Some Japanese snack packages are turning black-and-white as Iran war depletes ink supply

TOKYO (AP) — The packaging on some snacks in Japan is turning a somber black-and-white, as the war in Iran disrupts the supply of an ingredient used in colored ink.

Tokyo-based Calbee Inc., which makes potato chips and cereal, said what’s inside remains the same. Calbee's popular snacks are available in Japan's ubiquitous convenience stores and shipped to the United States, China and Australia.

“This measure is intended to help maintain a stable supply of products,” it said in a statement this week.

The change on 14 products in its lineup will start May 25, limiting ink colors to just two, the company said, noting it was necessary to respond flexibly to changing geopolitical conditions.

Fausses histoires, vrais liens

Ce vendredi 1er mai, la finale de la 35e saison de la Ligue d’improvisation du Manitoba (LIM) a fait salle comble une fois de plus au Centre culturel franco-manitobain.

Pour la troisième année consécutive, c’est l’équipe des Verts — Roger Durand, Eric Plamondon, Gilles Lessard, Alexandre McMurray, Avery Wolchuk, Léanne Marchildon, Zara Ramlal — menée par Mathieu Jubinville, qui a soulevé la Coupe Canot après l’avoir emporté sur les Jaunes — Alexandre Normandeau, Dominique Wyrchowny, Jacques de Moissac, Josée Roy, Lynne Connelly, Stéphane Grégoire, Stéphanie Morin-Robert — de Maryse Gagné au terme d’un match très serré.

Pour celles et ceux qui ignorent en quoi consiste un match de LIM, imaginez deux équipes qui partagent une même scène et qui s’affrontent ou collaborent parfois sur un thème donné pour raconter l’histoire la plus drôle possible.

Mathieu Jubinville, capitaine de l’équipe gagnante, donne l’exemple suivant: surveillance de voisinage.

New craft exhibition gives artists licence to lighten up

Textile artist and Manitoba Craft Council program co-ordinator Katrina Craig had a simple brief for the artists taking part in her curatorial debut, Serious Play, at C2 Centre for Craft: each person was asked to investigate the radical potential of play when making pieces for the show.

The four local interdisciplinary artists — Charlotte Sigurdson, Candace Neumann, Maureen Winnicki Lyons and Miriam Delos Santos — took her playful instructions seriously.

“Culturally, we think of play as frivolous or irrelevant. It’s a low priority,” Craig, 35, says. “But I think of play as an essential part of creating new things and of problem-solving. I’ve found that when I lean into that not-so-serious side of myself, good things tend to come about.”

The theme is especially pertinent in the field of craft, which can often be more intensely focused on rigorous skill-building and technical mastery. Sometimes playfulness can fall to the wayside in the pursuit of excellence

Movie review: Talking-sheep comedy pokes affectionate fun at mystery genre

There’s a certain kind of little British film that wants very much to be sweet and charming.

It’s a tricky genre. When it’s forced, sweetness can easily become sugary, charming can tip over into twee.

This all-ages talking-sheep comedy-mystery gets it right. With a lot of Babe sincerity and a smidge of Knives Out self-awareness, The Sheep Detectives is cosy but never complacent.

Using a deft blend of live-action and CGI animation, the story starts with George (Hugh Jackman), a shepherd who tends his flock just outside Denbrook, a picture-perfect village with thatched roofs, half-timbered walls and a mossy churchyard.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

Met gala guests deliver works of art on the human form

New York (AP) — Whether dressed in a jewel-encrusted skeletal form, sculpted breast plates or anatomy-evoking trompe l’oeil, Met Gala guests physically evoked the theme “fashion is art” Monday evening as they masterfully pulled from a kaleidoscope of references to embody living works of art.

“Everyone who attended the Met Gala this year really leaned into fashion is art, using your body as a canvas, and that really came across in some of the best-dressed looks of the night,” said Kevin Huynh, fashion director of InStyle.

Fashionable A-listers gave into the theme and had fun with it. First-time Met Gala attendees included actors Chase Infiniti and Hudson Williams, as well as Olympian Alysa Liu, all of whom commanded the carpet in dramatic ensembles. Infiniti, for example, donned an enchanting Thom Browne sequined gown using trompe l’oeil to depict the female form.

