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Christopher Nolan crafts modern epic, brings wartime saga home
5 minute read Yesterday at 8:50 PM CDTMonths before this week’s release of Christopher Nolan’s adaptation of The Odyssey, the film was already being criticized for being too “woke,” insufficiently manly, overly casual and not faithful enough to the original 2,800-year-old poem.
There was a lot of online griping about the historical inaccuracy of the armour, the helmets and the boats. (These accusations about lack of realism being made, mind you, against a story that also includes a one-eyed, man-eating giant, a six-headed sea monster and a sorceress who can turn men into pigs.)
If you’re willing to approach it on its own terms, Nolan’s cinematic epic is magnificent, moving and visually astonishing. And — putting to one side those quibbles about period-specific Bronze Age breastplates — his take ends up being “realistic” in a much more profound sense: even sequences reaching toward mythic heights remain grounded in fundamental and enduring human questions about love and loyalty, death and war, time and age.
Worrying about fidelity to the original also seems by-the-by. The Odyssey is a foundational text that weaves through centuries of re-imaginings in literature and art. Even the comparatively brief history of cinema offers up several adaptations, from a 1905 silent short by Georges Méliès, to a (sadly) unrealized Ray Harryhausen Claymation version in the 1990s, to the Coen Brothers’ antic musical O Brother, Where Art Thou? from 2000.
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