High score: Winnipeg Video Game Orchestra goes from joysticks to drumsticks

There is, evidently, a lot of crossover between band nerds and video game enthusiasts.

The Winnipeg Video Game Orchestra has levelled up at an impressive pace, attracting about 70 like-minded players since forming earlier this spring.

The ensemble is set to perform its first major concert at Jubilee Place on Friday featuring background music from Sonic the Hedgehog, Kirby, The Legend of Zelda and other well-known games.

“We grew very, very quickly,” says director Dann Bjornson, who isn’t entirely surprised by the overwhelming local interest.

Artificial art a threat to human creativity

Thinking of Drew Struzan’s art — magic, really — in hand-drawn film posters, it’s hard not to think that this particular form will be another casualty of artificial intelligence, another art form reduced to cheap slop.

Travelling sign painter finds his groove on the move

For someone whose writing appears all over the city, Joseph Pilapil’s penmanship isn’t the best.

You’ve probably seen his meticulously formed letters above store entrances, on shop windows and decorating sandwich boards all across the city.

But when it comes to writing on paper, well, the less said the better.

“My handwriting is terrible. When I am writing out my day-to-day stuff, it’s absolutely really bad,” he says, with a laugh.

La créativité franco-manitobaine rayonne: Anna Binta Diallo expose à travers le pays

En 2025, l’artiste visuelle franco-manitobaine Anna Binta Diallo connaît une année charnière. De Vancouver à Toronto, en passant par Edmonton et Winnipeg, ses expositions se succèdent, confirmant la place qu’elle occupe désormais parmi les figures majeures de la scène artistique canadienne contemporaine.

Née à Dakar, Sénégal, en 1983 et élevée à Saint-Boniface, Anna Binta Diallo tisse depuis toujours des liens entre les continents et les mémoires. Ses œuvres explorent les intersections entre identité, nostalgie et nature, dans un langage visuel qui conjugue collage, vidéo, graphisme et sculpture.

“Le collage est depuis longtemps au cœur de ma démarche,” confie-t-elle. “J’aime réagencer des images anciennes, des sons, des fragments d’archives pour construire de nouveaux récits.”

L’artiste collecte cartes, livres et photos qu’elle transforme en compositions hybrides, à la croisée du passé et du futur.

Forum Art Centre and the art of neighbourhood life

Most mornings when I step outside my door at Philips Square, I look across the street and see something that makes me quietly grateful to live where I do. It isn’t just the park or skyline view — it’s the steady rhythm of people coming and going through the doors of the Forum Art Centre at the corner of Eugenie Street and Taché Avenue.

Rosa Parks and Helen Keller statues unveiled at the Alabama Capitol

MONTGOMERY, Ala. (AP) — Statues of Rosa Parks and Helen Keller, pivotal figures who fought for justice and inspired change across the world, were unveiled Friday on the grounds of the Alabama Capitol.

The monuments honoring the Alabama natives whose advocacy helped dismantle racial segregation and promoted the rights of people with disabilities are the first statues of women to be installed on the lawn of the Alabama Capitol, broadening the history reflected on the grounds that also include tributes to the Confederacy, which was formed at the site in 1861.

Gov. Kay Ivey, currently the nation's longest serving female governor, said Parks and Keller “rose to shape history through quiet strength and unwavering conviction.”

“Courage changes the course of history, and today, these statutes stand as symbols of that courage — testaments to what one person, especially one determined one, can do to make the world a better place,” Ivey said.

Hommage vivant à une pionnière du théâtre franco-manitobain

Du 22 octobre au 1er novembre 2025, le Théâtre Cercle Molière donnera vie à la figure emblématique de la francophonie manitobaine, Pauline Boutal.

Pour le centenaire du TCM, l’ancienne direction a choisi d’inaugurer sa saison avec la programmation d’une pièce “100 % Manitoba,” comme le dit Marie-Ève Fontaine, nouvelle directrice artistique et co-directrice générale de l’établissement.

Il s’agit de Pauline Boutal, entre les toiles et les planches, œuvre de théâtre écrite par l’une des plus importantes figures de la littérature franco-canadienne de l’Ouest actuelle, Lise Gaboury-Diallo, et mise en scène par Simon Miron, également franco-manitobain.

Le spectacle retrace en deux actes les faits saillants de la vie de Pauline Le Goff Boutal (1894-1992), illustratrice, artiste-peintre, costumière, comédienne, metteuse en scène et première directrice artistique du TCM, qu’elle a dirigé pendant 27 ans.