Meanwhile, Met Gala mega stars and repeat attendees rose to the occasion: Vogue red-carpet correspondent Emma Chamberlain playfully dressed in a dramatic long-sleeved gown that appeared dipped in a rainbow of color from indigo to the brightest yellow-gold. And after 10 years of skipping the Gala, Beyoncé arrived to reclaim her throne, wearing a glittering crown and radiant Olivier Rousteing silver gown designed in the shape of a skeleton.

Stars on Ice skaters embrace high fashion with designer dresses

If anyone knows how to make a statement, it’s Canadian Olympian Deanna Stellato-Dudek.

Not only did the 42-year-old make history in February as the oldest female figure skater to compete at the Olympic Games in almost a century, Oscar de la Renta dressed her for the occasion — in Milan, Italy, one of the great fashion capitals of the world.

“I think a partnership between haute couture and figure skating is a match made in heaven,” says Stellato-Dudek, who won three Canadian titles and the 2024 world championship with pairs partner Maxime Deschamps.

Her collaboration with the New York fashion house marked the luxury brand’s first foray into figure skating costume design.

RMTC's Rubaboo: A Métis Cabaret is a musical mélange of jazz, folk, roots

You’ve probably had sirop d’érable and pemmican, but have you tried rubaboo?

A scoop of peas or corn, a dash of flour and onions, bison meat if you have it, a maple syrup garnish — and suddenly you’re cooking with bear grease (which you shouldn’t forget to add, either).

In a pinch, you might substitute grouse for bison meat, and throw in some extra turnip and parsnip plus wild vegetables to thicken your rubaboo stew.

Cooking and fusion metaphors are never far from how we talk about cultural blending, but in Canada, we’ve tended to resist America’s more assimilationist image of the melting pot. Instead, we talk of mosaics, or sometimes salad bowls, to emphasize eclecticism.

Winnipeg photographer captures striking stills that market major motion pictures

Eric Zachanowich is the most famous photographer you’ve probably never heard of.

He’s worked with Tinseltown heavyweights such as the late Robert Redford, Ralph Fiennes, Laura Linney, Woody Harrelson and Anya Taylor-Joy, and even appeared in Dwayne (The Rock) Johnson’s wrestling biopic The Smashing Machine, disguised as, you guessed it, a photographer.

“It was for one of the opening scenes so I could shoot Dwayne Johnson walking to the ring. I made the final cut of the movie — although it’s hard to place me — and also got a spectacular photo that was used heavily during marketing,” says Zachanowich, 32.

More often than not, he operates as a silent observer on the sets of cinema blockbusters and prestige television dramas alike, his lens capturing the world’s biggest A-listers at their most vulnerable and intense moments.

Wordless puppet show explores father-daughter ties

Having a parent who travels for work is a challenge for any child, but whenever Shizuka Kai’s father left on a voyage to capture elusive footage of white wolves and kodiaks, there was an element of danger that didn’t exist for other children.

“I would say I kind of grew up with my dad telling us that he actually might not come home,” says Kai, a Vancouver-based puppet maker and theatre artist. “A moment I vaguely remember as a kid was when he sat us down and explained the life-insurance process because (he) might actually get attacked and eaten by a bear, and that’s the reality of this project (he was) doing.”

That reality is put through a puppeteer’s lens in Otosan, the closing production of the 2025-2026 season at the Manitoba Theatre for Young People.

Based on Kai’s experiences growing up as the child of a dogged wildlife videographer, combined with memories from a joint trip to Alaska in Kai’s early 20s, Otosan — on to May 17 — is told in a wordless tabletop puppet show featuring lifelike renderings of father, daughter, grizzly bear and snowy owl.

Stirring oratorio pays homage to Indigenous veterans

‘My war wasn’t in Europe. My war was when I came back to Canada and I couldn’t vote until 1962,” says composer Andrew Balfour. He’s paraphrasing a quote by an Indigenous veteran and the inspiration for his oratorio notinikew (i went to war).

Manitoba summit to explore solutions to chronic truancy

Winnipeg teachers are cutting class on Thursday to strategize how to improve student attendance and remove barriers so more children show up for lessons on a regular basis.

Most fashion mannequins are about a size 2. The Met Gala exhibit is making room for diverse bodies

NEW YORK (AP) — On a sultry summer day in Brooklyn last year, artist and couture designer Michaela Stark found herself in a studio surrounded by 175 cameras, for a photo shoot unlike any she’d done before.

