Windfall eases angst over later-life partnership

Kinder, gentler drug crackdown finds support, tempered expectations in Main Street area

Drawing a lighter from his pocket, a shirtless man perched on a concrete wall outside United Way Winnipeg’s Main Street headquarters heats a substance in a glass pipe and moves the tube toward his mouth.

Survival guide offers a frightening perspective on life in U.S. prisons

Canadian criminal sentencing guidelines identify “three traditional utilitarian goals — deterrence … incapacitation and rehabilitation.”

In spite of lofty intentions, fiction and film have identified North American incarceration in general as largely negative, incapacitating most inmates only while they are actually behind bars. Prison often leads to more crime, teaching criminal behaviour.

Tom Nelson spent more than 17 years in medium and maximum security facilities in the U.S. for such pasttimes as auto theft, armed robbery and drug dealing. Then he turned that life of crime around and became a successful physical trainer and gym owner in Los Angeles.

Nelson met and formed a friendship with Taylor Sheridan, creator and writer of such series as Yellowstone, Landman and the prequels 1883 and 1923. When COVID devastated the gym business and Nelson’s health was failing, Sheridan suggested turning Nelson’s attempt at a screenplay about prison life into a book.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.

Israel: the new political divide?

Abdul won and Avi is thrilled.

Federal NDP Leader Avi Lewis emerged from electoral hiding to tell us how it is “exhilarating to witness” a “wave of progressive populism” in the United States. He was referring to the upset winner of Tuesday’s heavily-watched Michigan Senate primary race, Abdul El-Sayed, who barely prevailed over his establishment opponent for the Democratic nomination.

Premier Wab Kinew’s favourite New Democrat (after himself) steadfastly hesitates to take a risk and run for a House of Commons seat in a byelection to kickstart Canada’s version of progressive populism. No hesitation, though, in Lewis immediately basking in the reflected glory of those international comrades and fellow travellers who do.

Writing about the state of Canada’s New Democrats feels like a hate crime — you hate wasting your time — and this is no exception. A better story is what’s driving this modest but undeniable political movement in U.S. politics and whether it might gain traction here in Canada.