Hommage vivant à une pionnière du théâtre franco-manitobain

Du 22 octobre au 1er novembre 2025, le Théâtre Cercle Molière donnera vie à la figure emblématique de la francophonie manitobaine, Pauline Boutal.

Pour le centenaire du TCM, l’ancienne direction a choisi d’inaugurer sa saison avec la programmation d’une pièce “100 % Manitoba,” comme le dit Marie-Ève Fontaine, nouvelle directrice artistique et co-directrice générale de l’établissement.

Il s’agit de Pauline Boutal, entre les toiles et les planches, œuvre de théâtre écrite par l’une des plus importantes figures de la littérature franco-canadienne de l’Ouest actuelle, Lise Gaboury-Diallo, et mise en scène par Simon Miron, également franco-manitobain.

Le spectacle retrace en deux actes les faits saillants de la vie de Pauline Le Goff Boutal (1894-1992), illustratrice, artiste-peintre, costumière, comédienne, metteuse en scène et première directrice artistique du TCM, qu’elle a dirigé pendant 27 ans.

The Orange Notebooks navigate love, longing and a quest for a lost child

He turned. He looked back, precisely when he seemed to have the cosmic solution in his hands — and that was his terrible undoing. That was Orpheus’s mistake.

Susanna Crossman reimagines turning and looking back here, in a kind of experiment in genre. The Orange Notebooks is an adventure story, to be sure, but it is also part aching memoir, part lyrical poetry, part polychromatic kaleidoscope, part surreptitious “found footage” but, most thoroughly, part primordial myth.

Crossman seems to dwell, as her writing does, between worlds. She grew up in the U.K. in a “utopian commune” about 50 years ago but now resides in France, writing (both essays and fiction), lecturing and practising arts therapy. Her 2024 memoir, Home Is Where We Start, set a lingering tone of journeys, nostalgia and psychological reflection.

The Orange Notebooks reprises that tone, beginning with the pretense that we are being handed a set of journal reflections written by our protagonist, “Anna,” who herself lives in liminal spaces. She too was raised in England but grew to adulthood as a server on an English Channel ferry, married a dashing Frenchman with an exotic name, Antton (the two Ts a vestige of his Basque heritage) and eventually settled with Antton in a lovely rural French home, both as teachers.

Thousands mark Truth and Reconcilation Day

As a sea of thousands clad in orange waited, Helen George braids her son’s long, straight hair.

They’re at the RBC Convention Centre, preparing for the grand entry ceremonies hosted by the Southern Chiefs’ Organization to mark the fifth annual National Day for Truth and Reconciliation Tuesday afternoon.

Originally from Ochapowace Cree Nation in Saskatchewan but living in Winnipeg, George is helping her son, Houston, get dressed for the upcoming powwow. For her, seeing so many families coming together to recognize the impact of the residential school system and celebrate Indigenous resilience is touching.

“It’s meaningful,” she said.

Croft Music plays finale after century-plus in business

A 110-year-old music instrument business has concluded its coda.

On Saturday, Ian Crowson closed the doors for good on Croft Music and began his retirement. The company specialized in selling and renting string instruments — particularly violins — and sold accessories and sheet music.

For the last 23 years, Croft Music worked in tandem with Violins by Anton, a one-man business operated by luthier Anton Domozhyrov. Crowson rented instruments and Domozhyrov repaired them out of the same location at 833 Henderson Hwy. Domozhyrov will continue running Violins by Anton in the building.

Crowson announced his retirement on Facebook at the end of May, writing that he would finish his career shortly after his 72nd birthday in September.

Misguided dramedy not great

Making her directorial debut, actor Scarlett Johansson (whose movies range from Lost in Translation to The Avengers) has chosen a small human story that is enormously well-intentioned.

But as the central character in this awkward, uneven dramedy proves, good intentions can have disastrous consequences. Attempting to make a much-needed statement about our contemporary culture’s difficulty in dealing with age, grief and loneliness, Eleanor the Great misfires, sometimes badly.

There are things that work. As we often see in projects by actors-turned-directors, the film’s core strength comes from its performances, especially that of 95-year-old June Squibb, a veteran actress who has a long list of supporting work in such movies as Nebraska and About Schmidt and recently received star billing in 2024’s Thelma. Here she takes the title role of Eleanor Morgenstein, a cranky, critical but compassionate senior.

As the story opens, Eleanor is living in Florida with Bessie (Rita Zohar). After the deaths of their husbands, the two old friends have been looking after each other. When Bessie wakes from nightmares rising out of her experiences during the Holocaust — a story she has never related, even to her own family — she and Eleanor sit at the kitchen table and talk it through.

Local filmmaker’s lo-fi feature packs a punch

It feels right that this low-budget, lo-fi experimental feature should be showing as part of We’re Still Here, a slate of programming that marks 50 resilient and resourceful years of the Winnipeg Film Group.