Clad only in her signature corsetry that binds the flesh, Stark stood in the midst of a circle as the cameras captured all angles of her body, simultaneously — part of an intricate process known as photogrammetry. The goal: to scan her body and build a mannequin — three, actually — for display in one of the world’s top museums, the Metropolitan Museum of Art. And at the Met Gala, no less.

“It was definitely a bit nerve-wracking,” recalls Stark of the “intimate and vulnerable” experience. But, she quips, “something about being naked on a 40-degree (Celsius) day in a corset that isn’t hiding anything kind of takes the awkwardness away from the situation, actually.”

The mannequins, and others based on real-life models like Stark, will be featured in “Costume Art,” the upcoming spring exhibit at the museum’s Costume Institute that's launched by the starry May 4 gala. It’s part of an effort to add an element of body positivity to a show that examines the dressed body in art over the centuries, says curator Andrew Bolton.

North End vocational school opens ‘cultural learning lab’ creative design studio

A North End warehouse has been converted into a multi-purpose design studio where students can sew ribbon skirts, print 3D models and launch businesses.

The Winnipeg School Division celebrated the grand opening of its Waabishkaa-Makwa Lab last week.

The first-of-its-kind “cultural learning lab” embeds Indigenous teachings into project-based learning activities.

For more than a decade, the 4,500-square-foot space inside R.B. Russell Vocational School had been collecting dust and housing broken equipment.

Flora Luna: entre confidences musicales et rayonnement vers l’Est

Dans l’ordre, à la fin du mois de mars, Geneviève Freynet, connue sous le nom d’artiste de Flora Luna, avait annoncé sa signature avec Indica Records, un label indépendant basé à Montréal.

Fondé en 1997, Indica Records présente une variété de genres musicaux allant du rock/punk/alternative sur laquelle le label a été fondé, incluant le folk, mais aussi la pop, l’indie, la musique du monde et l’électro/rock.

Indica Records s’occupera spécifiquement du booking pour Flora Luna. Cela veut dire notamment la réservation et l’organisation des spectacles de l’artiste.

“L’idée, c’est qu’ils me réservent des spectacles et des tournées, surtout au Québec, et potentiellement en Europe, et un peu en Ontario aussi. Leur centre d’attention, c’est vraiment le Québec, alors oui, j’ai hâte,” précise Geneviève Freynet.

New dance work explores life’s tensions

The pressures of modern life have a way of piling up.

Piles of work. Piles of debt. Piles of laundry. Piles of information and memes and media to parse. Piles of expectations. Piles of physical stuff added to cart during late-night shopping binges because we think it’ll make the piles of stress and worry (about the cost of groceries, about war, about aging parents) easier to manage, lighter to carry.

We become surrounded by these metaphorical and literal piles until, one day, it all becomes too much.

Accumulation, a new work choreographed by artistic director Jolene Bailie that will close Winnipeg’s Contemporary Dancers’ 2025/26 season, lives in the tension before the breaking point.

AI-rendered Val Kilmer debuts in ‘As Deep as the Grave’ trailer

LAS VEGAS (AP) — The filmmakers behind “As Deep as the Grave,” the indie film that is using an artificial intelligence-rendered version of Val Kilmer in a prominent role, debuted a first look at the recreated actor Wednesday at CinemaCon in Las Vegas.

“Don’t fear the dead and don’t fear me,” Kilmer’s character, Father Fintan, a Catholic priest and Native American spiritualist, says at the end of the trailer.

The actor died last year at 65, of pneumonia. The use of generative AI to recreate Kilmer for the historical drama based on archaeologists Ann and Earl Morris became a hot button topic when the filmmakers announced it last month. The trailer shows Kilmer’s character at various ages.

Writer-director Coerte Voorhees, along with his brother John, spoke on a panel Wednesday about the controversial decision to use technology to create a performance from a deceased actor and explained why they feel they've done it ethically by working with Kilmer's children and the actors union. Coerte Voorhees stopped short of calling it a Val Kilmer performance, however.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

From chants on trams to a parliament rave, young Hungarians provided a soundtrack for Orbán’s defeat

BUDAPEST, Hungary (AP) — Many of the young Hungarians who came of age during Prime Minister Viktor Orbán’s 16 years in power have never known life outside his political system. Yet it was they that were at the forefront of Sunday's earthquake election that ejected him from office.