The Orange Notebooks navigate love, longing and a quest for a lost child

He turned. He looked back, precisely when he seemed to have the cosmic solution in his hands — and that was his terrible undoing. That was Orpheus’s mistake.

Susanna Crossman reimagines turning and looking back here, in a kind of experiment in genre. The Orange Notebooks is an adventure story, to be sure, but it is also part aching memoir, part lyrical poetry, part polychromatic kaleidoscope, part surreptitious “found footage” but, most thoroughly, part primordial myth.

Crossman seems to dwell, as her writing does, between worlds. She grew up in the U.K. in a “utopian commune” about 50 years ago but now resides in France, writing (both essays and fiction), lecturing and practising arts therapy. Her 2024 memoir, Home Is Where We Start, set a lingering tone of journeys, nostalgia and psychological reflection.

The Orange Notebooks reprises that tone, beginning with the pretense that we are being handed a set of journal reflections written by our protagonist, “Anna,” who herself lives in liminal spaces. She too was raised in England but grew to adulthood as a server on an English Channel ferry, married a dashing Frenchman with an exotic name, Antton (the two Ts a vestige of his Basque heritage) and eventually settled with Antton in a lovely rural French home, both as teachers.

Thousands mark Truth and Reconcilation Day

As a sea of thousands clad in orange waited, Helen George braids her son’s long, straight hair.

They’re at the RBC Convention Centre, preparing for the grand entry ceremonies hosted by the Southern Chiefs’ Organization to mark the fifth annual National Day for Truth and Reconciliation Tuesday afternoon.

Originally from Ochapowace Cree Nation in Saskatchewan but living in Winnipeg, George is helping her son, Houston, get dressed for the upcoming powwow. For her, seeing so many families coming together to recognize the impact of the residential school system and celebrate Indigenous resilience is touching.

“It’s meaningful,” she said.

Croft Music plays finale after century-plus in business

A 110-year-old music instrument business has concluded its coda.

On Saturday, Ian Crowson closed the doors for good on Croft Music and began his retirement. The company specialized in selling and renting string instruments — particularly violins — and sold accessories and sheet music.

For the last 23 years, Croft Music worked in tandem with Violins by Anton, a one-man business operated by luthier Anton Domozhyrov. Crowson rented instruments and Domozhyrov repaired them out of the same location at 833 Henderson Hwy. Domozhyrov will continue running Violins by Anton in the building.

Crowson announced his retirement on Facebook at the end of May, writing that he would finish his career shortly after his 72nd birthday in September.

Misguided dramedy not great

Making her directorial debut, actor Scarlett Johansson (whose movies range from Lost in Translation to The Avengers) has chosen a small human story that is enormously well-intentioned.

But as the central character in this awkward, uneven dramedy proves, good intentions can have disastrous consequences. Attempting to make a much-needed statement about our contemporary culture’s difficulty in dealing with age, grief and loneliness, Eleanor the Great misfires, sometimes badly.

There are things that work. As we often see in projects by actors-turned-directors, the film’s core strength comes from its performances, especially that of 95-year-old June Squibb, a veteran actress who has a long list of supporting work in such movies as Nebraska and About Schmidt and recently received star billing in 2024’s Thelma. Here she takes the title role of Eleanor Morgenstein, a cranky, critical but compassionate senior.

As the story opens, Eleanor is living in Florida with Bessie (Rita Zohar). After the deaths of their husbands, the two old friends have been looking after each other. When Bessie wakes from nightmares rising out of her experiences during the Holocaust — a story she has never related, even to her own family — she and Eleanor sit at the kitchen table and talk it through.

Local filmmaker’s lo-fi feature packs a punch

It feels right that this low-budget, lo-fi experimental feature should be showing as part of We’re Still Here, a slate of programming that marks 50 resilient and resourceful years of the Winnipeg Film Group.

Music Go Round gears up for Canadian grand opening

Keith Dixon has fond memories of learning to play his sister’s guitar in 2005. Three years later, he acquired an axe of his own — a Gibson Les Paul with a cherry sunburst finish.

Indigenous stories given wings by peers, playwrights

Six Indigenous storytellers are sharing new works with local audiences this week through Royal Manitoba Theatre Centre’s Pimootayowin: A Festival of New Work.

Winnipegger’s artwork chosen for Walmart’s national Orange Shirt offering

As she walked into the Unicity Walmart department store, Indigenous artist Brooklyn Rudolph-Nicholas felt her excitement levels rising.

