Teen newcomers hope powerful poem opens minds

Escaping Syria as a child, Fawwaz (Ali) Al Hassan knows a thing or two about global conflict.

“I’ve gone through war, genocide, poverty, myself firsthand, and I know how bad and terrible it is for anyone, not just for people of my kind, but anyone across the world,” the 17 year old who immigrated to Canada 10 years ago said.

The Daniel McIntyre Collegiate Institute student co-wrote the spoken-word poem What We’re Meant to Be, along with Sami Suliman, 16, and Tobilola (Tobi) Olorunsola, 17. The trio recited it Monday at the Manitoba legislature as part of the Manitoba Council for International Cooperation’s international development week.

The teens, all newcomers to Canada, brought their own personal experiences to the poem, a journey across the globe.

Tad et Birdy: quand le jeu devient un langage commun

La nouvelle production jeunesse du Manitoba Theatre for Young People (MTYP), Tad and Birdy, mise sur la créativité pour aborder la peur, la curiosité et le courage. Présentée au 7 février à Winnipeg, la pièce partira ensuite en tournée dans plusieurs communautés manitobaines.

Dans les coulisses, Sarah Lamoureux, responsable de la régie, décrit un processus de création fondé sur la collaboration et l’expérimentation. Travailler avec une petite équipe lui permet de dépasser le rôle traditionnel de coordination pour participer activement à la mise en scène.

“Je peux suggérer des choses à essayer, et on a la chance de vraiment les explorer ensemble. Les comédiens nes aussi proposent leurs idées, parce que ce sont eux et elles qui sont sur scène.”

Cette liberté créative se reflète dans les choix scéniques. Lorsque le texte ne précise pas les accessoires, l’équipe invente. Des crayons géants, des cartes Pokémon et des objets du quotidien deviennent les moteurs d’un imaginaire partagé.

Protest songs capture horror, hope in times of turmoil

Bruce Springsteen has always held a mirror up to America.

Sometimes that looks like 1975’s Born to Run, about escaping small-town suffocation and hitting the open road. Sometimes that looks like 2001’s American Skin (41 Shots), about the 1999 killing of Amadou Diallo, an unarmed 23-year-old Guinean student who was hit by 19 of the 41 rounds fired at him by the NYPD. And sometimes that looks like 1993’s Streets of Philadelphia, which was about the AIDS crisis.

On Wednesday, Springsteen released Streets of Minneapolis, an appropriately Dylan-esque protest song about ICE’s reign of terror in Minnesota. The Boss does not mince words, calling out “Trump’s thugs,” “Miller and Noem’s dirty lies” and naming the two “left to die on snow-filled streets,” Alex Pretti and Renée Good.

No, it’s not subtle. But it can’t be. These are not times for subtlety.

Métis-Canadian soprano exploring portrayals of Indigenous women in opera stresses need for joy, humour

While historically opera has been divided into comedies and tragedies, buffa and seria, Camryn Dewar believes Canada’s recent operas have tended to be overly solemn when tackling certain difficult subjects.

The Métis-Canadian soprano is thinking, in particular, about the representation of Indigenous issues — a lightning rod for both government funding and critical scrutiny in Canadian culture.

“Lots of (operas) tackle the struggle and the loss, but not many of them feature Indigenous joy and humour,” she says. “And that’s something that’s really necessary because it helps with normalization, showing us as normal people.”

Dewar, a Fulbright Scholar with a newly minted master of music in vocal performance from Montclair State University, is on a Canadian tour showcasing Indigenous Female Representation in Opera, 1879–Present. Part lecture, part singing performance, the presentation had its first Winnipeg stop last week at the University of Manitoba and returns to the Canadian Mennonite University at 11:30 a.m., March 12, in the Laudamus Auditorium.

New Music Festival explores theme of technology amid global rise of AI

This year’s New Music Festival runs Jan. 21-29 and includes six events.