Music Go Round gears up for Canadian grand opening

Keith Dixon has fond memories of learning to play his sister’s guitar in 2005. Three years later, he acquired an axe of his own — a Gibson Les Paul with a cherry sunburst finish.

Indigenous stories given wings by peers, playwrights

Six Indigenous storytellers are sharing new works with local audiences this week through Royal Manitoba Theatre Centre’s Pimootayowin: A Festival of New Work.

Winnipegger’s artwork chosen for Walmart’s national Orange Shirt offering

As she walked into the Unicity Walmart department store, Indigenous artist Brooklyn Rudolph-Nicholas felt her excitement levels rising.

She headed towards the racks of instantly recognizable orange T-shirts, smiling as she glimpsed the familiar image on the front.

It was a pinch-me moment: her work was emblazoned on Walmart Canada’s National Day for Truth & Reconciliation orange shirts stocked in stores across the country.

The granddaughter of two residential school survivors, Rudolph-Nicholas made her T-shirt art in honour of her late grandparents.

Introduction to Michif — one word at a time

Before the wolf can howl, Norman Fleury says a Michif word: Ooyoowuk.

“Ooyoowuk,” Fleury repeats. Or, in English, “howl.”

Ooyoowuk is one of 70 words articulated by Fleury with an animation and English translation to match — all bundled into digital flashcards.

A group of Métis entrepreneurs unveiled their Michif flashcards this week. They join a swelling movement to revitalize the Métis language, which combines languages such as Cree and French.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

Ten noteworthy concerts on classical calendar

Welcome to your brand new arts season! Winnipeg is well known for punching above its weight in world-class performances, and this year proves no exception.

Here is a list of 10 concerts that have caught my eye from now until the snow flies, listed (mostly) in chronological order:

1) The Winnipeg Symphony Orchestra launches its next chapter under new concertmaster Karl Stobbe. A pair of back-to-back concerts, Volodin Plays Tchaikovsky, led by Daniel Raiskin, features internationally acclaimed pianist Alexei Volodin performing two different works by the Russian composer on Saturday, Sept 27, 7:30 p.m., and Sunday, Sept. 28, 2 p.m. For more details, see wso.ca.

2) If you still need more (and who wouldn’t?), the Women’s Musical Club of Winnipeg also showcases the virtuoso in a solo recital at the Desautels Concert Hall on Thursday, Sept. 25, at 7:30 p.m. Visit wmcwpg.ca.

Discovering public art by chance

A few weeks ago, on a bike ride through St. Boniface with my wife, we veered off the familiar path and stumbled upon something unexpected.

Play serves as prism for different politics, histories

If you can’t make it to opening night for the latest production from Theatre Projects Manitoba, don’t fret: there are five premières for The Only Good Indian, with each solo performance vastly different from the next.

Taking Reel Pride in transformation

Reel Pride isn’t entering a mid-life crisis.

At 40, the annual Winnipeg LGBTTQ+ film festival appears as forward-looking as ever — though at the moment, its president, Ray Desautels, is feeling reflective about its arc.

“The festival started at a time when … you didn’t see LGBTQ characters on television, and if you did, they were shown in a very poor light or very stereotypical way,” he says.

“It’s become more, I think, a gathering place for queer people and queer arts … It’s more of an arts festival, not necessarily just strictly the film festival that it used to be. So we’re a gathering place for the queer community and its allies and supporters.”

Winnipeg Jewish Theatre’s therapy-set two-hander plays with reality

The public and private perils of online engagement crash through the screen and into a therapist’s office in Job, a nervy drama that explores the power of posts and the ethical responsibilities inherent to our respective postings.

Written by New York’s Max Wolf Friedlich and directed by Calgary’s Jack Grinhaus, the opening production of the Winnipeg Jewish Theatre’s season heads to the races with the brandishing of a starter’s gun in the warped offices of Bay Area psychotherapist Lloyd (Dov Mickelson).

Lloyd’s description of his typical patient — young people who are “hopeless and beyond help” — isn’t exactly inspirational.

Blundstone-booted Jane (Jada Rifkin) seems to have made the cut, having been placed on paid administrative leave after a viral meltdown by her employer, an unnamed tech giant on whose campus she’s enrolled as an adjudicator.

New documentary revisits Lilith Fair, gives it the overdue kudos it deserves

In the opening moments of Lilith Fair: Building a Mystery, a new documentary about the pioneering all-women touring festival co-founded by Canadian icon Sarah McLachlan in the late 1990s, there’s a series of TikTok videos fronted by gen Z women expressing wonder and astonishment that something like that ever even existed.

“There was an all-female music festival from 1997 to 1999 — and I am shook to my core,” one woman says.

Ally Pankiw, the film’s director, is not surprised younger generations have never heard of Lilith Fair.

“It was not celebrated for how massive it was,” says the Canadian film/TV writer and director (Feel Good, Shrill). “It was so commercially successful. It changed so many artists’ trajectories and careers. It raised so much money for charity.