She headed towards the racks of instantly recognizable orange T-shirts, smiling as she glimpsed the familiar image on the front.

It was a pinch-me moment: her work was emblazoned on Walmart Canada’s National Day for Truth & Reconciliation orange shirts stocked in stores across the country.

The granddaughter of two residential school survivors, Rudolph-Nicholas made her T-shirt art in honour of her late grandparents.

Introduction to Michif — one word at a time

Before the wolf can howl, Norman Fleury says a Michif word: Ooyoowuk.

“Ooyoowuk,” Fleury repeats. Or, in English, “howl.”

Ooyoowuk is one of 70 words articulated by Fleury with an animation and English translation to match — all bundled into digital flashcards.

A group of Métis entrepreneurs unveiled their Michif flashcards this week. They join a swelling movement to revitalize the Métis language, which combines languages such as Cree and French.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

Ten noteworthy concerts on classical calendar

Welcome to your brand new arts season! Winnipeg is well known for punching above its weight in world-class performances, and this year proves no exception.

Here is a list of 10 concerts that have caught my eye from now until the snow flies, listed (mostly) in chronological order:

1) The Winnipeg Symphony Orchestra launches its next chapter under new concertmaster Karl Stobbe. A pair of back-to-back concerts, Volodin Plays Tchaikovsky, led by Daniel Raiskin, features internationally acclaimed pianist Alexei Volodin performing two different works by the Russian composer on Saturday, Sept 27, 7:30 p.m., and Sunday, Sept. 28, 2 p.m. For more details, see wso.ca.

2) If you still need more (and who wouldn’t?), the Women’s Musical Club of Winnipeg also showcases the virtuoso in a solo recital at the Desautels Concert Hall on Thursday, Sept. 25, at 7:30 p.m. Visit wmcwpg.ca.

Discovering public art by chance

A few weeks ago, on a bike ride through St. Boniface with my wife, we veered off the familiar path and stumbled upon something unexpected.

Play serves as prism for different politics, histories

If you can’t make it to opening night for the latest production from Theatre Projects Manitoba, don’t fret: there are five premières for The Only Good Indian, with each solo performance vastly different from the next.

Taking Reel Pride in transformation

Reel Pride isn’t entering a mid-life crisis.

At 40, the annual Winnipeg LGBTTQ+ film festival appears as forward-looking as ever — though at the moment, its president, Ray Desautels, is feeling reflective about its arc.

“The festival started at a time when … you didn’t see LGBTQ characters on television, and if you did, they were shown in a very poor light or very stereotypical way,” he says.

“It’s become more, I think, a gathering place for queer people and queer arts … It’s more of an arts festival, not necessarily just strictly the film festival that it used to be. So we’re a gathering place for the queer community and its allies and supporters.”

Winnipeg Jewish Theatre’s therapy-set two-hander plays with reality

The public and private perils of online engagement crash through the screen and into a therapist’s office in Job, a nervy drama that explores the power of posts and the ethical responsibilities inherent to our respective postings.

Written by New York’s Max Wolf Friedlich and directed by Calgary’s Jack Grinhaus, the opening production of the Winnipeg Jewish Theatre’s season heads to the races with the brandishing of a starter’s gun in the warped offices of Bay Area psychotherapist Lloyd (Dov Mickelson).

Lloyd’s description of his typical patient — young people who are “hopeless and beyond help” — isn’t exactly inspirational.

Blundstone-booted Jane (Jada Rifkin) seems to have made the cut, having been placed on paid administrative leave after a viral meltdown by her employer, an unnamed tech giant on whose campus she’s enrolled as an adjudicator.

New documentary revisits Lilith Fair, gives it the overdue kudos it deserves

In the opening moments of Lilith Fair: Building a Mystery, a new documentary about the pioneering all-women touring festival co-founded by Canadian icon Sarah McLachlan in the late 1990s, there’s a series of TikTok videos fronted by gen Z women expressing wonder and astonishment that something like that ever even existed.

“There was an all-female music festival from 1997 to 1999 — and I am shook to my core,” one woman says.

Ally Pankiw, the film’s director, is not surprised younger generations have never heard of Lilith Fair.

“It was not celebrated for how massive it was,” says the Canadian film/TV writer and director (Feel Good, Shrill). “It was so commercially successful. It changed so many artists’ trajectories and careers. It raised so much money for charity.