Profiter de l’hiver en musique

Depuis plus de vingt ans, le festival Music ‘N’ Mavens s’est donné pour mission de transformer l’hiver winnipegois en saison de rencontres, en misant sur la curiosité culturelle et le plaisir de se retrouver. Jusqu’au 26 mars, au Rady Jewish Community Centre (Rady JCC), la série propose chaque mardi et jeudi après-midi des concerts et des conférences pensés comme des instants de rencontre.

À contre-courant des habitudes culturelles, Music ‘N’ Mavens assume pleinement son créneau de jour avec des concerts et conférences en plein après-midi.

”Je me souviens qu’au début, on me demandait comment je pouvais penser que les gens viendraient à 14 heures quand il fait -30 degrés,” raconte Karla Berbrayer, fondatrice et directrice artistique du festival. Je leur répondais qu’il fallait une raison pour quitter la maison. Et aujourd’hui, plusieurs me disent que c’est la raison qui les pousse à sortir pendant la journée.”

À l’initiative du projet, l’on retrouve Karla Berbrayer, polyglotte et francophile, elle a nourri son intérêt pour la langue française qu’elle a commencé à apprendre en école d’immersion. La fondatrice défend depuis le départ une idée simple, celle d’offrir des propositions artistiques, sociales et culturelles à un moment de la journée souvent négligé.

Storybook ending for student warming hut winners

Manitoba’s newest student-designed warming hut doubles as a public awareness campaign for a child advocacy centre.

Children’s Hospital to spruce up ward with local art

Local artists are being invited to create child-friendly nature-themed original artworks for the walls of CK5, the childhood cancer, blood disorders and transplants ward at the Health Sciences Centre Children’s Hospital.

Robert Archambeau and the value of artistic legacy

When I last visited Robert Archambeau’s ceramics studio in Bissett — long after the kiln had cooled and after Robert himself had left us — I found myself standing in a place that felt both haunting and profoundly alive.

Mythical quest takes audiences on wild ride in The Lightning Thief

Manitoba Theatre for Young People plunges a full house of mortals into the shadowy underworld as it presents the Greek myth-infused The Lightning Thief.

The musical holiday production (90 minutes including intermission) is based on American author’s Rick Riordan’s Percy Jackson fantasy novel series, featuring a heavenly, all-local cast that would make any god or goddess proud.

After being expelled from school for his “fifth time in six years,” 12-year-old Percy Jackson, a “half-blood” son born of a human mother, Sally Jackson, and Poseidon, god of the sea, embarks on a hero’s quest to rescue a powerful lightning bolt stolen from Zeus.

We follow Percy into Camp Half-Blood, where he learns he’s a demigod, before setting out with his half-blood chums Annabeth and Grover to various locales, including Las Vegas and Los Angeles, with all roads ultimately leading to Hades.

‘We’re going up, up, up’: K-pop dominated Canada’s YouTube viewing trends in 2025

If YouTube’s year-end data is any clue, Canada is deeply in its K-pop era.

The streaming platform says Netflix’s hit animated musical film “KPop Demon Hunters” was a major driver of engagement in 2025, with several of its tracks becoming Canada’s most-watched music videos and shorts.

Meanwhile, “APT” — American singer Bruno Mars’ collaboration with K-pop star Rosé — ranked as the country’s top song of the year. It also became the fastest K-pop track to reach 1 billion views on YouTube, beating "Gangnam Style."

“KPop Demon Hunters” songs including “Golden,” “How It’s Done” and “Soda Pop” also cracked the top songs list, with the latter additionally ranking among the country’s most-watched shorts, which are YouTube's vertical short-form videos.

City considers restrictions on Bois des Esprits tree carving

It started out as something quirky, a bit like hide-and-seek in the Bois des Esprits forest.

First came Woody, a large mythical troll-like carving in the trunk of a diseased tree marked for removal, off of the main trail. Several years later, another carver came forward requesting permission to produce a series of smaller carvings on dead trees and branches tucked away in the forest that hugs the Seine River in south Winnipeg. They were hidden gems to be found by the sharp-eyed walker.