Researchers solve decades-old color mystery in iconic Jackson Pollock painting

NEW YORK (AP) — Scientists have identified the origins of the blue color in one of Jackson Pollock's paintings with a little help from chemistry, confirming for the first time that the abstract expressionist used a vibrant, synthetic pigment known as manganese blue.

“Number 1A, 1948,” showcases Pollock's classic style: paint has been dripped and splattered across the canvas, creating a vivid, multicolored work. Pollock even gave the piece a personal touch, adding his handprints near the top.

The painting, currently on display at the Museum of Modern Art in New York, is almost 9 feet (2.7 meters) wide. Scientists had previously characterized the reds and yellows splattered across the canvas, but the source of the rich turquoise blue proved elusive.

In a new study, researchers took scrapings of the blue paint and used lasers to scatter light and measure how the paint's molecules vibrated. That gave them a unique chemical fingerprint for the color, which they pinpointed as manganese blue.

Seth Rogen and Evan Goldberg set Emmy record with comedy wins for ‘The Studio’

After making a career of playing lovable underachievers, Seth Rogen is officially an overachiever: his show "The Studio" set a new Emmy record for the most wins by a comedy, racking up top prizes including best series.

The Vancouver comedian and his longtime collaborator Evan Goldberg dominated the comedy categories at Sunday's awards bash, when they also collected directing and writing trophies for their Apple TV Plus cringe comedy.

“It's getting embarrassing. I really appreciate it, in all honesty,” Rogen said with his trademark chuckle while accepting the best comedy series award.

“I’ll do my best attempt at sincerity here – if you watched our show, if you appreciated our show, if you voted for our show, especially, thank you very much. I'm legitimately embarrassed by how happy this makes me.”

A Lebanese dancer defies extremist threats and social norms with his sold-out performances

BEIRUT (AP) — Alexandre Paulikevitch put on his white dress and wig and danced his way to center stage, knowing that the extremist groups who had threatened him before his controversial recital might be waiting for him outside the theater.

The Lebanese dancer’s sold-out performance to a cheering crowd at a popular Beirut venue had angered fundamentalist movements ranging from the right-wing Christian Soldiers of God to Sunni Islamists.

The fundamentalists say Paulikevitch is “promoting homosexuality" because he wears dresses and corsets and undulates to classical Arabic music in a way which society largely sees as exclusive to women.

Paulikevitch says he’s breaking social norms and reintroducing forms of dance that were commonplace for men as recently as the early 20th century.

Artist explores internal dialogues with a surreal twist

Can you ever truly be alone with your thoughts when your thoughts don’t leave you alone?

In the oil and acrylic paintings that populate Bria Fernandes’ solo show, Things Left Unsaid — on view now at Gallery 1C03 at the University of Winnipeg — feelings and thoughts of self-doubt, anxiety, grief and displacement show up as physical visitors, often in the most banal moments of daily life. Like when you’re brushing your teeth, say. Or making coffee.

In the 2024 work Ain’t Misbehavin’, they arrive when the central figure is pulling on her socks. A melancholy blue figure leans against her thigh as though seeking comfort. Another appears from behind, hands on her shoulders.

“She’s trying to live her life, and she’s having these thoughts, and the thoughts in her mind are coming out into reality and interacting with her,” Fernandes says.

Trump celebrates West Point alumni group canceling award ceremony to honor Tom Hanks

WASHINGTON (AP) — President Donald Trump celebrated news on Monday that an alumni group from West Point canceled an award ceremony set to honor Tom Hanks, with the president calling the famous actor “destructive” and “WOKE.”

Hanks was scheduled to receive the 2025 Sylvanus Thayer Award on Sept. 25, but the U.S. Military Academy's alumni association canceled the ceremony last week, according to news reports.

“Important move!” Trump said in a post on his social media network Monday. “We don’t need destructive, WOKE recipients getting our cherished American Awards!!! Hopefully the Academy Awards, and other Fake Award Shows, will review their Standards and Practices in the name of Fairness and Justice.”

West Point, its alumni association and a representative for Hanks did not immediately respond to messages and calls seeking comment Monday.

ChatGPT — get away from my em dash

ChatGPT is ruining my life, and I don’t even use it.

Drawn to their unique grain pattern, carver gravitates to trees’ ungainly outgrowths

There’s more to a burl than meets the eye. On the surface the flawed wood is a gnarly, lumpy mess. But beneath the scars hides something rather special.

“Burls are an unappealing wart-like growth on a tree,” artist Gary Foidart, 69, explains.

“They are horrific looking on the outside. Some of them look terrible. You never know what you are going to hit when you cut a burl open but the wood inside is the most beautiful wood there is. Each one is totally unique.”

Bulbous and rough, a wood burl forms when a tree experiences stress or disruption to its growth. Burls can also develop from insect infestation, bacterial or fungi growth, and environmental injuries.