Use summer’s hard truth to mend your heart

World-touring rock star comes home for street-naming

Memories of burning Wayne Gretzky rookie cards while biking up and down Bellavista Crescent came flooding back to Brent Fitz on Friday morning as the local rocker revisited his childhood neighbourhood for a street-naming ceremony in his honour.

Bellavista Crescent has been given the honorary name Brent Fitz Way to celebrate the prolific Winnipeg musician, who has played drums and keyboards alongside such rock legends as Slash, Alice Cooper, Ozzy Osbourne, Gene Simmons and Vince Neil.

“Having this location now officially geotagged, it’s incredible. But it’s geotagged attached to people and friends and family,” Fitz said to a crowd of supporters gathered at the corner of Bellavista and Voyageur Avenue.

The Toque and Streetheart member said growing up in the community is where he learned how to connect with people, which led him to form countless relationships that would change the course of his life.

Livestreamed mental-health meltdown underscores medium’s disturbing decline

On Tuesday evening, a well-known celebrity blogger, best known by the nom de plume Perez Hilton, opened up his TikTok account and began a livestream from his Miami home. What unfolded over the next 30 minutes horrified all who witnessed it — and should force the rest of us to take a very sober look at the ways social media can harm.

Champion curler Meleschuk never lost his passion for the game

At the height of his curling career, Orest Meleschuk balanced ferocity and finesse like almost no one else.

The Winnipeg product was a fierce competitor skilful enough to thread a rock through a window and find the button.

Known as “The Big O,” he curled competitively for over six decades, finding success at the local, provincial, national and global level, and his longevity on the pebble was notable before lengthy careers became the norm.

Meleschuk is still tied with his good friend John Usackis for the most appearances in the Manitoba men’s provincial playdowns, at 30.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.