But since 2020, there’s been a significant uptick in unauthorized carvings, including on living trees, often accompanied by small dedication plaques and in much more visible locations. Nearby Royalwood residents have raised concerns about the proliferation and the disruption to the natural setting.

Although there is no formal policy, the city continues to receive requests to allow carvings in both Bois des Esprits and other parks.

Teen quartet We’re Only Here for the Snacks to release debut album on limited-edition Winnipeg-inspired vinyl

The teenage instrumental indie-rock quartet will launch its debut album, Missed Our Stop, Sunday at the West End Cultural Centre.

Sony, Warner and Universal sign AI music licensing deals with startup Klay

LONDON (AP) — The world's biggest music labels have struck AI licensing deals with a little-known startup named Klay Vision, the companies said Thursday, the latest in a series of deals that underlines how the technology is shaking up the music industry ’s business model.

Warner Music Group, Universal Music Group and Sony Music Entertainment, and their publishing arms, all signed separate agreements with Klay, according to an announcement posted on Warner's website.

It comes a day after Warner inked two other deals involving artificial intelligence, with startups Udio and Stability AI.

There were few details released about the agreements or about Klay, which is based in Los Angeles, and what it does.

$54.7M sale of Frida Kahlo self-portrait breaks auction record for female artists

A haunting 1940 self-portrait by famed Mexican artist Frida Kahlo sold Thursday for $54.7 million and became the top-selling work by any female artist at an auction.

The painting of Kahlo asleep in a bed — titled “El sueño (La cama)” or in English, “The Dream (The Bed)” — surpassed the record held by Georgia O’Keeffe’s “Jimson Weed/White Flower No. 1," which sold for $44.4 million in 2014.

The sale at Sotheby's in New York also topped Kahlo's own auction record for a work by a Latin American artist. The 1949 painting “Diego and I,” depicting the artist and her husband, muralist Diego Rivera, went for $34.9 million in 2021. Her paintings are reported to have sold privately for even more.

The self-portrait is among the few Kahlo pieces that have remained in private hands outside Mexico, where her body of work has been declared an artistic monument. Her works in both public and private collections within the country cannot be sold abroad or destroyed.

High score: Winnipeg Video Game Orchestra goes from joysticks to drumsticks

There is, evidently, a lot of crossover between band nerds and video game enthusiasts.

The Winnipeg Video Game Orchestra has levelled up at an impressive pace, attracting about 70 like-minded players since forming earlier this spring.

The ensemble is set to perform its first major concert at Jubilee Place on Friday featuring background music from Sonic the Hedgehog, Kirby, The Legend of Zelda and other well-known games.

“We grew very, very quickly,” says director Dann Bjornson, who isn’t entirely surprised by the overwhelming local interest.

Artificial art a threat to human creativity

Thinking of Drew Struzan’s art — magic, really — in hand-drawn film posters, it’s hard not to think that this particular form will be another casualty of artificial intelligence, another art form reduced to cheap slop.

Travelling sign painter finds his groove on the move

For someone whose writing appears all over the city, Joseph Pilapil’s penmanship isn’t the best.

You’ve probably seen his meticulously formed letters above store entrances, on shop windows and decorating sandwich boards all across the city.

But when it comes to writing on paper, well, the less said the better.

“My handwriting is terrible. When I am writing out my day-to-day stuff, it’s absolutely really bad,” he says, with a laugh.

La créativité franco-manitobaine rayonne: Anna Binta Diallo expose à travers le pays

En 2025, l’artiste visuelle franco-manitobaine Anna Binta Diallo connaît une année charnière. De Vancouver à Toronto, en passant par Edmonton et Winnipeg, ses expositions se succèdent, confirmant la place qu’elle occupe désormais parmi les figures majeures de la scène artistique canadienne contemporaine.