As hundreds of thousands of people took to the streets to celebrate the historic win by pro-European candidate Péter Magyar, music from some of Hungary's most popular — and most Orbán-critical — performers filled the air. Teenagers scaled Budapest’s iconic Chain Bridge and blasted revolutionary anthems by artists whose songs captured young people’s frustrations with the regime.

On the city’s trams, buses and subway cars, young people led chants and played AI-generated fan music dedicated to Magyar.

In front of Hungary's neo-Gothic parliament building, a group called “More Techno to Parliament!” celebrated Orbán's defeat with a rave.

Hand-drawn 1884 map captures Winnipeg at moment when frontier hadn’t fully given way to a metropolis

At first glance, the map is still. Ink on paper, streets drawn neatly in place, buildings rendered by a careful hand. Look more closely and it begins to loosen. Step into the image, between the lines, and immerse yourself in a city of movement.

In pictures: Artemis II crew captures eclipse, Earthrise, far side of moon during lunar flyby

NASA released new photos Tuesday captured by the Artemis II astronauts.

Artemis II’s lunar fly-around and intense observation period lasted seven hours.

A total solar eclipse greeted the three Americans and one Canadian as the moon temporarily blocked the sun from their perspective.

Venturing as close as 4,067 miles (6,545 kilometers) to the gray dusty surface, the astronauts zipped through a list of more than two dozen photo targets, using powerful Nikon cameras as well as their iPhones to zoom in on impact craters and other intriguing lunar features.

Pallister portrait shows more of the man

Salvador Dali once said, “The reason some portraits don’t look true to life is that some people make no effort to resemble their pictures.” This cannot be said of Manitoba’s 22nd premier, Brian Pallister. His official portrait by artist Andrew Valko doesn’t just resemble Pallister, it reveals him.

It reveals not just who he is but more, someone far different than the public portrait many Manitobans had of him.

Begin with the setting. Manitoba’s most outdoors premier has the first outdoors portrait of a premier.

Significantly, he chose not where he worked — the formal pediments and stone of the province’s legislative building which form the preferred backdrop of all his predecessors — but where he lived and loved, the landscape of Manitoba itself. High Bluff, part of his hometown municipality of Portage la Prairie, with the Assiniboine River gently wending its way in the background, fills the canvas. It cries out roots and belonging, not position or status.

C’est l’amitié qui a gagné

Lors de la finale de la 30e saison de la Ligue d’improvisation secondaire tellement époustouflante (LISTE), un moment historique s’est joué: les Grenouilles grotesques et les Extra-terrestres rocambolesques, deux équipes du Collège Louis-Riel, ont remporté ensemble la victoire, partageant le trophée.

La soirée du 17 mars, une quinzaine de jeunes joueurs d’improvisation de la Division scolaire franco-manitobaine (DSFM) se sont rencontrés pour la finale de la trentième saison de la LISTE. Accueillies par une foule passionnée d’environ cinquante personnes, les deux équipes finalistes se sont rencontrées dans la Salle Pauline-Boutal du Centre culturel franco-manitobain (CCFM).

D’une part, en chemises vertes et représentés par des cartes de vote vertes, on retrouvait les Grenouilles grotesques, du Collège Louis-Riel (CLR). L’équipe s’est ralliée sous la houlette de leur capitaine Gabrielle Pagé, élève de 12e année.

De l’autre, en chemises noires et représentés par des cartes de vote jaunes, il y avait les Extra-terrestres rocambolesques, également du CLR. Cette équipe était dirigée par Nathan Perkins, lui aussi en 12e année.

SiR’s upcoming season a case of all’s fair in love and war

A month before Christopher Nolan’s film adaptation of The Odyssey invades cinemas worldwide, Shakespeare in the Ruins’ 2026 season will feature a solo version of The Iliad, giving audiences a crash course in Homer’s epic prequel just in time for a blockbuster summer.

With global conflict and the threats of unmitigated re-armament on his — and everyone’s — mind, artistic director Rodrigo Beilfuss says it only made sense for the outdoor theatre company to return to the Trojan War as a window into the everlasting human cost of international conflict.

Beilfuss, who joined SiR as artistic director in 2019, made a concerted effort throughout the company’s return from pandemic-induced hiatus to program gentler fare. But with last year’s well-received production of Macbeth, the company indicated it was ready to return to tragic terrain.

During a season backdropped by wildfire, the artistic director was reminded of the potential for the classics to cut through the smoke and reveal eternal truths as the world burns.