuses on treasures, not trash

Some of Manitoba’s best-known public figures — including radio host Ace Burpee, activist Mitch Bourbonniere and politician Nahanni Fontaine — walk the catwalk in a fashion show at 109 Higgins Ave. tonight.

Impro: Une finale époustouflante

La finale de la Ligue d’improvisation du secondaire tellement époustouflante (LISTE) de la Division scolaire franco-manitobaine s’est déroulée dans une ambiance festive le 18 mars dernier. Une soirée qui a vu l’équipe La verdure violente du Collège Louis-Riel l’emporter au bout de deux heures de match.

Comme à l’accoutumée, la compétition s’est tenue dans la bonne humeur au Centre culturel franco-manitobain (CCFM), dans la salle Pauline-Boutal.

Les gradins étaient remplis de parents, frères, sœurs et amis venus soutenir leurs participants favoris.

L’équipe Citrus improbus (maillot rouge) du Centre scolaire Léo-Rémillard entraînée par Roger Durand a affronté l’équipe La verdure violente (maillot vert) du Collège Louis-Riel, entraînée par Carine Roy. À l’issue de la soirée, l’équipe Piste de chameau, de l’école Pointe-des-Chênes, s’est aussi vu remettre le prix spécial époustouflant qui récompense leur esprit sportif.

Une exposition gourmande ouvre ses portes au CCFM

La galerie d’art du Centre culturel franco-manitobain accueille une nouvelle exposition consacrée à la céramique mystérieusement intitulée Rester sur sa faim. L’artiste Solange Roy y présente des créations gourmandes dès le 20 mars.

À seulement 24 ans, la jeune artiste originaire de Winnipeg expose pour la première fois en solo son travail autour de la céramique.

Et pour ce faire, la nouvelle exposition de la galerie d’art du CCFM prend le nom intriguant suivant Rester sur sa faim… Ici Solange Roy y explore sa relation avec la nourriture, un sujet qui la touche personnellement.

“Cette exposition représente ma relation compliquée avec la nourriture. Cela me touche car ce n’est jamais une relation parfaite, particulièrement pour les femmes j’ai l’impression,” explique-t-elle à propos d’un trouble de l’alimentation développé pendant son enfance.

Le logo d’un francophile de cœur

Originaire du quartier Tyndall Park à Winnipeg, c’est pourtant à Saint-Boniface que l’anglophone Jonato Dalayoan a choisi de s’installer il y a 22 ans. “C’était mon premier domicile, et depuis je suis toujours resté ici avec ma femme et mes enfants.”

Lui-même d’origine philippine, et sa femme germano-philippine, ils ont pleinement embrassé Saint-Boniface, sa culture francophone, et bien sûr son Festival du Voyageur. “Mes enfants vont à l’école d’immersion française et parlent couramment le français, affirme-t-il avec fierté. Je les appelle mes francopinos! En fait, ils parlent très bien le français mais pas du tout le filipino.”

Le Festival du Voyageur, la famille Dalayoan y a donc passé de nombreuses journées à travers les années. Jonato Dalayoan raconte: “Je vis proche du parc Provencher et je me souviens que dans mes premières années à Saint-Boniface, il y avait des sculptures de neige du Festival dans le parc Provencher. C’était toujours quelque chose que j’avais très hâte d’aller voir.

“Aujourd’hui, on va souvent au parc du Voyageur avec les enfants. Le Festival a beaucoup changé dans les cinq à dix dernières années, il y a beaucoup de nouvelles activités, de nouveaux spectacles, de nouvelles musiques, c’était vraiment cool pour toute la famille!”

Quand les émotions se dégagent des formes et des couleurs

L’artiste peintre Xavier Mutshipayi présente pour la première fois ses créations dans l’exposition Nouveaux Horizons à la galerie d’art du Centre culturel franco-manitobain (CCFM).

Il s’agit de la troisième présentation solo du peintre originaire du Congo. L’occasion pour lui de présenter une nouvelle facette de son travail. En effet, si Xavier Mutshipayi est plutôt connu pour son style réaliste, ses créations évoluent ici vers l’art abstrait et l’impressionnisme.

La galerie du CCFM accueille environ une dizaine de tableaux dont la majorité ont été conçus pour l’évènement. Parmi eux, quatre toiles arborent un style abstrait tandis que quatre autres reprennent les codes du mouvement impressionniste. Cette évolution artistique s’est développée au fil des années pour Xavier Mutshipayi.

“Comme pour l’homme, l’artiste grandit et change avec le temps. L’endroit où j’habite et mon parcours de vie m’inspirent dans mes créations. C’est pourquoi il y a beaucoup de portraits dans mes œuvres. À force de travailler, j’ai développé un style, une patte.”

Louis-José Houde fait un retour attendu à Winnipeg

Il en avait fait la promesse en 2019. Six ans plus tard, et une pandémie passés par là, l’humoriste sera de nouveau sur la scène de la salle Pauline-Boutal le 26 janvier au CCFM.

Normalement, ce retour dans la capitale manitobaine aurait dû se faire plus tôt que ça.

“En 2019, le spectacle avait été tellement agréable que vers la fin, encore sur la scène, j’avais déclaré que je reviendrais. Mon producteur l’apprenait au même moment. [rires] Donc, on avait pris rendez-vous pour avril ou mai 2020, et ce n’était pas arrivé …”

L’humoriste québécois se souvient notamment dans l’ambiance et de l’atmosphère qui régnait dans la salle Pauline-Boutal. “J’avais beaucoup aimé cette salle-là de par sa configuration. On n’a pas de salle comme ça à Montréal, il n’y a pas vraiment de scène dans mon souvenir. On est comme sur un plancher, avec le public en demi-lune. Pour l’humour, c’est extrêmement efficace, on entendait vraiment bien les rires. Je me sentais très proche des gens.”