Née à Dakar, Sénégal, en 1983 et élevée à Saint-Boniface, Anna Binta Diallo tisse depuis toujours des liens entre les continents et les mémoires. Ses œuvres explorent les intersections entre identité, nostalgie et nature, dans un langage visuel qui conjugue collage, vidéo, graphisme et sculpture.

“Le collage est depuis longtemps au cœur de ma démarche,” confie-t-elle. “J’aime réagencer des images anciennes, des sons, des fragments d’archives pour construire de nouveaux récits.”

L’artiste collecte cartes, livres et photos qu’elle transforme en compositions hybrides, à la croisée du passé et du futur.

Forum Art Centre and the art of neighbourhood life

Most mornings when I step outside my door at Philips Square, I look across the street and see something that makes me quietly grateful to live where I do. It isn’t just the park or skyline view — it’s the steady rhythm of people coming and going through the doors of the Forum Art Centre at the corner of Eugenie Street and Taché Avenue.

Rosa Parks and Helen Keller statues unveiled at the Alabama Capitol

MONTGOMERY, Ala. (AP) — Statues of Rosa Parks and Helen Keller, pivotal figures who fought for justice and inspired change across the world, were unveiled Friday on the grounds of the Alabama Capitol.

The monuments honoring the Alabama natives whose advocacy helped dismantle racial segregation and promoted the rights of people with disabilities are the first statues of women to be installed on the lawn of the Alabama Capitol, broadening the history reflected on the grounds that also include tributes to the Confederacy, which was formed at the site in 1861.

Gov. Kay Ivey, currently the nation's longest serving female governor, said Parks and Keller “rose to shape history through quiet strength and unwavering conviction.”

“Courage changes the course of history, and today, these statutes stand as symbols of that courage — testaments to what one person, especially one determined one, can do to make the world a better place,” Ivey said.

Hommage vivant à une pionnière du théâtre franco-manitobain

Du 22 octobre au 1er novembre 2025, le Théâtre Cercle Molière donnera vie à la figure emblématique de la francophonie manitobaine, Pauline Boutal.

Pour le centenaire du TCM, l’ancienne direction a choisi d’inaugurer sa saison avec la programmation d’une pièce “100 % Manitoba,” comme le dit Marie-Ève Fontaine, nouvelle directrice artistique et co-directrice générale de l’établissement.

Il s’agit de Pauline Boutal, entre les toiles et les planches, œuvre de théâtre écrite par l’une des plus importantes figures de la littérature franco-canadienne de l’Ouest actuelle, Lise Gaboury-Diallo, et mise en scène par Simon Miron, également franco-manitobain.

Le spectacle retrace en deux actes les faits saillants de la vie de Pauline Le Goff Boutal (1894-1992), illustratrice, artiste-peintre, costumière, comédienne, metteuse en scène et première directrice artistique du TCM, qu’elle a dirigé pendant 27 ans.

The Orange Notebooks navigate love, longing and a quest for a lost child

He turned. He looked back, precisely when he seemed to have the cosmic solution in his hands — and that was his terrible undoing. That was Orpheus’s mistake.

Susanna Crossman reimagines turning and looking back here, in a kind of experiment in genre. The Orange Notebooks is an adventure story, to be sure, but it is also part aching memoir, part lyrical poetry, part polychromatic kaleidoscope, part surreptitious “found footage” but, most thoroughly, part primordial myth.

Crossman seems to dwell, as her writing does, between worlds. She grew up in the U.K. in a “utopian commune” about 50 years ago but now resides in France, writing (both essays and fiction), lecturing and practising arts therapy. Her 2024 memoir, Home Is Where We Start, set a lingering tone of journeys, nostalgia and psychological reflection.

The Orange Notebooks reprises that tone, beginning with the pretense that we are being handed a set of journal reflections written by our protagonist, “Anna,” who herself lives in liminal spaces. She too was raised in England but grew to adulthood as a server on an English Channel ferry, married a dashing Frenchman with an exotic name, Antton (the two Ts a vestige of his Basque heritage) and eventually settled with Antton in a lovely rural French home, both as teachers.